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Varaha Purana 4.11: Adhyaya 4, Shloka 11

On Nārāyaṇa’s Ten Avatāras and Eightfold Manifestations, and the Account of King Aśvaśirā

नारायणात्मकं ब्रह्म परं जप्त्वा स्वयम्भुवः । ततस्तुष्टमनाः पारं परं निर्वाणमाप्तवान् ॥ ४.११ ॥

Sanskrit recitationVaraha Purana 4.11

nārāyaṇātmakaṃ brahma paraṃ japtvā svayambhuvaḥ | tatastuṣṭamanāḥ pāraṃ paraṃ nirvāṇam āptavān || 4.11 ||

നാരായണസ്വരൂപമായ പരബ്രഹ്മത്തെ ജപിച്ച് സ്വയംഭുവൻ അന്തർമനസ്സിൽ തൃപ്തനായി; പിന്നെ പരതീരമായ പരമ നിർവാണം പ്രാപിച്ചു.

nārāyaṇa-ātmakamNārāyaṇa-essential
nārāyaṇa-ātmakam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootnārāyaṇa (प्रातिपदिक) + ātmaka (प्रातिपदिक)
FormNapuṃsakaliṅga (n.), Dvitīyā vibhakti (Accusative/2nd), Ekavacana; tatpuruṣa: 'having Nārāyaṇa as its essence'
brahmaBrahman
brahma:
Karma (कर्म)
TypeNoun
Rootbrahman (प्रातिपदिक)
FormNapuṃsakaliṅga (n.), Dvitīyā vibhakti (Accusative/2nd), Ekavacana
paramsupreme
param:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootpara (प्रातिपदिक)
FormNapuṃsakaliṅga (n.), Dvitīyā vibhakti (Accusative/2nd), Ekavacana; adjective to brahma
japtvāhaving recited
japtvā:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Rootjap (धातु)
FormKṛdanta; absolutive/gerund (क्त्वा/ktvā)
svayambhuvaḥSvayambhū (Manu)
svayambhuvaḥ:
Karta (कर्ता)
TypeNoun
Rootsvayambhū (प्रातिपदिक)
FormPuṃliṅga (m.), Prathamā vibhakti (Nominative/1st), Ekavacana
tataḥthen / thereafter
tataḥ:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottataḥ (अव्यय)
FormAvyaya; adverb (ततः=thereafter)
tuṣṭa-manāḥwith a satisfied mind
tuṣṭa-manāḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roottuṣṭa (प्रातिपदिक) + manas (प्रातिपदिक)
FormPuṃliṅga (m.), Prathamā vibhakti (Nominative/1st), Ekavacana; bahuvrīhi: 'one whose mind is pleased'
pāramthe far shore / the beyond
pāram:
Karma (कर्म)
TypeNoun
Rootpāra (प्रातिपदik)
FormNapuṃsakaliṅga (n.), Dvitīyā vibhakti (Accusative/2nd), Ekavacana
paramsupreme
param:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootpara (प्रातिपदिक)
FormNapuṃsakaliṅga (n.), Dvitīyā vibhakti (Accusative/2nd), Ekavacana; adjective to pāram/nirvāṇam
nirvāṇamliberation / nirvāṇa
nirvāṇam:
Karma (कर्म)
TypeNoun
Rootnirvāṇa (प्रातिपदिक)
FormNapuṃsakaliṅga (n.), Dvitīyā vibhakti (Accusative/2nd), Ekavacana
āptavānattained
āptavān:
Kriyā (क्रिया)
TypeVerb
Rootāp (धातु)
FormKṛdanta; past active participle (क्तवत्/ktavat), Puṃliṅga (m.), Prathamā vibhakti, Ekavacana; agrees with svayambhuvaḥ

Varāha (default speaker framework; explicit speaker not stated in the excerpt)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"prayaschitta","instruction_summary":"Japa of the supreme Brahman identified with Nārāyaṇa purifies the mind and leads toward liberation.","karmic_consequence":"Sincere japa yields inner satisfaction and mokṣa (nirvāṇa); neglect of spiritual discipline prolongs saṃsāra."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Yajña-Varāha theology culminates in mantra/japa: the cosmic Lord who upholds the world is also the inner Brahman realized through nāma and contemplation.","yajna_varaha_imagery":"Implicit: japa as inner-yajña (mānasa-yajña), where the offering is repetition and the altar is the mind; no explicit Varāha-limb correspondences stated.","vedantic_connection":"Nārāyaṇa as para-brahman; liberation framed as nirvāṇa attained through upāsanā/japa leading to antaḥkaraṇa-śuddhi and brahma-sākṣātkāra (Vaiṣṇava idiom: Nārāyaṇa-sākṣātkāra)."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"soteriology (mokṣa-sādhana)","core_concept":"Japa of Nārāyaṇa-essence Brahman leads to tuṣṭa-manāḥ (inner contentment) and supreme nirvāṇa.","practical_application":"Adopt steady japa (nāma/mantra) with understanding of its object (Nārāyaṇa as Brahman); measure progress by inner clarity and detachment rather than external signs."}

Subject Matter: ["Cosmology","Ethics","Soteriology (Liberation)"]

Primary Rasa: śānta

Secondary Rasa: bhakti

Type: soteriological metaphor

Related Themes: Continuation of Priyavrata/Svayambhuva line from 4.4.10; sets up further narrative in 4.4.12

Visual Art Cues: {"scene_description":"An ascetic-king (Svayambhuva/Priyavrata line) seated in deep japa; a subtle vision of Nārāyaṇa as luminous Brahman fills the space; a river/ocean with the ‘far shore’ suggested symbolically.","item_prompts":["meditating king with japa-mālā","radiant Nārāyaṇa/Brahman aura","river/ocean motif with distant shore","calm forest āśrama setting","soft light indicating inner satisfaction"],"kerala_mural_prompt":"Kerala mural: iconic seated yogi with strong outlines; luminous circular aura behind; stylized river band at bottom indicating ‘pāra’.","tanjore_prompt":"Tanjore: large gold halo for Nārāyaṇa-aura; embossed ornaments minimal on ascetic; gold highlights for ‘far shore’ radiance.","mysore_prompt":"Mysore: nuanced facial serenity; detailed mālā; gentle chiaroscuro; symbolic river rendered delicately.","pahari_prompt":"Pahari: misty river valley with a distant luminous bank; small meditating figure foreground; poetic, airy palette."}

Audio Atmosphere: {"recitation_mood":"meditative, liberative","suggested_raga":"Ahir Bhairav","pace":"slow","voice_tone":"soft, inward, sustained on ‘nirvāṇam’"}

C
Classical Literature
P
Purāṇic Studies
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It reflects a Purāṇic synthesis in which Brahman-language is aligned with Vaiṣṇava theism, presenting liberation (nirvāṇa) as connected to disciplined recitation (japa) and contemplative focus.

No specific geographic site is named in this verse; the imagery of “the further shore” (pāra) is a conventional metaphor for transcendence rather than a place-reference.

The verse foregrounds disciplined contemplative practice (japa) and inner composure (tuṣṭa-manāḥ) as means toward liberation, emphasizing mental cultivation rather than external coercion.

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