HomeVaraha PuranaAdhyaya 139Shloka 116
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Varaha Purana 139.116 — Adhyaya 139, Shloka 116

The Glory of Varāha’s Rite: Merits of Cow-dung Plastering, Sweeping, Singing, Instrumental Music, and Dance

with a Truth-Vow Exemplum

तृप्तिं यास्यामि परमां विधात्रा विहितां मम॥ ब्रह्मरक्षोवचः श्रुत्वा श्वपाको गीतलालसः॥

tṛptiṃ yāsyāmi paramāṃ vidhātrā vihitāṃ mama || brahma-rakṣo-vacaḥ śrutvā śvapāko gīta-lālasaḥ ||

“വിധാതാവ് എനിക്കായി നിശ്ചയിച്ച പരമ തൃപ്തി ഞാൻ പ്രാപിക്കും.” ബ്രഹ്മരക്ഷസിന്റെ വാക്കുകൾ കേട്ട് ഗാനലാലസനായ ശ്വപാകൻ (തുടർന്ന്) പ്രവർത്തിച്ചു.

तृप्तिम्satisfaction
तृप्तिम्:
Karma (कर्म)
TypeNoun
Rootतृप्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया, एकवचन
यास्यामिI shall attain/go to
यास्यामि:
Kriyā (क्रिया)
TypeVerb
Rootया (धातु)
Formलृट् (Simple Future/लृट्), परस्मैपद, उत्तमपुरुष (1st person), एकवचन
परमाम्supreme
परमाम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootपरम (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया, एकवचन; विशेषण
विधात्राby the Creator
विधात्रा:
Karaṇa (करण)
TypeNoun
Rootविधातृ (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (instrumental/3rd), एकवचन
विहिताम्ordained
विहिताम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootवि + धा (धातु) → विहित (कृदन्त)
Formभूतकृदन्त (past participle/क्त), स्त्रीलिङ्ग, द्वितीया, एकवचन; विशेषण (agreeing with तृप्तिम्)
ममfor me / my
मम:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी, एकवचन; सर्वनाम
ब्रह्म-रक्षः-वचःthe words of the Brahma-rākṣasa
ब्रह्म-रक्षः-वचः:
Karma (कर्म)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक) + रक्षस् (प्रातिपदिक) + वचस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; षष्ठी-तत्पुरुषः—'ब्रह्मरक्षसः वचः'
श्रुत्वाhaving heard
श्रुत्वा:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Rootश्रु (धातु)
Formक्त्वान्त (absolutive), अव्ययभावः
श्वपाकःa dog-cooker (outcaste)
श्वपाकः:
Karta (कर्ता)
TypeNoun
Rootश्वपाक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
गीत-लालसःeager for singing
गीत-लालसः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootगीत (प्रातिपदिक) + लालस (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; उपपद-तत्पुरुषः—'गीते लालसः' (eager for song)

Pṛthivī / Vasundharā (first hemistich); narrative continuation references brahma-rakṣas and śvapāka

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"devotee","bhu_devi_state":"resolved, satisfied (tṛpti), trusting providence","key_question":"None (a declaration of attaining ordained satisfaction rather than a question)."}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false,"instruction_summary":"Narrative ethics: contentment with what is allotted by the cosmic Disposer; introduces a moral episode involving a brahma-rakṣas and a śvapāka.","karmic_consequence":"Implied: acceptance of dharma and right response to counsel affects one’s fate; the brahma-rakṣas episode signals consequences tied to speech, truth, and devotion."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"daiva and santoṣa","core_concept":"True fulfillment (tṛpti) arises from alignment with what is rightly ordained (vidhātrā vihitam), not from restless craving.","practical_application":"Practice santoṣa: accept rightful outcomes while continuing righteous effort; avoid envy and agitation when confronted with unsettling beings or situations."}

Subject Matter: ["Ethics","Cosmology","Social History"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Type: mythic/ethical vignette setting

Related Themes: Varāha Purāṇa 139.139.5-6 (truth and Nārāyaṇa-nāma that follow this setup)

Visual Art Cues: {"scene_description":"Vasundharā speaks with calm conviction about attaining ordained satisfaction; the scene shifts to a tense yet intriguing encounter where a brahma-rakṣas speaks and a śvapāka listens, eager for song.","item_prompts":["Vasundharā speaking serenely","shadowy brahma-rakṣas with ascetic remnants (suggesting fallen brahmin)","śvapāka figure attentive, poised to sing/chant","twilight setting to mark transition"],"kerala_mural_prompt":"Kerala mural: split-scene composition—upper serene Vasundharā; lower dramatic brahma-rakṣas in dark tones with bold eyes; śvapāka in simple attire, expressive posture; strong color blocks.","tanjore_prompt":"Tanjore: emphasize Vasundharā’s serenity with gold halo; brahma-rakṣas rendered with embossed ornaments turned ominous; śvapāka with a small vīṇā/tāla as 'gīta-lālasa' cue.","mysore_prompt":"Mysore: nuanced facial emotions—calm acceptance vs eerie fascination; detailed textiles; subdued background gradients for the rakṣas scene.","pahari_prompt":"Pahari: narrative miniature with two registers; forest-edge at dusk for the brahma-rakṣas; śvapāka leaning forward as if to respond in song."}

Audio Atmosphere: {"recitation_mood":"reflective turning to suspense","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"calm on the first hemistich; slightly hushed and dramatic when introducing 'brahma-rakṣo' and 'śvapākaḥ'"}

C
Classical Literature
P
Purāṇic Studies
D
Dialogue Literature
M
Mythic Beings (brahma-rakṣas)

FAQs

It juxtaposes cosmic order ('ordained by the Disposer') with narrative actors like brahma-rakṣas, illustrating Purāṇic blending of theology, ethics, and mythic taxonomy.

No geographic location is specified in this verse.

Acceptance of a prescribed moral-cosmic order is foregrounded, while the narrative implies responsiveness to instruction (hearing and acting).

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