HomeVaraha PuranaAdhyaya 71Shloka 56
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Varaha Purana 71.56: Adhyaya 71, Shloka 56

Vision of the Trimūrti in Rudra, the Gautama Curse, the Manifestation of the Godāvarī, and the Niḥśvāsa-saṃhitā Account

भैरवेण स्वरूपेण देवकार्ये यदा पुरा । नर्तितं तु मया सोऽयं सम्बन्धः क्रूरकर्मणाम् ॥ ७१.५६ ॥

Sanskrit recitationVaraha Purana 71.56

bhairaveṇa svarūpeṇa devakārye yadā purā | nartitaṃ tu mayā so 'yaṃ sambandhaḥ krūrakarmaṇām || 71.56 ||

पूर्वी देवकार्याकरिता जेव्हा मी भैरवस्वरूप धारण केले, तेव्हा मी नृत्य केले; त्यातूनच क्रूर कर्मांशी हा संबंध उत्पन्न झाला.

भैरवेणas Bhairava / with (the form of) Bhairava
भैरवेण:
Karana (करण)
TypeNoun
Rootभैरव (प्रातिपदिक)
Formपुल्लिङ्ग, तृतीया-विभक्ति (Instrumental/करण), एकवचन
स्वरूपेणby (that) form / in form
स्वरूपेण:
Karana (करण)
TypeNoun
Rootस्वरूप (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति, एकवचन
देवकार्येin the work of the gods
देवकार्ये:
Adhikarana (अधिकरण)
TypeNoun
Rootदेव + कार्य (प्रातिपदिक)
Formतत्पुरुष-समास (देवानां कार्यम्), नपुंसकलिङ्ग, सप्तमी-विभक्ति (Locative), एकवचन
यदाwhen
यदा:
Sambandha (सम्बन्ध/temporal)
TypeIndeclinable
Rootयदा (अव्यय)
Formकालवाचक अव्यय (temporal adverb)
पुराformerly
पुरा:
Sambandha (सम्बन्ध/temporal)
TypeIndeclinable
Rootपुरा (अव्यय)
Formकालवाचक अव्यय (formerly)
नर्तितम्was danced / was made to dance
नर्तितम्:
Kriya (क्रिया)
TypeVerb
Rootनृत् (धातु)
Formकृदन्त—णिच् (causative) + क्त (PPP): नर्तित (caused to dance/danced), नपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन; कर्मणि/भावे प्रयोगः
तुindeed / but
तु:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात (particle), विरोध/अन्वय (but/indeed)
मयाby me
मया:
Kartr (कर्ता/agent in passive)
TypeNoun
Rootअस्मद् (प्रातिपदिक)
Formसर्वनाम, तृतीया-विभक्ति (Instrumental), एकवचन
सःthat
सः:
Karta (कर्ता)
TypeNoun
Rootतद् (प्रातिपदिक)
Formसर्वनाम, पुल्लिङ्ग, प्रथमा-विभक्ति, एकवचन
अयम्this
अयम्:
Karta (कर्ता)
TypeNoun
Rootइदम् (प्रातिपदिक)
Formसर्वनाम, पुल्लिङ्ग, प्रथमा-विभक्ति, एकवचन
सम्बन्धःconnection / relation
सम्बन्धः:
Karta (कर्ता)
TypeNoun
Rootसम्बन्ध (प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा-विभक्ति, एकवचन
क्रूरकर्मणाम्of cruel deeds / of cruel-doers’ acts
क्रूरकर्मणाम्:
Shashthi-Sambandha (षष्ठी-सम्बन्ध)
TypeNoun
Rootक्रूर + कर्मन् (प्रातिपदिक)
Formकर्मधारय-समास (क्रूरं कर्म), नपुंसकलिङ्ग, षष्ठी-विभक्ति (Genitive/सम्बन्ध), बहुवचन

Varāha (default speaker per dialogue framework; not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":true,"aspect_highlighted":"battle_fury","boar_form_detail":"Assumed Bhairava form (not boar); fierce aspect implied rather than zoological detail"}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious and wary about the Lord’s fierce associations","key_question":"Why does the Lord have an association with fierce deeds, and what is the righteous rationale behind terrifying forms and actions?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"rajaniti","instruction_summary":"Fierce action and terrifying form can be dharmic when undertaken solely for deva-kārya (cosmic governance) rather than personal passion.","karmic_consequence":"Following: legitimizes necessary force as duty-bound protection; Breaking: cruelty without divine purpose becomes adharma and binds the agent to violent consequences."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The Lord’s capacity to assume Bhairava indicates īśvara’s sovereignty over all guṇas and functions—creation, protection, and dissolution—without being tainted by them.","yajna_varaha_imagery":"Dance as cosmic regulation (laya/niyama) rather than mere performance; fierce rhythm as the ‘kriyā-śakti’ that restores order","vedantic_connection":"Non-attachment of Brahman/Īśvara: actions occur through māyā/śakti for loka-saṅgraha; the Lord remains akartā in essence while appearing as kartā in līlā."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"theodicy of divine ferocity","core_concept":"Terrifying forms are instruments of protection and cosmic duty, not moral defect; intention (saṅkalpa) determines dharmic status.","practical_application":"When judging harsh measures (personal or social), examine purpose and restraint; emulate protection without cruelty or ego."}

Subject Matter: ["Mythic Narrative","Ritual/Performance Motif (Dance)","Divine Agency and Forms","Ethics (fierce action and its rationale)"]

Primary Rasa: raudra

Secondary Rasa: adbhuta

Type: cosmic event-setting

Related Themes: 71.71.57 (laughter/tears leading to fierce beings)

Visual Art Cues: {"scene_description":"Varāha narrates a prior episode: taking Bhairava’s form and performing a powerful dance for the gods’ mission, explaining the origin of his association with fierce deeds.","item_prompts":["Bhairava-form of the Lord dancing","surrounding devas witnessing/benefiting","dynamic hair and ornaments, drum-like rhythm implied","aura of controlled ferocity (not chaotic violence)"],"kerala_mural_prompt":"Kerala mural: vigorous dancing Bhairava with stylized flames and rhythmic posture; devas in orderly rows; strong reds/blacks balanced by divine composure.","tanjore_prompt":"Tanjore: dancing Bhairava central with gold-leaf halo and jewelry; devas offering; emphasize sacred power rather than horror.","mysore_prompt":"Mysore: elegant dance anatomy, controlled expression; detailed textiles; subtle glow around the dancer indicating divine purpose.","pahari_prompt":"Pahari: narrative dance scene with swirling movement lines; devas in a semicircle; mountainous backdrop to heighten drama."}

Audio Atmosphere: {"recitation_mood":"awe-tinged, explanatory","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"resonant, controlled intensity"}

P
Purāṇic Literature
S
Sanskrit Textual Tradition
M
Mythography
Ś
Śaiva–Vaiṣṇava Interface

FAQs

It reflects a Purāṇic narrative strategy in which a speaker explains earlier mythic actions (here, adopting a Bhairava-form and dancing) to account for a present thematic association, illustrating the layered intertextuality typical of medieval Sanskrit Purāṇas.

No geographic toponym is explicitly stated in this verse fragment; it is primarily narrative and theological rather than topographical.

The verse frames “fierce deeds” as context-dependent and linked to a stated purpose (devakārya), suggesting an ethical theme of action being evaluated by function and circumstance rather than by intensity alone.

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