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Agni Purana — Yoga & Brahma-vidya, Shloka 28

Explanation of the Final Dissolution (Ātyantika Laya) and the Arising of Hiraṇyagarbha — Subtle Body, Post-Death Transit, Rebirth, and Embodied Constituents

खशब्दात् क्षुद्रश्रोतांसि देहे श्रोत्रं विविक्तता श्वासोच्छासौ गतिर्वायोर्वक्रसंस्पर्शनं तथा

khaśabdāt kṣudraśrotāṃsi dehe śrotraṃ viviktatā śvāsocchāsau gatirvāyorvakrasaṃsparśanaṃ tathā

आकाश व शब्द यांपासून देहात सूक्ष्म स्रोत (नाड्या) उत्पन्न होतात; शरीरात श्रवणेंद्रिय व विविक्तता (भेदगुण) प्रतिष्ठित होते. तसेच श्वास‑उच्छ्वास, वायूची गती आणि वक्र‑संस्पर्शन (स्पर्शज्ञान)ही निर्माण होते।

ख-शब्दात्from the sound in space
ख-शब्दात्:
अपादान (Apādāna/Ablative source)
TypeNoun
Rootख (प्रातिपदिक) + शब्द (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी-विभक्ति (5th/Ablative), एकवचन; तत्पुरुष (खस्य शब्दः)
क्षुद्र-श्रोतांसिminute channels
क्षुद्र-श्रोतांसि:
कर्म/कर्ता (Context-dependent; here as items produced/manifested)
TypeNoun
Rootक्षुद्र (प्रातिपदिक) + श्रोतस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति (Nom/Acc), बहुवचन; कर्मधारय (क्षुद्राणि श्रोतांसि)
देहेin the body
देहे:
अधिकरण (Adhikaraṇa/Locative)
TypeNoun
Rootदेह (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति (7th/Locative), एकवचन
श्रोत्रम्the ear (organ of hearing)
श्रोत्रम्:
कर्म/कर्ता (Context-dependent; organ mentioned)
TypeNoun
Rootश्रोत्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति (Nom/Acc), एकवचन
विविक्तताdistinctness/separation
विविक्तता:
कर्ता (Karta/Subject)
TypeNoun
Rootविविक्तता (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
श्वास-उच्छासौinhalation and exhalation
श्वास-उच्छासौ:
कर्ता (Karta/Subject)
TypeNoun
Rootश्वास (प्रातिपदिक) + उच्छास (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), द्विवचन; द्वन्द्व (श्वासश्च उच्छासश्च)
गतिःmovement
गतिः:
कर्ता (Karta/Subject)
TypeNoun
Rootगति (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
वायोःof the wind (vāyu)
वायोः:
सम्बन्ध (षष्ठी/Genitive relation)
TypeNoun
Rootवायु (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति (6th/Genitive), एकवचन
वक्र-संस्पर्शनम्crooked/irregular contact
वक्र-संस्पर्शनम्:
कर्ता/कर्म (Context-dependent; item mentioned)
TypeNoun
Rootवक्र (प्रातिपदिक) + संस्पर्शन (प्रातिपदिक; √स्पृश् (धातु) ल्युट्-प्रत्यय)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति (Nom/Acc), एकवचन; कर्मधारय (वक्रं संस्पर्शनम्)
तथाand also/thus
तथा:
सम्बन्धसूचक (Discourse particle)
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय; particle (and so/also)

Lord Agni

Vidya Category: {"primary_vidya":"Ayurveda","secondary_vidya":"Philosophy","practical_application":"Physiology of senses and prana: mapping subtle elements (ākāśa, śabda) to bodily channels and functions; useful for explaining sensory pathways and vāyu-based respiration in traditional diagnostics.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Ākāśa–Śabda Origins of Srotas and Śrotra; Vāyu Motion and Respiration","lookup_keywords":["akasha","shabda","srotas","shrotra","prana-vayu"],"quick_summary":"The verse associates ether/sound with subtle channels and the ear, and links vāyu’s movement with inhalation–exhalation and tactile contact—supporting a pancha-mahabhuta framework for physiology."}

Dosha: Vata

Concept: Pancha-mahabhuta-based derivation of bodily structures and functions (srotas, indriya, prana).

Application: Use element-function correspondences in teaching anatomy/physiology and in traditional reasoning about disease pathways (srotodushti, vāyu gati).

Khanda Section: Ayurveda (Sharira–Indriya-vijnana / Physiological anatomy of senses and vital functions)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A schematic human figure with subtle channels (srotas) drawn as fine lines; the ear highlighted; breath shown as two streams (inhalation/exhalation); vāyu depicted as flowing currents; ether/sound symbolized by space and vibration rings.","kerala_mural_prompt":"Kerala mural, stylized human silhouette with decorative channel-lines, highlighted ear with sound-wave motifs, prana currents as flowing ribbons, cosmic ākāśa background with concentric vibration circles, traditional palette and ornamentation.","tanjore_prompt":"Tanjore painting, gold-embossed aura representing ākāśa, ear highlighted with gold sound-rings, prana streams in red/blue, ornate frame; semi-iconic instructional composition.","mysore_prompt":"Mysore painting, clean didactic diagram aesthetic: labeled srotas network, ear (śrotra) emphasized, arrows for śvāsa–ucchvāsa, vāyu gati shown as curved vectors; soft colors and precise lines.","mughal_miniature_prompt":"Mughal miniature, physician-scholar presenting a folio diagram of the human body with channels and breath arrows, refined linework, subtle shading, studio setting with books and instruments, detailed border."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Hamsadhwani","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: खशब्दात् = ख-शब्दात्; क्षुद्रश्रोतांसि = क्षुद्र-श्रोतांसि; श्वासोच्छासौ = श्वास-उच्छासौ; गतिर्वायोर्वक्रसंस्पर्शनं = गतिः + वायोः + वक्र-संस्पर्शनम्

Related Themes: Agni Purana Ayurveda sections on bhuta–indriya relations and srotas

Ā
Ākāśa (Kha)
Ś
Śabda (Sound)
S
Srotas
Ś
Śrotra (Ear)
V
Vāyu
Ś
Śvāsa–Ucchvāsa

FAQs

It gives Ayurvedic–Sāṅkhya style physiology: how subtle elements (ether/sound) relate to bodily channels (srotas), the ear (hearing), and functions like respiration and vāyu movement.

It shifts from narrative religion into technical body-science, summarizing elemental causation, sense-organ theory, and prāṇic function—showing the Purana’s coverage of classical Indian anatomy and metaphysics.

By linking senses and prāṇa to subtle elements, it supports disciplined awareness of breath and sense-restraint (indriya-nigraha), traditionally viewed as purifying and supportive of sādhana and dharmic living.