HomeVaraha PuranaAdhyaya 36Shloka 23
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Varaha Purana 36.23: Adhyaya 36, Shloka 23

Account of the Maṇija Kings and a Hymn to Govinda Leading to Liberation

श्रीवराह उवाच । एवं स्तुत्वा तदा राजा निधाय स्वं कलेवरम् । परमात्मनि गोविन्दे लयमागाच्छ शाश्वते ॥ ३६.२३ ॥

Sanskrit recitationVaraha Purana 36.23

śrīvarāha uvāca | evaṃ stutvā tadā rājā nidhāya svaṃ kalevaram | paramātmani govinde layam āgāc cha śāśvate || 36.23 ||

ശ്രീവരാഹൻ അരുളിച്ചെയ്തു—ഇങ്ങനെ സ്തുതിച്ച ശേഷം ആ രാജാവ് തന്റെ ദേഹം ഉപേക്ഷിച്ച് ശാശ്വത പരമാത്മാവായ ഗോവിന്ദനിൽ ലയിച്ചു.

श्री-वराहःŚrī Varāha
श्री-वराहः:
Karta (कर्ता/Subject)
TypeNoun
Rootश्री (प्रातिपदिक) + वराह (प्रातिपदिक)
Formकर्मधारय-समास (honorific descriptive), पुंलिङ्ग (Masculine), प्रथमा-विभक्ति (Nominative/प्रथमा), एकवचन (Singular)
उवाचsaid
उवाच:
Kriya (क्रिया/Verb)
TypeVerb
Rootवच् (धातु)
Formलिट्-लकार (Perfect/लिट्), प्रथम-पुरुष (3rd person), एकवचन (Singular), परस्मैपद
एवम्thus
एवम्:
Kriya-visheshana (क्रियाविशेषण/Adverbial)
TypeIndeclinable
Rootएवम् (अव्यय)
Formअव्यय (adverb)
स्तुत्वाhaving praised
स्तुत्वा:
Purvakala-kriya (पूर्वकाल-क्रिया/Absolutive)
TypeVerb
Rootस्तु (धातु)
Formक्त्वा-प्रत्ययान्त अव्ययकृदन्त (gerund/क्त्वान्त), अर्थः—‘स्तुत्वा’ = having praised
तदाthen
तदा:
Kala-adhikarana (काल-अधिकरण/Time)
TypeIndeclinable
Rootतदा (अव्यय)
Formकालवाचक-अव्यय (temporal adverb)
राजाthe king
राजा:
Karta (कर्ता/Subject)
TypeNoun
Rootराजन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
निधायhaving laid down
निधाय:
Purvakala-kriya (पूर्वकाल-क्रिया/Absolutive)
TypeVerb
Rootनि-धा (धातु)
Formक्त्वा-प्रत्ययान्त अव्ययकृदन्त (gerund/क्त्वान्त; रूप ‘निधाय’), अर्थः—having placed/laid down
स्वम्his own
स्वम्:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootस्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; विशेषण (qualifier)
कलेवरम्body
कलेवरम्:
Karma (कर्म/Object)
TypeNoun
Rootकलेवर (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन
परमात्मनिin the Supreme Self
परमात्मनि:
Adhikarana (अधिकरण/Locative)
TypeNoun
Rootपरम (प्रातिपदिक) + आत्मन् (प्रातिपदिक)
Formकर्मधारय-समास, पुंलिङ्ग, सप्तमी-विभक्ति (Locative/सप्तमी), एकवचन
गोविन्देin Govinda
गोविन्दे:
Adhikarana (अधिकरण/Locative)
TypeNoun
Rootगोविन्द (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति (Locative/सप्तमी), एकवचन
लयम्dissolution/absorption
लयम्:
Karma (कर्म/Object)
TypeNoun
Rootलय (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन
आगात्attained/went to
आगात्:
Kriya (क्रिया/Verb)
TypeVerb
Rootआ-गम् (धातु)
Formलुङ्-लकार (Aorist/लुङ्), प्रथम-पुरुष (3rd person), एकवचन, परस्मैपद
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-अव्यय (conjunction)
शाश्वतेeternal
शाश्वते:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootशाश्वत (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति, एकवचन; विशेषण (qualifier) परमात्मनि/गोविन्दे

