The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
उद्यत्प्रद्योतनोद्योतद्युतौ श्रीमणिमंडले । हेमांभोजासनासीनं कृष्णं त्रैलोक्यमोहनम् ॥ ९४ ॥
udyatpradyotanodyotadyutau śrīmaṇimaṃḍale | hemāṃbhojāsanāsīnaṃ kṛṣṇaṃ trailokyamohanam || 94 ||
उदय पावणाऱ्या तेजाच्या प्रभेने उजळलेल्या श्रीमणिमंडलावर, सुवर्ण कमळासनावर श्रीकृष्ण विराजमान होते—जे त्रैलोक्याला मोहित करणारे आहेत।
Narada (descriptive narration within the dialogue with Sanatkumara tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It presents a dhyāna-image of Kṛṣṇa—radiant, enthroned on a golden lotus—meant to steady the mind in devotion by contemplating the Lord as the all-attractive reality who captivates the three worlds.
Bhakti is supported here through reverent visualization (dhyāna) and praise: by fixing attention on Kṛṣṇa’s luminous form and majesty, the devotee’s mind naturally turns from distraction to loving remembrance (smaraṇa).
While not teaching a specific Vedāṅga rule, the verse exemplifies the applied use of chandas-style poetic compounds and devotional dhyāna practice—often integrated with mantra and ritual visualization in Purāṇic instruction.