Previous Verse
Next Verse

Varaha Purana 16.7: Adhyaya 16, Shloka 7

The Account of Saramā: Indra’s Restoration after Loss of Sovereignty

तं दुर्जयं मृतं श्रुत्वा समुद्रान्तःस्थितं तदा । आनीय चतुरङ्गं तु देवान् प्रति विजग्मतुः ॥ १६.७ ॥

Sanskrit recitationVaraha Purana 16.7

taṁ durjayaṁ mṛtaṁ śrutvā samudrāntaḥsthitaṁ tadā | ānīya caturaṅgaṁ tu devān prati vijagmatuḥ || 16.7 ||

അപ്പോൾ സമുദ്രത്തിന്റെ അന്തർഭാഗത്ത് ഉണ്ടായിരുന്ന ആ ദൂർജയൻ മരിച്ചുവെന്നു കേട്ട്, അവർ ചതുരംഗസൈന്യത്തെ കൊണ്ടുവന്ന് ദേവന്മാരുടെ നേരെ പുറപ്പെട്ടു।

तम्him/that one
तम्:
Karma (कर्म)
TypeNoun
Roottad (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; demonstrative pronoun
दुर्जयम्Durjaya
दुर्जयम्:
Karma (कर्म)
TypeNoun
Rootdurjaya (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; proper name
मृतम्dead
मृतम्:
Visheshana (विशेषण)
TypeAdjective
Rootmṛta (प्रातिपदिक)
Formकृदन्त; क्त (past participle) from मृ (धातु), द्वितीया (2nd/Accusative), एकवचन, पुं/नपुंसक; qualifies दुर्जयम्
श्रुत्वाhaving heard
श्रुत्वा:
Purvakala-kriya (पूर्वकाल-क्रिया)
TypeVerb
Rootश्रु (धातु)
Formक्त्वा-प्रत्ययान्त अव्ययकृदन्त (gerund): ‘having heard’
समुद्रान्तःस्थितम्situated within the ocean
समुद्रान्तःस्थितम्:
Visheshana (विशेषण)
TypeAdjective
Rootsamudra + antaḥ + sthita (प्रातिपदिक)
Formनपुंसकलिङ्ग/पुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; समास: समुद्रस्य अन्तः (within the ocean) + स्थित (standing/located)
तदाthen
तदा:
Kala-adhikarana (काल-अधिकरण)
TypeIndeclinable
Rootतदा (अव्यय)
Formकालवाचक अव्यय
आनीयhaving brought
आनीय:
Purvakala-kriya (पूर्वकाल-क्रिया)
TypeVerb
Rootआ-नी (धातु)
Formक्त्वा-प्रत्ययान्त अव्ययकृदन्त (gerund): ‘having brought’
चतुरङ्गम्the fourfold army
चतुरङ्गम्:
Karma (कर्म)
TypeNoun
Rootcatur + aṅga (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; द्विगु: चत्वारि अङ्गानि यस्य (fourfold army)
तुindeed/and
तु:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात (particle)
देवान्to the gods
देवान्:
Karma (कर्म)
TypeNoun
Rootdeva (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), बहुवचन
प्रतिtowards
प्रति:
Sampradana (सम्प्रदान)
TypeIndeclinable
Rootप्रति (अव्यय)
Formउपसर्गसदृश अव्यय/पूर्वपद (preposition): ‘towards’
विजग्मतुःthe two went
विजग्मतुः:
Kriya (क्रिया)
TypeVerb
Rootवि-गम् (धातु)
Formलिट् (Perfect), प्रथमपुरुष (3rd), द्विवचन; परस्मैपद

Varāha (default, speaker not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":true}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"impermanence and strategic response","core_concept":"News of death (even of a ‘durjaya’) triggers rapid reconfiguration of power; worldly dominance is unstable.","practical_application":"Respond to changing conditions with clarity and preparedness; avoid complacency about any ‘invincible’ force."}

Subject Matter: ["Cosmology","Mythic-Historical Narrative","Conflict and Kingship","Sacred Geography (Oceanic realm)"]

Primary Rasa: vira

Secondary Rasa: adbhuta

Type: oceanic realm / military movement corridor

Related Themes: Builds from the prior yogic actions (16.16.6) to mobilization; sets up Himalayan encampment (16.16.8)

Visual Art Cues: {"scene_description":"Messengers report that Dūrjaya has died within the ocean’s depths; immediately, leaders marshal a fourfold army—elephants, chariots, cavalry, infantry—and march toward the gods.","item_prompts":["ocean with dark-blue depth संकेत","messenger figure delivering news","army in four divisions (gaja-ratha-aśva-pāda)","banners and drums","directional march toward a luminous deva-region"],"kerala_mural_prompt":"Kerala mural: processional army bands with stylized elephants and chariots; ocean rendered as patterned waves; dramatic messenger gesture; deva-loka glow at edge.","tanjore_prompt":"Tanjore: gilded banners and weaponry; embossed wave border for the ocean; central marching formation with rich ornament.","mysore_prompt":"Mysore: detailed military regalia; controlled composition showing transition from ocean scene to march; refined faces and textiles.","pahari_prompt":"Pahari: miniature-like marching columns; decorative waves; narrative sequencing within one frame (news → mobilization → departure)."}

Audio Atmosphere: {"recitation_mood":"martial narrative","suggested_raga":"Darbari Kanada","pace":"medium","voice_tone":"firm, story-driving"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
S
Sanskrit Epic Style

FAQs

It preserves a conventional Purāṇic narrative motif: the mobilization of a caturaṅga (fourfold army) following news of a pivotal death, reflecting idealized models of warfare and polity in Sanskrit narrative literature.

The verse identifies the samudra (ocean), specifically an “interior/within-the-ocean” setting (samudrāntaḥ), a mythic-geographic space frequently used in Purāṇic cosmography rather than a single modern-identifiable site.

The fragment primarily functions narratively rather than didactically; its implicit philosophical instruction concerns the consequences of mortality and the rapid political-military response to major shifts in power.

Ask anything about this verse

Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.

Not sure where to start?

A free Google sign-in keeps your chat saved across web and the app.

Read Varaha Purana in the Vedapath app

Scan the QR code to open this directly in the app, with word-by-word meanings, Sanskrit recitation where available, and more.

Continue reading in the Vedapath app

Open in App