Adhyaya 20 — Ritadhvaja’s Companionship with the Naga Princes and the Origin of the Horse Kuvalaya
ब्रह्मरूपप्रतिच्छन्नौ तरुणौ प्रियदर्शनौ ।
तौ तैर्नृपसुतैः सार्धं तथैवान्यैर्द्विजन्मभिः ॥
brahmarūpapraticchannau taruṇau priyadarśanau | tau tair nṛpasutaiḥ sārdhaṃ tathaivānyair dvijanma-bhiḥ ||
Kedua pemuda yang tampan itu, menyembunyikan diri di bawah rupa Brahmin, tinggal bersama para putera raja itu dan juga bersama para pemuda dwija yang lain.
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Form (rūpa) can conceal essence; Purāṇic narratives repeatedly warn against judging solely by external marks, while also noting how social roles can be assumed for specific purposes.
Carita/ākhyāna: a plot mechanism (disguise) introducing new relationships and future causality.
Brahmin-disguise over Nāga-nature suggests the veiling of instinctual/serpentine energy under a mantle of intellect—an image of sublimation or strategic concealment.