Narada Purana — Purva Bhaga, Shloka 150
Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
स्तंभयद्वितयं भूयो मोहयद्वितय ततः । द्रावयद्वितयं तावदाकर्षययुगं ततः ॥ १५० ॥
staṃbhayadvitayaṃ bhūyo mohayadvitaya tataḥ | drāvayadvitayaṃ tāvadākarṣayayugaṃ tataḥ || 150 ||
पुन्हा स्तंभनाचे द्विविध प्रयोग करावेत; त्यानंतर मोहनाचे द्विविध प्रयोग करावेत. पुढे द्रावण/मृदुकरणाचे द्विविध प्रयोग करावेत; आणि मग आकर्षणाचे युगल प्रयोग करावेत॥१५०॥
Sanatkumara (teaching Narada in a technical/ritual-science context)
Vrata: none
Primary Rasa: vira
Secondary Rasa: raudra
FAQs
It presents an ordered ritual methodology—progressing from restraint (stambhana) to confusion (mohana), then softening (drāvaṇa), and finally drawing-in (ākarṣaṇa)—showing how technical rites are applied step-by-step rather than randomly.
Indirectly: it highlights disciplined procedure and controlled application of powers, implying that higher aims (including devotion) require method, restraint, and right sequencing rather than impulsive practice.
A practical, procedural emphasis typical of technical disciplines—how a rite is sequenced and repeated—aligning with applied ritual science and the precision valued in Vedanga-style learning.