ऋषभं त्रिसुपर्णं च दुर्गां सावित्रमेव च । बृहदारण्यकं चैव बृहत्साम तथोत्तरम्
ṛṣabhaṃ trisuparṇaṃ ca durgāṃ sāvitrameva ca | bṛhadāraṇyakaṃ caiva bṛhatsāma tathottaram
त्याने ऋषभ, त्रिसुपर्ण, दुर्गासूक्त व सावित्री (गायत्री) यांचा जप केला; तसेच बृहदारण्यक उपनिषद्, बृहत्साम आणि ‘उत्तर’ (पूरक साम) यांचेही पठण केले।
Narrator in the Revā Khaṇḍa (contextual purāṇic voice; likely Sūta/Lomaharṣaṇa relating the māhātmya)
Tirtha: Revā/Narmadā (contextual)
Type: river
Scene: A disciplined ascetic or brāhmaṇa sits on a riverbank altar with kuśa grass, water-pot, and fire; palm-leaf manuscripts and a rosary beside him as he recites successive Vedic hymns and Upaniṣadic passages.
Purāṇic devotion is harmonized with Vedic authority: Vedic hymns and Upaniṣadic wisdom are upheld as potent supports for protection and liberation.
The Revā/Narmadā tīrtha setting, where Vedic recitation is presented as part of the sacred power surrounding the river.
Recitation/japa of specific Vedic hymns and revered texts (Sūkta, Sāman, Upaniṣad).