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Skanda Purana — Brahma Khanda, Shloka 76

तारस्वरेण मधुरैर्वंशनादेन मिश्रितम्

tārasvareṇa madhurairvaṃśanādena miśritam

ते मधुर, तारस्वर आणि बासरीच्या मनोहर नादासह मिसळून एकरूप झाले।

तारस्वरेणwith a high pitch
तारस्वरेण:
Karaṇa (Instrument/करण)
TypeNoun
Rootतार + स्वर (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (Instrumental/करण), एकवचन; समासः: कर्मधारय (तारः स्वरः = high pitch)
मधुरैःwith sweet (tones)
मधुरैः:
Karaṇa (Instrument/करण)
TypeAdjective
Rootमधुर (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, बहुवचन; विशेषणम् (implicit ‘स्वरैः/नादैः’ understood)
वंशनादेनwith the sound of the flute
वंशनादेन:
Karaṇa (Instrument/करण)
TypeNoun
Rootवंश + नाद (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, एकवचन; समासः: षष्ठी-तत्पुरुष (वंशस्य नादः = sound of the flute/bamboo)
मिश्रितम्mixed/blended
मिश्रितम्:
Karma-viśeṣaṇa (Object qualifier/कर्मविशेषण)
TypeAdjective
Rootमिश्र् (धातु) → मिश्रित (कृदन्त-प्रातिपदिक)
Formकृदन्त (क्त/PPP), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; (पूर्वश्लोकस्थ ‘नर्तनम्’ वा ‘नादम्’ इत्यादि नपुंसकं प्रति विशेषणरूपेण)

Narrator (contextual; within the Vyāsa–Yudhiṣṭhira dialogue frame of this adhyāya)

Tirtha: Dharmāraṇya

Type: kshetra

Listener: Yudhiṣṭhira addressed later as ‘nṛpātmaja’ in the sequence

Scene: High, sweet notes rise and interweave with the flute’s melodious breath; the forest seems to listen as if every leaf were an ear.

V
Vaṃśa (flute)
T
Tāra-svara

FAQs

Sensory sweetness—especially sound—can intensify fascination, making discernment (viveka) essential for upholding Dharma.

Dharmāraṇya is the implied sacred setting; the passage contributes to its māhātmya by portraying trials occurring in a sanctified landscape.

None; the verse is descriptive of music (nāda) within the narrative.