Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 21
Pratiṣṭhā-Kalaśa-Śodhana-Ukti (Instruction on Purifying the Consecration Pitcher) — Chapter 85
गृहीत्वा तं नमोन्तेन निजात्मनि नियोजयेत् ॐ हां हं हों आत्मने नमः पूर्ववत् पितृसंयोगं भावयित्वोद्भवाख्यया
gṛhītvā taṃ namontena nijātmani niyojayet oṃ hāṃ haṃ hoṃ ātmane namaḥ pūrvavat pitṛsaṃyogaṃ bhāvayitvodbhavākhyayā
Setelah mengambil mantra (atau suku benih) itu, hendaklah ia menempatkannya pada Diri (Ātman) sendiri dengan menambahkan rumus penghormatan di hujungnya. Iaitu: “oṃ hāṃ haṃ hoṃ—ātmanē namaḥ” (sembah kepada Ātman). Kemudian, seperti sebelumnya, setelah merenungkan penyatuan dengan Pitṛ (roh leluhur), lakukan visualisasi yang dinamai “Udbhava” (kemunculan/asal-usul).
Lord Agni (traditional Agni Purana narration to Vasiṣṭha)
Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Self-application (ātma-niyojana/nyāsa) of the mantra with namaḥ-ending, followed by pitṛ-saṃyoga bhāvanā and the udbhava visualization in antar-yāga.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Ātma-namaskāra mantra-niyojana and Pitṛ-saṃyoga with Udbhava-bhāvanā","lookup_keywords":["ātma-niyojana","oṃ hāṃ haṃ hoṃ ātmane namaḥ","pitṛ-saṃyoga","udbhava-bhāvanā","antar-yāga"],"quick_summary":"Append ‘ātmane namaḥ’ to the seed-mantra and place it upon oneself; then contemplate ancestral union and perform the ‘Udbhava’ (arising) visualization as part of inner worship."}
Concept: The ‘Self’ is treated as the primary locus of worship; lineage/ancestral continuity (pitṛ-saṃyoga) supports the arising (udbhava) of empowered identity in ritual.
Application: Use namaḥ-ending to stabilize mantra as devotion/ownership, then perform structured visualization: (1) self-placement, (2) pitṛ-connection, (3) udbhava (arising) to deepen concentration and ritual authority.
Khanda Section: Puja-vidhi / Mantra-yoga (Antar-yaga, Nyasa, Tantric-style japa and bhavana)
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A meditator places mantra upon the heart/inner self, then visualizes a subtle ancestral presence behind/above, culminating in a luminous ‘arising’ (udbhava) of inner form.","kerala_mural_prompt":"Kerala mural, seated sādhaka in dhyāna, hand touching chest in nyāsa, faint ancestral silhouettes in halo behind, lotus of light rising from navel to heart, mantra syllables stylized in border","tanjore_prompt":"Tanjore, gold aura around the chest with ‘ātmane namaḥ’ motif, ancestors as small crowned figures in a semicircle above, central rising flame/lotus symbolizing udbhava, ornate frame","mysore_prompt":"Mysore, diagrammatic clarity: chest placement gesture, arrows indicating visualization stages (self → pitṛ union → udbhava), soft pastel background, fine facial expressions of calm","mughal_miniature_prompt":"Mughal miniature, contemplative figure in a garden pavilion, translucent ancestral figures in the sky band, a delicate plume of light rising from the body, calligraphic cartouche with mantra"}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"contemplative"}
Sandhi Resolution Notes: Resolved: नमोन्तेन → नमः-अन्तेन; निजात्मनि → निज-आत्मनि; भावयित्वोद्भवाख्यया → भावयित्वा + उद्भव-आख्यया.
Related Themes: Agni Purana 85 (antar-yāga, nyāsa, bhāvanā sequence)
FAQs
It teaches ātma-nyāsa: placing a mantra into oneself by adding the homage-ending (namaḥ), reciting “oṃ hāṃ haṃ hoṃ ātmane namaḥ,” and then performing pitṛ-saṃyoga-bhāvana with an ‘udbhava’ (origination/arising) visualization.
It preserves precise, procedural inner-ritual instructions—mantra construction (namo-anta), nyāsa application, and guided bhāvana—showing the Agni Purana’s coverage of practical liturgy and yogic-tantric techniques alongside its other domains.
By internalizing the mantra as worship of the Self and linking it with pitṛ-bhāvana, the practice is framed as purification and continuity of lineage-obligations, aligning personal sādhana with ancestral rites and merit (puṇya).