Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
प्रणवो वाग्भवं माया श्रीः कामः शक्तिरीरिता । सरस्वती चतुर्थ्यंता स्वाहांतो द्वादशाक्षरः ॥ ९३ ॥
praṇavo vāgbhavaṃ māyā śrīḥ kāmaḥ śaktirīritā | sarasvatī caturthyaṃtā svāhāṃto dvādaśākṣaraḥ || 93 ||
प्रणव ‘ॐ’, वाग्भव, माया, श्री, काम आणि ‘शक्ति’ असे सांगितले; त्यानंतर चतुर्थींत ‘सरस्वत्यै’ आणि शेवटी ‘स्वाहा’—हा द्वादशाक्षरी मंत्र होय.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It codifies a precise mantra-structure: combining seed-terms (bīja-like elements), grammatical case (caturthī), and the ritual ending “svāhā” to produce a correctly measured twelve-syllable mantra—showing that spiritual efficacy is linked to exact sound-form and rule-governed recitation.
Though technical, it supports Bhakti by giving a disciplined method to invoke divine power through mantra—especially via Sarasvatī and Śrī—so devotion is expressed as regulated japa/homa rather than mere emotion.
Vyākaraṇa and Śikṣā are implicit: the verse specifies caturthī (dative case) usage and the importance of syllable-count (dvādaśākṣara), both essential for correct mantra pronunciation, construction, and ritual application with “svāhā.”