HomeVaraha PuranaAdhyaya 95Shloka 45
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Varaha Purana 95.45: Adhyaya 95, Shloka 45

The Slaying of the Daitya Ruru, the Hymn to Cāmuṇḍā/Kālarātri, and the Doctrine of the Threefold Power

अनेकशतसाहस्ट्रकोटिकोतिशतॊत्तरैः । असुरैरन्वितः श्रीमान् द्वितीयो नमुचिर्यथा ॥

Sanskrit recitationVaraha Purana 95.45

anekśatasāhastrakoṭikoṭiśatottaraiḥ | asurair anvitaḥ śrīmān dvitīyo namucir yathā ||

शेकडो, हजारो, कोटी आणि त्याहून अधिक कोटी असुरांनी युक्त तो श्रीमान, जणू दुसरा नमुचीच होता.

aneka-śata-sāhasra-koṭi-koṭi-śata-uttaraiḥwith (numbers) exceeding many hundreds, thousands, crores, etc.
aneka-śata-sāhasra-koṭi-koṭi-śata-uttaraiḥ:
Karana (करण)
TypeAdjective
Rootaneka+śata+sāhasra+koṭi+koṭi+śata+uttara (प्रातिपदिक-समूह)
Formतृतीया (Instrumental/तृतीया), बहुवचन (Plural), नपुंसकलिङ्ग/पुल्लिङ्ग (as numeral-compound adjective; form = -aiḥ); द्विगु-समासः (संख्यावाचक-समाहारः)
asuraiḥby/with demons
asuraiḥ:
Karana (करण)
TypeNoun
Rootasura (प्रातिपदिक)
Formतृतीया (Instrumental), बहुवचन, पुल्लिङ्ग
anvitaḥaccompanied/attended
anvitaḥ:
Karta (कर्ता)
TypeAdjective
Rootanu-√i (धातु) → anvita (कृदन्त; क्त)
Formप्रथमा (Nominative), एकवचन, पुल्लिङ्ग; क्त-प्रत्ययान्त (past passive participle)
śrīmānglorious, illustrious
śrīmān:
Karta (कर्ता)
TypeAdjective
Rootśrīmat (प्रातिपदिक)
Formप्रथमा, एकवचन, पुल्लिङ्ग; मतुप्-प्रत्ययान्त (possessive)
dvitīyaḥsecond
dvitīyaḥ:
Karta (कर्ता)
TypeAdjective
Rootdvitīya (प्रातिपदिक)
Formप्रथमा, एकवचन, पुल्लिङ्ग
namuciḥNamuci (a demon)
namuciḥ:
Upamāna (उपमान)
TypeNoun
Rootnamuci (प्रातिपदिक)
Formप्रथमा, एकवचन, पुल्लिङ्ग
yathāas/like
yathā:
Sambandha (सम्बन्ध/तुलना)
TypeIndeclinable
Rootyathā (अव्यय)
Formअव्यय; उपमानवाचक (comparative particle)

Narrator

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"mantra/theology","core_concept":"Repetition of fierce epithets (vikarāla, mahākāla, kālarātri) frames Devī as time/death-transcending power that both terrifies and protects.","practical_application":"Employ disciplined nāma-smaraṇa/stotra recitation to stabilize the mind in fear, crisis, or moral peril; transform anxiety into surrender."}

Subject Matter: ["Mythic Warfare","Hyperbolic Enumeration","Asura Genealogy/Allusion"]

Primary Rasa: bhayanaka

Secondary Rasa: vira

Related Themes: Varāha Purāṇa 95.95.48; Varāha Purāṇa 95.95.49; Varāha Purāṇa 95.95.51

Visual Art Cues: {"scene_description":"A litany of names rises like a protective chant: the Goddess as Bhīmākṣī and Kālarātri, dread-inspiring to all beings, valiant and time-like, surrounded by a dark, charged aura.","item_prompts":["Kālī/Kālarātri form","large fearsome eyes (bhīmākṣī)","dark night/time symbolism","dynamic stance suggesting vikrānti (valor)","textual feel of repeated epithets (optional scroll/banner)"],"kerala_mural_prompt":"Kerala mural: frontal Kālī with oversized eyes, bold outlines; rhythmic decorative flames; visual repetition motifs to mirror refrain; subdued background with strong halo.","tanjore_prompt":"Tanjore: iconic central Kālī with gold-leaf aura; heavy ornaments; dramatic facial expression; background patterned to suggest mantra repetition.","mysore_prompt":"Mysore: poised yet fierce goddess, refined facial detailing for bhīmākṣī; controlled dynamism; subtle night gradient behind.","pahari_prompt":"Pahari: night-scene miniature with Kālarātri as dark figure; emphasis on expressive eyes and minimal props; lyrical composition echoing the refrain."}

Audio Atmosphere: {"recitation_mood":"mantric, protective, thunderous","suggested_raga":"Bhairav","pace":"medium with rhythmic repetition","voice_tone":"forceful, steady, chant-like with rising emphasis toward ‘namo’"}

P
Purāṇic Literature
M
Mythic Historiography
S
Sanskrit Numeral Compounds
T
Textual Criticism

FAQs

It exemplifies Purāṇic hyperbole and dense numeral compounds, valuable for philological study and for understanding epic-style amplification in mythic battle narratives.

No geographic location is given; the verse focuses on comparative characterization (Namuci) and troop magnitude.

No direct ethical injunction is stated; the verse functions narratively to convey scale and intensity of conflict.

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