Agni Purana — Agneya-vidya, Shloka 15
Chapter 41 — शिलाविन्यासविधानं
The Procedure for Laying the Stones / Foundation Setting
कुम्भान्न चालयेत्तेषु इष्टकानान्तु देवताः ईशानान्ताश् च पूर्वादाविष्टकां प्रथमं न्यसेत्
kumbhānna cālayetteṣu iṣṭakānāntu devatāḥ īśānāntāś ca pūrvādāviṣṭakāṃ prathamaṃ nyaset
Janganlah mengalihkan kendi upacara (kumbha). Dalam penempatan itu, para dewa hendaklah dipasang pada bata-bata altar (iṣṭakā), dengan Īśāna dan yang lain menurut arah masing-masing; dan bermula dari timur, letakkan bata terlebih dahulu.
Lord Agni (in instruction to Vasiṣṭha, Agni Purāṇa’s primary dialogue frame)
Vidya Category: {"primary_vidya":"Vrata","secondary_vidya":"Vastu","practical_application":"Guides stable placement of kumbhas and directional (dik) arrangement of iṣṭakā-bricks with devatā-nyāsa during altar/temple ritual setup.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Kumbha-acalana and Dik-devatā Iṣṭakā-nyāsa (starting from East)","lookup_keywords":["kumbha","iṣṭakā-nyāsa","Īśāna","dik-devatā","pūrvādi-krama"],"quick_summary":"Do not disturb the established kumbhas; install deities on the consecrated bricks according to quarters (beginning with Īśāna etc.), and commence brick placement from the eastern side."}
Concept: Ritual efficacy depends on steadiness (acalana) and correct spatial order (dik-krama).
Application: Maintain fixed placements once established; follow prescribed directional sequencing to avoid ritual fault (doṣa) in pratiṣṭhā/nyāsa.
Khanda Section: Puja-vidhi (Iṣṭakā-nyāsa / Kumbha-sthāpana and altar-brick arrangement)
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A consecration ground with fixed kumbhas; priests placing the first brick on the eastern side while marking quarters, with Īśāna (NE) indicated on the grid.","kerala_mural_prompt":"Kerala temple mural style, ritual pavilion with vedi grid, bright flat colors, priests in white mundu placing an iṣṭakā at the east, compass-like dik symbols, serene sacred ambience","tanjore_prompt":"Tanjore painting, gold-leaf accents on kumbhas and ritual vessels, priest placing first brick at east, stylized dik markers, ornate borders, devotional clarity","mysore_prompt":"Mysore painting, fine linework showing altar grid plan, labeled quarters (east, NE/Īśāna), priest’s hand placing brick, instructional diagram aesthetic with soft colors","mughal_miniature_prompt":"Mughal miniature, detailed courtyard with geometric altar layout, attendants holding kumbhas, a priest placing the first brick at the eastern edge, delicate architectural rendering"}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Bhairav","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: कुम्भान्न = कुम्भान् + न; चालयेत्तेषु = चालयेत् + तेषु; इष्टकानान्तु = इष्टकानाम् + तु; ईशानान्ताश् = ईशानान्ताः; पूर्वादाविष्टकां = पूर्वादौ + इष्टकाम्
Related Themes: Agni Purana 41 (Pūjā-vidhi: nyāsa, kumbha-sthāpana, iṣṭakā-vinyāsa)
FAQs
It gives a procedural rule for ritual construction/installation: do not disturb the consecrated kumbhas, install deities through iṣṭakā placement with directional order (Īśāna etc.), and commence brick-laying from the east.
Beyond mythology, it preserves a practical ritual-technical manual: precise do’s and don’ts for consecrated objects (kumbha), spatial theology (directional deities), and stepwise construction (brick-laying order), reflecting the Purāṇa’s coverage of applied liturgy and vastu.
Not moving consecrated kumbhas and laying bricks in the prescribed directional sequence is treated as maintaining ritual purity and correct deity-invocation, ensuring the rite’s efficacy and avoiding doṣa (ritual fault).