Shloka 168

Adhyaya 70: आदिसर्गः—महत्-अहङ्कार-तन्मात्रा-भूतसृष्टिः, ब्रह्माण्डावरणम्, प्रजासर्गः, त्रिमूर्ति-शैवाधिष्ठानम्

Devanagari script

अबुद्धिपूर्वकाः सर्गाः प्राकृतास्तु त्रयः स्मृताः बुद्धिपूर्वं प्रवर्तन्ते षट् पुनर्ब्रह्मणस्तु ते

Transliteration

abuddhipūrvakāḥ sargāḥ prākṛtāstu trayaḥ smṛtāḥ buddhipūrvaṃ pravartante ṣaṭ punarbrahmaṇastu te

Translation

Tiga ciptaan diingati sebagai «prākṛta», yang muncul tanpa pendahuluan manifestasi buddhi (akal-budi). Namun enam ciptaan seterusnya bergerak dengan buddhi sebagai asas—itulah ciptaan Brahmā, sang demiurg kosmik, yang berfungsi di bawah kuasa Pati (Tuhan) yang mengurniakan daya bagi penzahiran.

Word by Word

• abuddhi-pūrvakāḥ: preceded by non-intellect/without buddhi manifest

• sargāḥ: creations/emanations

• prākṛtāḥ: primordial, of Prakṛti (Nature)

• tu: indeed/but

• trayaḥ: three

• smṛtāḥ: are remembered/declared

• buddhi-pūrvam: with buddhi (intellect) as the prior principle

• pravartante: proceed/come into operation

• ṣaṭ: six

• punaḥ: further/again

• brahmaṇaḥ: of Brahmā (the creator)

• tu: indeed

• te: those

Speaker

Suta Goswami

Characters & Entities

• Brahma
• Shiva

FAQs

What is the importance of this verse in the context of Linga worship?

By distinguishing prākṛta (nature-driven) creation from buddhi-led (ordered) creation, the verse supports Linga worship as aligning the devotee’s buddhi toward Pati (Śiva), the transcendent source who regulates manifestation beyond Prakṛti.

How does this verse describe the nature of Shiva (Shiva-tattva)?

Śiva-tattva is implied as Pati—the empowering, governing consciousness behind Brahmā’s intellect-led creation—showing that even cosmic intellect (buddhi) functions through the Lord’s lordship, not independently.

What ritualistic or Yogic practice is highlighted here?

The takeaway aligns with Pāśupata discipline: refine buddhi through mantra, dhyāna, and Linga-upāsanā so the pashu (soul) disentangles from prakṛti-driven impulses (pāśa) and turns toward Pati.