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Varaha Purana 155.47 — Adhyaya 155, Shloka 47

The Efficacy and Sacred Merit of Akrūra Tīrtha

विष्णवे लोकनाथाय चागतो हरिजागरात् ॥ इदं शरीरं मे रक्षो भक्षयस्व यथेप्सितम्

viṣṇave lokanāthāya cāgato harijāgarāt || idaṃ śarīraṃ me rakṣo bhakṣayasva yathepsitam

“ഹരിജാഗരത്തിൽ നിന്ന് വന്ന് ലോകനാഥനായ വിഷ്ണുവിന്റെ അടുക്കൽ എത്തിയിരിക്കുന്നു. ഹേ രാക്ഷസാ, എന്റെ ഈ ശരീരം നിനക്കിഷ്ടമുള്ളപോലെ ഭക്ഷിക്ക.”

विष्णवेto Viṣṇu
विष्णवे:
Sampradana (सम्प्रदान)
TypeNoun
Rootविष्णु (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी (दत्तिव/सम्प्रदान), एकवचन — Masculine, Dative singular
लोकनाथायto the Lord of the worlds
लोकनाथाय:
Sampradana (सम्प्रदान)
TypeNoun
Rootलोक + नाथ (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी, एकवचन — Masculine, Dative singular; षष्ठी-तत्पुरुष (लोकस्य नाथः)
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
आगतः(I) have come / arrived
आगतः:
Karta (कर्ता)
TypeVerb
Rootआ + गम् (धातु)
Formक्त-प्रत्ययान्त कृदन्त (past participle), पुंलिङ्ग, प्रथमा, एकवचन — PPP; Masculine nominative singular
हरि-जागरात्from the vigil for Hari
हरि-जागरात्:
Apadana (अपादान)
TypeNoun
Rootहरि + जागर (प्रातिपदिक)
Formनपुंसकलिङ्ग, पञ्चमी (अपादान), एकवचन — Neuter, Ablative singular; षष्ठी-तत्पुरुष (हरेः जागरः)
इदम्this
इदम्:
Karma (कर्म)
TypeNoun
Rootइदम् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन — Pronoun; Neuter accusative singular
शरीरम्body
शरीरम्:
Karma (कर्म)
TypeNoun
Rootशरीर (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन — Neuter, Accusative singular
मेmy
मे:
Sambandha (सम्बन्ध/possessor)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी (सम्बन्ध), एकवचन — Genitive singular (enclitic)
रक्षःO rākṣasa
रक्षः:
Sambodhana (सम्बोधन)
TypeNoun
Rootरक्षस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, सम्बोधन (आह्वान), एकवचन — Neuter vocative singular
भक्षयस्वeat (it)
भक्षयस्व:
Kriya (क्रिया)
TypeVerb
Rootभक्ष् (धातु)
Formलोट् (आज्ञार्थ), मध्यमपुरुष, एकवचन, आत्मनेपद — Imperative, 2nd person singular, Ātmanepada
यथा-ईप्सितम्as desired
यथा-ईप्सितम्:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootयथा (अव्यय) + ईप्सित (कृदन्त-प्रातिपदिक)
Formअव्ययीभाव-समास; अव्ययवत् प्रयोगः — Avyayībhāva compound used adverbially

Sudhana (merchant; speaker inferred from nearby 'sudhana uvāca')

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"devotee","key_question":"Implicit: Can devotion to Viṣṇu (Hari-jāgara) sanctify even the surrender of one’s body, transforming fear into offering?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Offer the body and life to the Lord’s purpose with unwavering bhakti; face harm without hatred, grounded in Viṣṇu-devotion.","karmic_consequence":"Such self-surrender (ātma-nivedana) is framed as spiritually elevating and protective in a soteriological sense; violence met with ego/fear would bind (implied)."}

Vrata Mahatmya: {"has_vrata":true,"vrata_name":"Hari-jāgara (kept for Hari)","tithi_month":"Not specified here","promised_fruit":"Fearlessness and sanctified resolve; the vigil becomes a spiritual credential empowering self-offering and divine oversight (implied by narrative)."}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"bhakti-soteriology","core_concept":"Ātma-nivedana: the body is not ‘mine’ but an offering; devotion dissolves fear of death and reorients agency toward the Lord (Lokānātha).","practical_application":"In crisis, anchor identity in devotion and duty rather than bodily attachment; act without malice, with surrender of outcomes."}

Subject Matter: ["Ethics","Soteriology (Liberation Motifs)","Narrative Literature"]

Primary Rasa: vīra

Secondary Rasa: bhakti

Type: danger zone / moral arena

Related Themes: Varāha Purāṇa 155.47 (Hari-jāgara and nāma); Varāha Purāṇa 155.52 (truth and dharma while alive)

Visual Art Cues: {"scene_description":"The merchant stands before a rākṣasa, calmly declaring he has come from Hari’s vigil and offering his body to be eaten, unwavering in devotion to Viṣṇu.","item_prompts":["merchant calm and upright","rākṣasa looming yet paused","gesture of offering/open palms","subtle Viṣṇu-symbols (conch/disc motif)","contrast of serenity vs menace"],"kerala_mural_prompt":"Kerala mural: dramatic demon figure with stylized ferocity, devotee serene with halo-like devotion, strong color contrast, clear narrative staging.","tanjore_prompt":"Tanjore: devotee foreground with gold aura and ornaments minimal, rākṣasa rendered richly but subdued by the devotee’s radiance; gold highlights on sacred words/halo.","mysore_prompt":"Mysore: refined demon depiction without grotesque excess, emphasis on devotee’s composed face, detailed textiles and controlled lighting.","pahari_prompt":"Pahari: compact storytelling—devotee and rākṣasa in a simple setting, expressive eyes, symbolic color fields (light around devotee, dark around demon)."}

Audio Atmosphere: {"recitation_mood":"solemn, fearless-devotional","suggested_raga":"Bhairavi","pace":"slow","voice_tone":"deep, unwavering, with weight on ‘lokanāthāya’ and a calm cadence on the offering line"}

C
Classical Literature
V
Vaiṣṇavism
D
Dharma Narrative
S
Sanskrit Philology

FAQs

It preserves a common Purāṇic narrative motif: a layperson (merchant) invoking devotional practice (harijāgara) within an ethical test involving fear, truthfulness, and self-offering.

No explicit geographic toponym appears in this verse; the setting is narrative and interpersonal rather than place-specific.

The verse foregrounds resolve and self-sacrifice framed through devotion, presenting steadfastness under threat as an ethical ideal.

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