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Varaha Purana 150.47 — Adhyaya 150, Shloka 47

The Sacred Greatness of Sānandūra

अगस्तिभवनं त्यक्त्वा मम लोकं तु गच्छति ॥ तस्य कुण्डस्य सुश्रोणि नव धारा न किञ्चन

agastibhavanaṃ tyaktvā mama lokaṃ tu gacchati || tasya kuṇḍasya suśroṇi nava dhārā na kiñcana

അഗസ്ത്യന്റെ ഭവനം വിട്ട് അവൻ തീർച്ചയായും എന്റെ ലോകത്തിലേക്ക് പോകുന്നു. ഓ സുഷ്രോണി, ആ കുണ്ടിന് ഒമ്പത് ധാരകളുണ്ട്—ഒന്നും കുറവില്ല.

अगस्तिभवनम्Agastya's abode
अगस्तिभवनम्:
Karma (कर्म)
TypeNoun
Rootअगस्ति + भवन (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd), एकवचन; तत्पुरुष-समास (अगस्तेः भवनम्)
त्यक्त्वाhaving left
त्यक्त्वा:
Kriya (क्रिया)
TypeVerb
Rootत्यज् (धातु)
Formक्त्वान्त-अव्ययकृदन्त (gerund), 'having abandoned'
ममmy
मम:
Sambandha (सम्बन्ध)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी (6th), एकवचन; सर्वनाम
लोकम्world/realm
लोकम्:
Karma (कर्म)
TypeNoun
Rootलोक (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), एकवचन
तुindeed / but
तु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय, अवधान/विरोधार्थक (emphatic/contrastive particle)
गच्छतिgoes
गच्छति:
Kriya (क्रिया)
TypeVerb
Rootगम् (धातु)
Formलट् (Present), प्रथमपुरुष (3rd), एकवचन; परस्मैपद
तस्यof that
तस्य:
Sambandha (सम्बन्ध)
TypeAdjective
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुं/नपुंसक, षष्ठी (6th), एकवचन; सर्वनाम
कुण्डस्यof the pool
कुण्डस्य:
Sambandha (सम्बन्ध)
TypeNoun
Rootकुण्ड (प्रातिपदिक)
Formनपुंसकलिङ्ग, षष्ठी (6th), एकवचन
सुश्रोणिO fair-hipped lady
सुश्रोणि:
Sambodhana (सम्बोधन)
TypeNoun
Rootसु + श्रोणि (प्रातिपदिक)
Formस्त्रीलिङ्ग, संबोधन (Vocative/सम्बोधन), एकवचन; कर्मधारय (सुश्रोणिः—'O fair-hipped one')
नवnine
नव:
Visheshana (विशेषण)
TypeAdjective
Rootनव (प्रातिपदिक)
Form(संख्या) प्रातिपदिक; स्त्रीलिङ्गे प्रथमा बहुवचनार्थे अव्ययवत् प्रयोगः; धारा-विशेषणम्
धाराःstreams / flows
धाराः:
Karta (कर्ता)
TypeNoun
Rootधारा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), बहुवचन
not
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootन (अव्यय)
Formनिषेध-अव्यय
किञ्चनanything (at all)
किञ्चन:
Karta (कर्ता)
TypeNoun
Rootकिञ्चन (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; अनिश्चित-सर्वनाम (indefinite pronoun)

Varāha (default, instructor voice in Varāha–Pṛthivī dialogue framework)

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Direct address to Bhū-devī (‘suśroṇi’), explaining the tīrtha’s fruit (going to ‘my world’) and describing the kuṇḍa’s nine streams."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious, attentive","key_question":"What is the specific fruit of Agastya’s abode/tīrtha, and what is the nature of its kuṇḍa and streams?"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"Agastibhavana / Agastya’s abode; associated kuṇḍa with nine dhārās"}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Departing (after visiting) Agastya’s abode/tīrtha leads to attainment of the Lord’s loka; the kuṇḍa is praised as complete with nine streams.","karmic_consequence":"Proper tīrtha-visit and faithful departure yields sāyujya/saṃnidhya-like attainment of the Lord’s realm; disregard forfeits the stated fruit."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"tīrtha-bhakti","core_concept":"Sacred geography functions as a conduit for grace when approached with devotion and right intention.","practical_application":"Approach tīrthas with purity of conduct and focused remembrance; treat sacred waters as instruments for inner cleansing, not mere spectacle."}

Subject Matter: ["Heritage Sites","Cosmology"]

Primary Rasa: adbhuta

Secondary Rasa: śānta

Type: āśrama-tīrtha / kuṇḍa

Related Themes: Varāha Purāṇa 150.53–55 (expanse, marvel, calendrical condition, water behavior, place-name Sānandūra)

Visual Art Cues: {"scene_description":"Varāha describes Agastya’s sacred abode and a kuṇḍa from which nine clear streams flow, promising ascent to his loka for the devoted visitor.","item_prompts":["kuṇḍa with nine visible outlets/streams","Agastya-āśrama markers (hut, staff, waterpot)","Varāha speaking to Bhū-devī","pilgrims at water’s edge","subtle celestial pathway motif"],"kerala_mural_prompt":"Kerala mural: stylized kuṇḍa with nine streamlets, Agastya-āśrama in background, Varāha and Bhū-devī foreground, ornate borders.","tanjore_prompt":"Tanjore: gold-highlighted Varāha and Bhū-devī, gem-like kuṇḍa, nine streams rendered symmetrically, Agastya iconography as small inset.","mysore_prompt":"Mysore: refined depiction of water texture, nine streams delicately drawn, calm devotional mood, balanced composition.","pahari_prompt":"Pahari: naturalistic hillside spring feeding nine rivulets, intimate dialogue scene, soft pastel palette."}

Audio Atmosphere: {"recitation_mood":"wonder-filled yet serene","suggested_raga":"Kalyani","pace":"medium","voice_tone":"clear, explanatory"}

C
Classical Literature
V
Vaishnavism
A
Ancient Geography
S
Soteriology

FAQs

It preserves a micro-topography (a kuṇḍa with ‘nine streams’) alongside an afterlife claim typical of tīrtha-māhātmya sections.

Agastya’s abode (Agastibhavana) and a nearby pond characterized by nine water-flows; the excerpt does not supply coordinates or regional markers.

It encourages pilgrimage framed as culturally meaningful movement through named landscapes, coupled with sustained devotion/mental orientation toward the instructor-deity.

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