Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
विशुद्धे षोडशदले स्वराढ्ये शुक्लवर्णके । महाज्योतिप्रकाशायेन्द्रियाधिपतये ततः ॥ ८९ ॥
viśuddhe ṣoḍaśadale svarāḍhye śuklavarṇake | mahājyotiprakāśāyendriyādhipataye tataḥ || 89 ||
त्यानंतर विशुद्ध चक्रातील सोळा दलांच्या, स्वरांनी परिपूर्ण, श्वेतवर्ण कमळात महाज्योतिप्रकाश, इंद्रियाधिपतीचे ध्यान करावे।
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It links inner yogic worship with purity of speech and awareness, directing meditation to the Viśuddha lotus where sound and clarity culminate in the vision of “great light” and mastery over the senses.
By presenting meditation as reverent contemplation of the divine radiance within the subtle center associated with mantra and sacred sound—turning speech and perception into worship and inner remembrance.
The verse emphasizes sound/phonemes (svara) and their disciplined use—aligned with Śikṣā (Vedic phonetics) and mantra-practice—showing how correct sound-awareness supports meditation and sense-control.