Varāha

Varaha Avatara Context: {"is_varaha_focus":true}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"observer of the teaching narrative; receptive context implied"}

Mathura Mandala: {"is_mathura_related":false,"krishna_connection":"Govinda named as Paramātman frames mokṣa as entry into the eternal Govinda—compatible with later Krishna-Govinda bhakti, but not tied to Mathurā here."}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Implicit dharma of renunciation at life’s end: after true praise/realization, relinquishing body with mind fixed on the Supreme leads to liberation.","karmic_consequence":"Fixation on the eternal Paramātman at death culminates in laya/mergence (mokṣa) rather than rebirth."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Varāha, as narrator, points beyond form to Paramātman-Govinda as the final dissolution-point (laya), integrating avatāra-kathā with ultimate non-returning release.","yajna_varaha_imagery":"Not explicit; the movement from stuti to laya echoes yajña’s telos—offering (self) into the Supreme as the final oblation.","vedantic_connection":"Antaḥkāla-smṛti and brahma-laya themes: the Supreme Self (Paramātman) is the final ground into which individuality resolves."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"mokṣa / antaḥkāla-niṣṭhā","core_concept":"Stuti culminating in single-pointed surrender enables dissolution into the eternal Supreme (Govinda as Paramātman).","practical_application":"Practice devotion and contemplation so that at life’s end the mind naturally rests in the Lord; cultivate detachment from the body (kalevara)."}

Subject Matter: ["Philosophy (Mokṣa)","Devotional Literature","Kingship and Renunciation"]

Primary Rasa: śānta

Secondary Rasa: bhakti

Related Themes: 36.36.22 (preceding stuti); 37.37.2 (bhāva-sādhya doctrine supports this mokṣa outcome)

Visual Art Cues: {"scene_description":"Varāha as narrator (or a sage-like divine speaker) recounts a king who, after completing a hymn, calmly lays down the body and merges into a radiant Govinda-Paramātman light.","item_prompts":["king reclining or seated in yogic composure","subtle soul-light rising/merging into a vast luminous Viṣṇu aura","Varāha as speaking figure (optional, at side)","minimalist cremation-ground avoidance—focus on transcendence","lotus/light motif indicating Paramātman"],"kerala_mural_prompt":"Kerala mural: serene king in composed posture, luminous Govinda aura above, Varāha speaking at margin with stylized ornaments, warm earthy palette, strong outlines.","tanjore_prompt":"Tanjore: central golden radiance of Govinda/Paramātman with embossed halo, small king figure surrendering below, rich gold work emphasizing ‘śāśvata’ eternity.","mysore_prompt":"Mysore: gentle gradations, contemplative king, soft divine light, restrained ornamentation, emphasis on calm facial expressions.","pahari_prompt":"Pahari: poetic minimal scene—king under a tree/riverbank suggested, soul merging into a circular aureole, delicate lines and cool luminous sky."}

Audio Atmosphere: {"recitation_mood":"grave, contemplative, liberative","suggested_raga":"Yaman or Bhairavi","pace":"slow","voice_tone":"soft, steady, inward-looking"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
S
Soteriology

FAQs

It reflects a common Purāṇic narrative closure in which a royal figure’s life culminates in liberation-oriented language (laya/absorption), illustrating how Purāṇas integrate kingship, praise-poetry, and soteriological ideals into a single literary frame.

No geographic location is named in this verse; the emphasis is on the metaphysical destination (Paramātman/Govinda) rather than a sacred site.

The verse foregrounds the philosophical instruction that devotion/praise and relinquishment of bodily identity are presented as pathways toward liberation (mergence into the eternal Supreme Self).

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