Kapardeśvara at Piśācamocana — Liberation of a Piśāca and the Brahmapāra Hymn
कदाचिदागतं प्रेतं पश्यति स्म क्षुधान्वितम् / अस्थिचर्मपिनद्धाङ्गं निः श्वसन्तं मुहुर्मुहुः
kadācidāgataṃ pretaṃ paśyati sma kṣudhānvitam / asthicarmapinaddhāṅgaṃ niḥ śvasantaṃ muhurmuhuḥ
Pada suatu ketika, dia melihat satu preta (roh kelaparan) datang ke sana, diseksa oleh lapar—anggota tubuhnya hanya terikat oleh tulang dan kulit—tercungap-cungap berulang kali.
Narrator (Purāṇic storyteller continuing the episode in Adhyaya 31)
Primary Rasa: bhayanaka
Secondary Rasa: karuna
Indirectly, by contrasting the Self with the precarious condition of the embodied/departed being: the preta’s suffering highlights bondage to karma and residual desire, implying that liberation lies in realizing the Atman beyond hunger, fear, and bodily identification.
This verse itself is descriptive, not prescriptive; however, within the Kurma Purana’s broader Shaiva-Vaishnava synthesis, such depictions function as vairāgya (dispassion) prompts—supporting disciplines like self-restraint, purification, and God-oriented yoga (including Pashupata-oriented devotion and inner steadiness) to avoid post-mortem distress.
It does not explicitly mention Shiva or Vishnu; its teaching is compatible with the Kurma Purana’s unified theism: whichever form of the Supreme is worshiped (Hari/Hara), dharma and yoga are presented as the means to transcend karmic suffering symbolized by the preta’s state.