Agni Purana — Mantra-shastra, Shloka 13
Mantras for Worship Beginning with the Five-Syllabled
Mantra) — Concluding Colophon (Chapter 304 end
सर्वपापहरं विन्ध्ये औड्रे तु पुरुषोत्तमम् आत्मानं हृदये विद्धि जपतां भुक्तिमुक्तिदम्
sarvapāpaharaṃ vindhye auḍre tu puruṣottamam ātmānaṃ hṛdaye viddhi japatāṃ bhuktimuktidam
Di wilayah Vindhya terdapat ‘Penghapus segala dosa’; dan di Odra ialah Purushottama. Ketahuilah Sang Diri (Ātman) bersemayam di dalam hati—bagi mereka yang ber-japa, amalan ini menganugerahkan kenikmatan duniawi dan pembebasan.
Lord Agni (narrating to Sage Vashistha, in the standard Agni Purana dialogue frame)
Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Stotra","practical_application":"Combine outer tīrtha-smarana with inner upāsanā: recognize the Ātman in the heart while doing japa, aiming for both bhukti (well-being) and mukti (liberation).","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Commentary","entry_title":"Inner Tīrtha: Hṛdayastha Ātman-jñāna with Japa yielding Bhukti–Mukti","lookup_keywords":["Vindhya","Odra","Puruṣottama","hṛdaya-ātman","bhukti-mukti"],"quick_summary":"After naming external sacred loci, the text turns inward: know the Self in the heart; japa grounded in this insight is said to grant both worldly fulfillment and liberation."}
Concept: Hṛdayastha Ātman (inner Self) as the ultimate locus; japa joined with inner recognition yields bhukti and mukti.
Application: During mantra-japa, place attention in the heart-region, cultivate witness-awareness, and let nāma-smaraṇa mature into ātma-smṛti (self-abidance).
Khanda Section: Tirtha-Mahatmya (Sacred Geography and Japa/Upasana Fruits)
Primary Rasa: shanta
Secondary Rasa: bhakti
Type: Mountain-region/Kingdom-Region
Visual Art Cues: {"scene_description":"A devotee seated in japa; behind, faint silhouettes of Vindhya and Odra/Puruṣottama kṣetra; within the chest, a luminous heart-lotus indicating the Ātman, symbolizing the inner tīrtha.","kerala_mural_prompt":"Kerala mural: meditating devotee with stylized heart-lotus glowing, background split with Vindhya hills and Odra temple motif, warm reds and greens, sacred aura lines, traditional ornamental border.","tanjore_prompt":"Tanjore: central meditating figure with gold-embossed heart-lotus radiance, side mini-panels of Vindhya and Puruṣottama-kṣetra, rich gold work emphasizing ‘bhukti-mukti’ as two small symbolic fruits (not text), deep jewel tones.","mysore_prompt":"Mysore painting: calm instructional meditation scene, clear depiction of heart-region focus (subtle lotus), minimal background with labeled landscape cues for Vindhya and Odra, fine linework and soft palette.","mughal_miniature_prompt":"Mughal miniature: seated ascetic/devotee in quiet interior, window opening to distant Vindhya hills and a temple town suggestive of Odra; delicate rendering of a faint luminous motif at the chest, refined details and muted colors."}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Ahir Bhairav","pace":"slow","voice_tone":"contemplative"}
Sandhi Resolution Notes: पुरुषोत्तमम् is a तत्पुरुष compound. जपताम् is a participial genitive plural used as a qualifier (‘for chanters’). भुक्तिमुक्तिदम् analyzed as dvandva (भुक्ति-मुक्ति) + ‘दम्’ (giver).
Related Themes: Agni Purana 304 (transition from external tīrtha to inner upāsanā)
FAQs
It teaches tirtha-upasana linked with japa: recognizing specific sacred regions (Vindhya and Odra/Purushottama-ksetra) and practicing inward contemplation—knowing the Atman in the heart—whose japa yields concrete results.
It combines sacred geography (tirtha-mahatmya), deity theology (Purushottama/Vishnu), and practical sadhana (japa plus heart-centered realization), showing how the text catalogs places, doctrines, and applied spiritual methods together.
The verse promises pāpa-kṣaya (sin-removal) through tirtha association and affirms that japa grounded in inner realization grants both bhukti (life success) and mukti (liberation).