Agni Purana — Agneya-vidya, Shloka 53
Chapter 24 — कुण्डनिर्माणादिविधिः
Procedure for Constructing the Fire-pit and Related Rites
कृतपूजो गुरुः सम्यक् देवदेवस्य तत्त्ववान् शिष्यान् पुष्पाञ्जलिभृतः प्राङ्मुखानुपवेशयेत्
kṛtapūjo guruḥ samyak devadevasya tattvavān śiṣyān puṣpāñjalibhṛtaḥ prāṅmukhānupaveśayet
Setelah selesai melaksanakan pemujaan dengan sempurna, guru—yang benar-benar mengetahui hakikat Dewa segala dewa—hendaklah mendudukkan para murid menghadap ke timur, dengan tangan dalam añjali (telapak dirapatkan) sambil memegang persembahan bunga.
Lord Agni (instructional narration within ritual procedure)
Vidya Category: {"primary_vidya":"Vrata","secondary_vidya":"Mantra","practical_application":"Guru-led pūjā-krama: post-worship seating of disciples with pūṣpāñjali, establishing orientation (prāṅmukha) and readiness for further rites/śikṣā.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Śiṣya-upaveśana after deva-pūjā (prāṅmukha, puṣpāñjali)","lookup_keywords":["kṛtapūjā","guru","prāṅmukha","puṣpāñjali","upaveśana"],"quick_summary":"After completing deva-pūjā, the guru seats disciples facing east with joined palms holding flowers, marking disciplined ritual posture and receptivity to instruction."}
Concept: Guru as tattvavit (knower of devadeva-tattva) and the necessity of śiṣya-vinaya (humble, ordered posture) in worship.
Application: Maintain dik-niyama, añjali, and attentive seating to receive mantra/namāvali and further ritual instructions correctly.
Khanda Section: Puja-vidhi (Deva-puja and Guru-śiṣya ritual procedure)
Primary Rasa: shanta
Secondary Rasa: bhakti
Visual Art Cues: {"scene_description":"Inside a temple or pūjā-maṇḍapa, the guru has completed worship and seats disciples in a row facing east; each disciple holds flowers in joined palms (puṣpāñjali), awaiting the next rite.","kerala_mural_prompt":"Kerala temple mural style, warm earthy palette, stylized guru in saffron/white seated near a lit altar, disciples prāṅmukha holding puṣpāñjali, lamp flames and lotus motifs, flat iconic composition","tanjore_prompt":"Tanjore painting, gold-leaf highlights on altar vessels and lamps, guru with halo-like prabhā, disciples with flower offerings, rich reds and greens, ornate borders, devotional interior scene","mysore_prompt":"Mysore painting, delicate linework, soft shading, instructional clarity: east direction indicated by rising sun motif, guru gesturing to seated disciples with añjali, ritual implements neatly arranged","mughal_miniature_prompt":"Mughal miniature, detailed architectural pavilion, patterned carpets, guru and disciples in profile, subtle gestures of añjali with flowers, fine floral borders, calm courtly devotional atmosphere"}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: कृतपूजो→कृतपूजः (विसर्ग); प्राङ्मुखानुपवेशयेत्→प्राङ्मुखान् + उपवेशयेत्; पुष्पाञ्जलिभृतः पदं शिष्यान् विशेषयति (द्वितीया बहुवचनार्थे).
Related Themes: Agni Purana 24.54; Agni Purana 24.55; Agni Purana 24.56; Agni Purana 24.57
FAQs
It prescribes a precise worship-sequence step: once worship is completed, the guru seats disciples facing east and holding flowers in añjali, establishing ritual order, purity, and readiness for subsequent mantra or instruction.
It functions like a practical ritual manual (pūjā-krama), detailing posture, directionality, and offerings—showing how the Agni Purana compiles procedural knowledge alongside theology, ethics, and other disciplines.
East-facing seating and flower-offerings in añjali symbolize reverence, receptivity, and auspicious alignment; performed under a tattvavān guru, the act supports purification and proper transmission of sacred practice.