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Shloka 12

सत्यप्रतिज्ञा-तपःसंवादः

Pārvatī’s Vow of Truth and the Dialogue on Her Tapas

वृषध्वजो महादेवो भस्मदिग्धो जटाधरः । व्याघ्रचर्म्मांबरधरः संवीतो गजकृत्तिना

vṛṣadhvajo mahādevo bhasmadigdho jaṭādharaḥ | vyāghracarmmāṃbaradharaḥ saṃvīto gajakṛttinā

वृषध्वज महादेव भस्माने दिग्ध व जटाधारी होते. व्याघ्रचर्माचे वस्त्र धारण करून ते गजचर्मानेही आवृत होते.

वृषध्वजःhe whose banner is the bull
वृषध्वजः:
Karta (कर्ता/Subject)
TypeNoun
Rootवृष (प्रातिपदिक) + ध्वज (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (Nominative), एकवचन; बहुव्रीहिः ‘वृषः ध्वजः यस्य’
महादेवःMahādeva
महादेवः:
Karta (कर्ता/Subject)
TypeNoun
Rootमहा (प्रातिपदिक) + देव (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; कर्मधारयः
भस्मदिग्धःsmeared with ash
भस्मदिग्धः:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootभस्म (प्रातिपदिक) + दिग्ध (दह्/दिह् धातु + क्त कृदन्त)
Formपुंलिङ्ग, प्रथमा, एकवचन; तत्पुरुषः ‘भस्मना दिग्धः’ (smeared with ash)
जटाधरःthe matted-haired bearer
जटाधरः:
Karta (कर्ता/Subject)
TypeNoun
Rootजटा (प्रातिपदिक) + धर (धृ धातु + अच्/ण्वुल्-प्रत्यय; प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; बहुव्रीहिः ‘जटाः धरति/यस्य’
व्याघ्रचर्म्माम्बरधरःwearer of a tiger-skin garment
व्याघ्रचर्म्माम्बरधरः:
Karta (कर्ता/Subject)
TypeNoun
Rootव्याघ्र (प्रातिपदिक) + चर्मन् (प्रातिपदिक) + अम्बर (प्रातिपदिक) + धर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; बहुव्रीहिः ‘व्याघ्रचर्म अम्बरं यस्य/धारयति’ (wearing tiger-skin as garment)
संवीतःclad/covered
संवीतः:
Visheshana (विशेषण)
TypeAdjective
Rootसम् + वी (धातु) + क्त (कृदन्त)
Formभूतकर्मणि कृदन्त (PPP), पुंलिङ्ग, प्रथमा, एकवचन; ‘wrapped/clad’
गजकृत्तिनाwith an elephant-hide
गजकृत्तिना:
Karana (करण/Instrument)
TypeNoun
Rootगज (प्रातिपदिक) + कृत्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (Instrumental), एकवचन; तत्पुरुषः ‘गजस्य कृत्तिः’ (elephant-hide)

Sūta Gosvāmin (narrating the Purāṇic account to the sages at Naimiṣāraṇya)

Tattva Level: pati

Shiva Form: Paśupatinātha

Type: stotra

Offering: pushpa

S
Shiva
N
Nandi

FAQs

The verse meditatively describes Śiva’s saguna (manifest) form: bhasma signifies renunciation and the truth that all forms return to ash, while his jata and animal-skins indicate mastery over nature, fear, and ego—guiding the soul (paśu) toward liberation under the Lord (Pati).

While the Liṅga points to Śiva beyond form (nirguṇa), this verse supports saguna-upāsanā by giving a concrete dhyāna (contemplative image) of Mahādeva. Worshippers may honor the Liṅga while internally visualizing Vr̥ṣadhvaja Śiva—ash-smeared, jaṭādhara—uniting form-based devotion with transcendental intent.

Adopt bhasma as Tripuṇḍra with reverence, and perform dhyāna on Mahādeva’s ash-smeared, jaṭādhara form while repeating the Pañcākṣarī mantra—“Om Namaḥ Śivāya”—as a steady practice of purification and devotion.