The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
मूर्ध्नि भाले दृशोः श्रोत्रे गंडयुग्मे सनासिके । आस्ये दोःसंधियुगले स्तनहृन्नाभिषु क्रमात् ॥ ९५ ॥
mūrdhni bhāle dṛśoḥ śrotre gaṃḍayugme sanāsike | āsye doḥsaṃdhiyugale stanahṛnnābhiṣu kramāt || 95 ||
क्रमाने—शिरोभागी, कपाळावर, डोळ्यांवर, कानांवर, दोन्ही गालांवर नाकासह; मग मुखावर; दोन्ही बाहू-संधींवर; आणि पुढे स्तनांवर, हृदयावर व नाभीवर (न्यास करावा)।
Narada (teaching within a Vedanga/ritual-technical context, traditionally in dialogue framed with Sanatkumara lineage)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches an ordered internalization of sacred practice by mapping mantra/ritual attention onto specific bodily loci, turning the body into a disciplined field for dharma and mantra-sadhana.
Though technical, the ordered placement supports bhakti by stabilizing mind and senses; devotion becomes embodied through regulated remembrance and reverent ritual attention.
It reflects Vedanga-style procedural precision (especially Śikṣā/ritual application): a kramāt (sequential) method for placing or contemplating mantra on prescribed body-points.