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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 2

Chapter 83 — निर्वाणदीक्षाकथनम्

Description of the Nirvāṇa Initiation

एकैकया तदाहुत्या प्रत्येकं तत्त्रयेण वा वीजगर्भशिखार्धन्तु हूं फडन्तध्रुवादिना

ekaikayā tadāhutyā pratyekaṃ tattrayeṇa vā vījagarbhaśikhārdhantu hūṃ phaḍantadhruvādinā

Dengan satu persembahan (oblation) bagi setiap mantra, atau dengan tiga persembahan bagi setiapnya, hendaklah dilakukan havana menggunakan mantra yang mengandungi bahagian bīja (benih), garbha dan śikhā, berserta rumusan dhruvā (tetap) serta akhiran seperti “hūṃ” dan “phaḍ” dan seumpamanya.

eka-ekayāwith each single (one)
eka-ekayā:
Karana (करण)
TypeAdjective
Rooteka (प्रातिपदिक) + eka (प्रातिपदिक)
Formस्त्रीलिङ्ग; तृतीया (3rd), एकवचन; करण (instrumental)
tad-āhutyāwith that oblation
tad-āhutyā:
Karana (करण)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक) + āhuti (प्रातिपदिक)
Formस्त्रीलिङ्ग; तृतीया (3rd), एकवचन; करण
pratyekamseparately/for each
pratyekam:
Sambandha (सम्बन्ध/adverbial)
TypeIndeclinable
Rootpratyeka (प्रातिपदिक)
Formअव्यय; क्रियाविशेषण (adverb)
tat-trayeṇaby that triad/threefold set
tat-trayeṇa:
Karana (करण)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक) + traya (प्रातिपदिक)
Formनपुंसकलिङ्ग; तृतीया (3rd), एकवचन; करण
or
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootvā (अव्यय)
Formअव्यय; विकल्पार्थक
vīja-garbha-śikhā-ardham(the parts) vīja, garbha, śikhā, and ardha
vīja-garbha-śikhā-ardham:
Karma (कर्म)
TypeNoun
Rootvīja (प्रातिपदिक) + garbha (प्रातिपदिक) + śikhā (प्रातिपदिक) + ardha (प्रातिपदिक)
Formनपुंसकलिङ्ग; द्वितीया (2nd), एकवचन; कर्म (mantra-parts as object of recitation/usage)
tuindeed/but
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
Formअव्यय; अवधारण/विरोधसूचक (emphatic/contrast)
hūṃhūṃ (seed syllable)
hūṃ:
Karma (कर्म/mantra element)
TypeIndeclinable
Roothūṃ (बीजाक्षर/अव्यय)
Formअव्यय; मन्त्रबीज (bīja syllable)
phaḍ-anta-dhruva-ādināby (the formula) beginning with phaḍ-ending and dhruva etc.
phaḍ-anta-dhruva-ādinā:
Karana (करण)
TypeNoun
Rootphaḍ (अव्यय/बीज) + anta (प्रातिपदिक) + dhruva (प्रातिपदिक) + ādi (प्रातिपदिक)
Formपुंलिङ्ग; तृतीया (3rd), एकवचन; करण; ‘...आदिन’ = ‘beginning with ...’

Lord Agni (in the Agni Purana’s standard narration to the sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Mantra","secondary_vidya":"Tantra","practical_application":"Homa-japa protocol: deciding oblation count (1 or 3 per mantra) and applying mantra-aṅgas (bīja/garbha/śikhā) with dhruvā formulas and protective endings (hūṃ, phaḍ).","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Homa: Oblation count and mantra-aṅga usage (bīja–garbha–śikhā with dhruvā, hūṃ/phaḍ)","lookup_keywords":["homa","āhuti count","bīja garbha śikhā","dhruvā mantra","hūṃ phaḍ"],"quick_summary":"Offer one or three āhutis per mantra, employing the mantra’s aṅgas—bīja, garbha, and śikhā—together with dhruvā (fixed) formulas and standard endings like hūṃ and phaḍ for sealing/protection."}

Concept: Mantra is operationally segmented (aṅga) and combined with fixed formulas; efficacy depends on correct count, sequence, and sealing syllables.

Application: Standardize homa performance: choose āhuti count, keep mantra-aṅgas intact, and use hūṃ/phaḍ to conclude and protect the act.

Khanda Section: Puja-vidhi (Mantra-japa & Homa-vidhi / Tantric-style oblation procedures)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A homa scene with the officiant reciting segmented mantras—bīja, garbha, śikhā—while placing one or three offerings into the fire; written mantra segments appear as scroll-like labels near the altar, ending with hūṃ and phaḍ.","kerala_mural_prompt":"Kerala mural, homa-kuṇḍa centered, priest counting āhutis on fingers, stylized Sanskrit syllables ‘hūṃ’ ‘phaḍ’ in decorative cartouches, yantra backdrop, warm ochres and reds.","tanjore_prompt":"Tanjore, gold-highlighted flames, priest holding ladle, three small offering bowls indicating triple āhuti option, ornate script panels for bīja/garbha/śikhā, rich jewel tones.","mysore_prompt":"Mysore painting, didactic layout: three labeled mantra parts (bīja/garbha/śikhā) arranged around the fire, priest performing measured offerings, clean borders and soft shading.","mughal_miniature_prompt":"Mughal miniature, detailed ritual implements (sruk/sruva), attendants with ghee and samidhs, subtle calligraphy panels showing hūṃ/phaḍ, precise depiction of one vs three offerings."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Kalyani","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: तदाहुत्या→तत्-आहुत्या; तत्त्रयेण→तत्-त्रयेण; वीजगर्भशिखार्धन्तु→vīja-garbha-śikhā-ardham tu; फडन्तध्रुवादिना→phaḍ-anta-dhruva-ādinā

Related Themes: Agni Purāṇa 83 (homa-mantra construction and āhuti rules)

A
Agni
H
Homa
B
Bīja-mantra
D
Dhruvā (fixed formula)
H
Hūṃ
P
Phaḍ

FAQs

It specifies the practical homa procedure: each mantra is offered either once or three times, employing mantra-components (bīja/garbha/śikhā) and standard dhruvā-type formulas, with forceful mantric endings like hūṃ and phaḍ.

Beyond mythology, it preserves operational ritual technology—counting rules for oblations and the applied structure of mantras (their ‘limbs’ and endings)—showing the text’s manual-like coverage of worship and tantric-ritual method.

Correct mantra-structure and prescribed oblation counts are presented as essential for ritual efficacy (siddhi) and purification, ensuring the offering is properly ‘sealed’ by protective syllables like hūṃ/phaḍ and stabilized by dhruvā formulas.