अदत्तदानः पिशुनः शिश्नोदरपरायणः । किं बहूक्तेन रविज साक्षात्पातक मूर्तिमान्
adattadānaḥ piśunaḥ śiśnodaraparāyaṇaḥ | kiṃ bahūktena ravija sākṣātpātaka mūrtimān
तो दान न करणारा, निंदक, आणि केवळ काम व उदर यांचाच परायण होता. हे रविनंदना, अधिक काय सांगू—तो प्रत्यक्ष पापाची मूर्तीच होता.
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Tirtha: Kāśī
Type: kshetra
Listener: Ravija (Sūrya-putra; likely Yama in dharma narrative address)
Scene: A judge-like moment in narration: the sinner stands exposed as 'sin embodied'—empty hands (no charity), a forked tongue motif (slander), and symbols of lust and gluttony (belly, bed, overflowing dishes) surrounding him; a distant solar emblem hints at 'Ravija'.
A life without charity, ruled by slander and sensual appetite, is portrayed as the very embodiment of pāpa (sin).
The larger work-section is Kāśīkhaṇḍa (Kāśī), but this verse is moral characterization, not tīrtha glorification.
It implicitly praises dāna (charitable giving) by condemning its absence.