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Varaha Purana 202.74 — Adhyaya 202, Shloka 74

Description of Infernal Punishments and the Ripening of Karmic Consequences

आदेश्य चोभयोरस्य कर्णयोः कूटसाक्षिकः ॥ यो नरः पिशुनः कूटसाक्षी चालिकजल्पकः

ādeśya cobhayor asya karṇayoḥ kūṭasākṣikaḥ || yo naraḥ piśunaḥ kūṭasākṣī cālikajalpakaḥ

കള്ളസാക്ഷിയുടെ ഇരുകാതുകളിലും അടയാളം പതിപ്പിക്കണം. പരദൂഷകൻ, കള്ളസാക്ഷി, വഞ്ചനാപൂർവ്വം സംസാരിക്കുന്ന ആ മനുഷ്യൻ—

आदेश्यhaving instructed / having directed
आदेश्य:
पूर्वकालिकक्रिया (absolutive; prior action)
TypeVerb
Rootआ + दिश् (धातु)
Formक्त्वा-प्रत्ययान्त अव्ययभाव-रूप (Gerund/Absolutive): आदेश्य = आदेश्य(=आदिश्य) ‘having instructed/commanded’
and
:
समुच्चय (connector)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक
उभयोःof both
उभयोः:
सम्बन्ध/अधिकरण (genitive/locative relation)
TypeAdjective
Rootउभ (प्रातिपदिक)
Formपुं/नपुंसक, षष्ठी/सप्तमी-विभक्ति, द्विवचन; ‘of/in both’
अस्यof this (person)
अस्य:
सम्बन्ध (Genitive relation)
TypeNoun
Rootइदम् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, षष्ठीविभक्ति, एकवचन (pronoun)
कर्णयोःin the two ears
कर्णयोः:
अधिकरण (Locative: in the ears)
TypeNoun
Rootकर्ण (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी/सप्तमी-विभक्ति, द्विवचन
कूटसाक्षिकःfalse witness
कूटसाक्षिकः:
कर्ता (Karta/कर्ता)
TypeNoun
Rootकूट + साक्षिक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; कर्मधारय: कूटः साक्षिकः (false witness)
यःwho
यः:
कर्ता (Karta/कर्ता)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन (relative pronoun)
नरःman
नरः:
कर्ता (Karta/कर्ता)
TypeNoun
Rootनर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
पिशुनःslandering / malicious informer
पिशुनः:
विशेषण (qualifier)
TypeAdjective
Rootपिशुन (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषण
कूटसाक्षीfalse witness
कूटसाक्षी:
कर्ता (Karta/कर्ता)
TypeNoun
Rootकूट + साक्षिन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; कर्मधारय: कूटः साक्षी
and
:
समुच्चय (connector)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक
अलिकजल्पकःliar / false talker
अलिकजल्पकः:
कर्ता (Karta/कर्ता)
TypeNoun
Rootअलिक + जल्पक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; तत्पुरुष: अलिकं जल्पति इति (one who speaks falsehood)

Varāha (default dialogue frame)

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Varāha teaches punitive/judicial ethics in the dialogue-frame; Earth is implied listener to social-order safeguards."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"concerned about social harm and disorder caused by false speech","key_question":"How should society identify and restrain those who corrupt justice through slander and false testimony?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"A false witness (kūṭa-sākṣin), slanderer (piśuna), and deceitful speaker should be publicly marked—here, on both ears—as a deterrent and identification.","karmic_consequence":"Public disgrace and social exclusion (implied), plus karmic demerit for corrupting truth and harming innocents."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethics of speech & justice","core_concept":"Speech is karmically potent; corrupt testimony destabilizes dharma and must be checked by strong social sanctions.","practical_application":"Cultivate satya, avoid calumny, and treat legal testimony as sacred responsibility; implement transparent accountability."}

Subject Matter: ["Ethics","Law and testimony","Social harm"]

Primary Rasa: raudra

Secondary Rasa: bībhatsa

Type: sabha/court (implied)

Related Themes: Varāha Purāṇa 202.202 (punitive catalogue context)

Visual Art Cues: {"scene_description":"A judicial scene where a convicted false witness is being marked on both ears, while Varāha’s dharmic authority presides in the narrative frame.","item_prompts":["court assembly","scribe/record-keeper","accused with ears being marked","Varāha as moral authority (iconic presence)","onlookers reacting with stern faces"],"kerala_mural_prompt":"Kerala mural: stylized sabhā with rhythmic figures, the marking gesture emphasized, Varāha shown as divine narrator/teacher at side, strong reds/ochres.","tanjore_prompt":"Tanjore: central moral tableau with gold accents on court pillars and halos, the ear-marking rendered symbolically (not graphic), rich ornamentation.","mysore_prompt":"Mysore: restrained depiction, focus on expressions—shame of accused, sternness of judges; Varāha’s calm authoritative presence.","pahari_prompt":"Pahari: narrative court scene with delicate architecture, small figures, emphasis on moral drama rather than violence; Varāha as a divine witness in corner panel."}

Audio Atmosphere: {"recitation_mood":"stern, judicial","suggested_raga":"Todi","pace":"medium-fast","voice_tone":"sharp articulation, emphatic consonants"}

P
Purāṇic Literature
D
Dharma-śāstra Themes
J
Judicial Ethics
S
Speech Ethics

FAQs

It resonates with classical Indian legal-ethical discourse where false testimony is treated as a severe offense undermining social order and adjudication.

No location is named; the verse concerns juridical conduct.

Truthfulness in testimony and speech is crucial; deceit and slander are condemned as socially destructive.

Ask anything about this verse

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