पवित्रारोहणविधिः
The Rite of Raising/Placing the Pavitra
समादाय पवित्राणि अविसर्जितदैवतः ऐशान्यां भाजने शुद्धे स्थापयेत् कृतमण्डले
samādāya pavitrāṇi avisarjitadaivataḥ aiśānyāṃ bhājane śuddhe sthāpayet kṛtamaṇḍale
Setelah mengambil pavitra (gelang/benang penyucian) yang suci, dan tanpa melepaskan dahulu dewa yang telah dipanggil, hendaklah ia meletakkannya dalam bekas yang bersih di penjuru timur laut (Īśāna), di dalam maṇḍala yang telah disediakan.
Lord Agni (teaching ritual procedure to the sage Vasiṣṭha)
Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Pūjā-maṇḍala setup: handling and placement of pavitra (purificatory thread/ring) without breaking the deity-invocation (avisarjana), using Īśāna (NE) as the auspicious quarter and a śuddha-bhājana (clean vessel).","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Pavitra-sthāpana in Īśāna within the maṇḍala (Avisaṛjana rule)","lookup_keywords":["pavitra","īśānya","bhājana","maṇḍala","avisarjana"],"quick_summary":"Keep the deity invoked (do not perform visarjana yet) and place the pavitra in a clean vessel positioned in the NE quarter inside the prepared maṇḍala; this preserves ritual continuity and purity."}
Concept: Ritual continuity (avisaṛjana) and spatial sacrality (dik-niyama) safeguard mantra-devatā presence.
Application: Do not interrupt the invoked deity’s presence while moving/placing ritual implements; maintain directional order and cleanliness to avoid doṣa in worship.
Khanda Section: Puja-vidhi (Isana-kalpa / Ritual Procedure and Mandala-setup)
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: Sacred-direction
Visual Art Cues: {"scene_description":"A ritualist stands before a drawn maṇḍala on the ground; in the north-east quadrant a clean vessel is set, and the pavitra threads/rings are carefully placed into it while the deity remains invoked.","kerala_mural_prompt":"Kerala temple mural style, flat yet rich colors, priest in white dhoti near a geometric maṇḍala, NE corner highlighted, clean bronze vessel, pavitra threads, subtle Śiva-Īśāna symbolism, sacred calm atmosphere","tanjore_prompt":"Tanjore painting, ornate ritual scene with gold leaf accents on the vessel and maṇḍala borders, priest placing pavitra in a shining bhājana at the NE, decorative temple interior cues, auspicious luminosity","mysore_prompt":"Mysore painting style, fine linework and soft shading, instructional clarity: labeled NE (Īśāna) corner, maṇḍala grid, clean vessel placement, priest’s hand gesture placing pavitra, minimal background","mughal_miniature_prompt":"Mughal miniature, detailed floor pattern maṇḍala, attendant holding ritual items, priest placing pavitra into a small vessel at the NE, delicate textiles, precise geometry, subdued devotional palette"}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Bhairav","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: अविसर्जितदैवतः = अविसर्जित + दैवतः (समास); कृतमण्डले = कृत + मण्डले (समास).
Related Themes: Agni Purāṇa Pūjā-vidhi sections on maṇḍala-lakṣaṇa, āvāhana–sthāpana–saṃnidhāna, pavitrāropaṇa, and visarjana-krama (same khanda context)
It gives a precise procedural rule for pavitra-handling: keep the deity still invoked (do not perform visarjana) and place the pavitras in a clean vessel positioned in the north-east (Īśāna) within the prepared maṇḍala.
It exemplifies the Agni Purana’s manual-like coverage of ritual engineering—directional prescriptions, purity rules, and object placement—alongside its many other domains (statecraft, medicine, weapon-science, poetics).
Maintaining the deity’s invoked presence and using a purified vessel in the auspicious Īśāna quarter safeguards ritual purity (śauca) and continuity (saṃbandha), supporting the intended merit (puṇya) and efficacy (siddhi) of the worship.