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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 6

Vāsudevādi-pratimā-lakṣaṇa-vidhiḥ

Iconographic and Iconometric Procedure for Vāsudeva and the Vyūha Forms

नाभिमेढ्रान्तरन्तालं द्वितालावूरुकौ तथा तालद्वयेन जङ्घा स्यात् सूत्राणि शृणु साम्प्रतं

nābhimeḍhrāntarantālaṃ dvitālāvūrukau tathā tāladvayena jaṅghā syāt sūtrāṇi śṛṇu sāmprataṃ

Jarak antara pusat dan bahagian kemaluan ialah satu tāla; paha ialah dua tāla; dan betis/kaki bawah ialah dua tāla. Sekarang dengarlah sūtra, yakni kaedah-kanun ukuran.

nābhi-meḍhra-antara-antālamthe intermediate length between navel and genitals
nābhi-meḍhra-antara-antālam:
Karma (कर्म)
TypeNoun
Rootnābhi (प्रातिपदिक) + meḍhra (प्रातिपदिक) + antara (प्रातिपदिक) + antāla (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन); समासः—षष्ठी-तत्पुरुषः (nābhi-meḍhra-antara = ‘between navel and genitals’) + तत्पुरुषः (antara-antāla = ‘intermediate measure/length’)
dvi-tālautwo tālas (a measure)
dvi-tālau:
Karta (कर्ता)
TypeNoun
Rootdvi (प्रातिपदिक) + tāla (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Dual (द्विवचन); द्विगु-समासः (numeral compound)
ūrukauthe two thighs
ūrukau:
Karta (कर्ता)
TypeNoun
Rootūru (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Dual (द्विवचन)
tathālikewise / also
tathā:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Roottathā (अव्यय)
FormAvyaya (अव्यय); adverb (क्रियाविशेषण)
tāla-dvayenaby a pair of tālas
tāla-dvayena:
Karana (करण)
TypeNoun
Roottāla (प्रातिपदिक) + dvaya (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Instrumental (3rd/तृतीया), Singular (एकवचन); तत्पुरुष-समासः (dvaya of tāla)
jaṅghāthe shank / lower leg
jaṅghā:
Karta (कर्ता)
TypeNoun
Rootjaṅghā (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
syātshould be / is to be
syāt:
Kriya (क्रिया)
TypeVerb
Rootas (धातु)
FormOptative (विधिलिङ्), 3rd person (प्रथमपुरुष), Singular (एकवचन); parasmaipada (परस्मैपद)
sūtrāṇithreads / cords
sūtrāṇi:
Karma (कर्म)
TypeNoun
Rootsūtra (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Plural (बहुवचन)
śṛṇuhear / listen
śṛṇu:
Kriya (क्रिया)
TypeVerb
Rootśru (धातु)
FormImperative (लोट्), 2nd person (मध्यमपुरुष), Singular (एकवचन); parasmaipada (परस्मैपद)
sāmpratamnow / at present
sāmpratam:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootsāmprata (प्रातिपदिक)
FormAvyaya (अव्यय); adverb (कालवाचक)

Lord Agni (in dialogue, instructing a sage—commonly transmitted to Vasiṣṭha in the Agni Purāṇa frame)

Vidya Category: {"primary_vidya":"Shilpa","secondary_vidya":"Vastu","practical_application":"Pratimā-nirmāṇa (icon-making): fixing canonical body proportions in tāla-units for sculpting, casting, and painting sacred images.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Tāla-pramāṇa: lower-body proportions (nābhi to meḍhra, ūru, jaṅghā)","lookup_keywords":["tāla-pramāṇa","pratimā-lakṣaṇa","ūru-jaṅghā-māna","nābhi-meḍhra-antara"],"quick_summary":"Defines standard tāla-based measures for the lower body: navel-to-genital interval, thighs, and shanks. Used to keep icons anatomically and ritually proportionate."}

Concept: Rūpa-siddhi through pramāṇa (right form arises from right measure).

Application: Use proportional canons to avoid doṣa (fault) in icons and to ensure ritual acceptability of the image.

Khanda Section: Vāstu-śāstra / Śilpa-śāstra (Iconometry and proportional measurement)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A master sculptor demonstrates a standing icon’s lower-body measurements using a measuring cord, marking navel, genital region, thighs, and shanks in tāla units on a proportional grid.","kerala_mural_prompt":"Kerala temple mural style, warm earthy palette, guru-śilpin holding a white measuring cord (sūtra) against a standing pratimā outline, clear marks at nābhi and meḍhra, annotated tāla divisions, traditional workshop setting with palm-leaf manuscripts.","tanjore_prompt":"Tanjore painting, gold-leaf accents on the pratimā outline and tools, artisan measuring the lower body with a cord, stylized lotus motifs, rich reds and greens, emphasis on sacred craftsmanship.","mysore_prompt":"Mysore painting style, fine linework, instructional diagram feel: standing figure with segmented tāla bands, labels for ūru and jaṅghā, artisan with measuring cord, muted elegant colors.","mughal_miniature_prompt":"Mughal miniature, atelier scene with a craftsman measuring a figure on paper and a small clay model, precise detailing of cord and markings, architectural studio background, delicate borders."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Bhairav","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: nābhimeḍhrāntarantālaṃ → nābhi-meḍhra-antara-antālam; dvitālāvūrukau → dvi-tālau + ūrukau; तालद्वयेन unchanged; जङ्घा स्यात् (syāt from √as); no further sandhi required.

Related Themes: Agni Purāṇa Pratimā-lakṣaṇa / Tāla-pramāṇa sections (surrounding verses in adhyāya 44)

T
Tāla (iconometric unit)
S
Sūtra (rule/canon)

FAQs

It teaches śilpa-śāstra iconometry: specific body-part proportions expressed in tāla units (navel-to-genitals = 1 tāla; thighs = 2 tālas; shanks = 2 tālas) used when designing or sculpting images.

Beyond theology, the Agni Purāṇa preserves practical technical sciences—here, standardized proportional rules for icon-making and temple arts—showing its coverage of Vāstu/Śilpa alongside ritual, polity, medicine, and poetics.

Correct proportions support a ‘properly formed’ sacred image, which is traditionally held to enhance the efficacy of installation and worship, aligning artistic craft with dharma and devotional merit.