HomeVaraha PuranaAdhyaya 137Shloka 152
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Varaha Purana 137.152: Adhyaya 137, Shloka 152

The Tale of the Vulture and the She-Jackal: The Māhātmya of the Saukarava Sacred Field

अवश्यमेव तद्वाच्यं यन्मां त्वं परिपृच्छसि ॥ तथापि नोत्सहे वक्तुं हृदि यत्परिवर्तते

Sanskrit recitationVaraha Purana 137.152

avaśyameva tadvācyaṃ yan māṃ tvaṃ paripṛcchasi || tathāpi notsahe vaktuṃ hṛdi yat parivartate

നീ എന്നോട് ചോദിക്കുന്നതു തീർച്ചയായും പറയേണ്ടതാണ്; എങ്കിലും എന്റെ ഹൃദയത്തിൽ തിരിഞ്ഞുമറിഞ്ഞുകൊണ്ടിരിക്കുന്നതു പറയാൻ എനിക്ക് ധൈര്യമില്ല।

avaśyamcertainly/necessarily
avaśyam:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootavaśya (प्रातिपदिक)
Formअव्यय (Avyaya), क्रियाविशेषण (adverb)
evaindeed/only
eva:
Sambandha/Emphasis (निपात)
TypeIndeclinable
Rooteva (अव्यय)
Formअव्यय (Avyaya), निपात (particle)
tatthat
tat:
Karma (कर्म)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग (neuter), प्रथमा/द्वितीया (Nom./Acc.), एकवचन (singular)
vācyamto be said/should be spoken
vācyam:
Karma (कर्म)
TypeAdjective
Rootvac (धातु) + -ya (कृत्) → vācya (कृदन्त-प्रातिपदिक)
Formकृदन्त (Kridanta), भाव्य/कर्तव्य (gerundive), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; ‘वक्तव्यम्’ = to be said
yatwhich/that which
yat:
Karma (कर्म)
TypeNoun
Rootyad (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; सम्बन्धसूचक (relative pronoun)
māmme
mām:
Karma (कर्म)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
Formद्वितीया (Accusative), एकवचन; सर्वनाम
tvamyou
tvam:
Karta (कर्ता)
TypeNoun
Rootyuṣmad (सर्वनाम-प्रातिपदिक)
Formप्रथमा (Nominative), एकवचन; सर्वनाम
paripṛcchasiyou ask/inquire
paripṛcchasi:
Kriyā (क्रिया)
TypeVerb
Rootpari + pra + √prach (प्रच्छ् धातु)
Formलट् (Present), मध्यमपुरुष (2nd person), एकवचन; परस्मैपद
tathāthus/so
tathā:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Roottathā (अव्यय)
Formअव्यय, क्रियाविशेषण (adverb)
apieven/also
api:
Sambandha/Concession (निपात)
TypeIndeclinable
Rootapi (अव्यय)
Formअव्यय, निपात (particle)
nanot
na:
Pratiṣedha (निषेध)
TypeIndeclinable
Rootna (अव्यय)
Formअव्यय, निषेध (negation particle)
utsaheI am able/dare
utsahe:
Kriyā (क्रिया)
TypeVerb
Rootud + √sah (सह् धातु)
Formलट् (Present), उत्तमपुरुष (1st person), एकवचन; आत्मनेपद
vaktumto speak
vaktum:
Prayojana/Anukūla-kriyā (प्रयोजन)
TypeVerb
Root√vac (वच् धातु)
Formतुमुन्-प्रत्ययान्त (infinitive), अव्ययभाव (indeclinable verbal)
hṛdiin (my) heart
hṛdi:
Adhikaraṇa (अधिकरण)
TypeNoun
Roothṛd (प्रातिपदिक)
Formनपुंसकलिङ्ग (often treated as neuter), सप्तमी (Locative), एकवचन
yatwhich/that which
yat:
Karta (कर्ता)
TypeNoun
Rootyad (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा, एकवचन; सम्बन्धसूचक (relative pronoun)
parivartateturns about/keeps recurring
parivartate:
Kriyā (क्रिया)
TypeVerb
Rootpari + √vṛt (वृत् धातु)
Formलट् (Present), प्रथमपुरुष (3rd person), एकवचन; आत्मनेपद

Unclear; defaulting to primary dialogue framework (Varāha addressing Pṛthivī)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"questioner","bhu_devi_state":"conflicted, emotionally restrained","key_question":"How can one speak a difficult truth when the heart is churning—what is the right balance between obligation to answer and inner hesitation?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"One should answer what is rightly asked (especially by a proper interlocutor), yet truthful speech may require inner readiness and careful expression when emotions churn.","karmic_consequence":"Speaking responsibly sustains satya and relational dharma; suppressing necessary truth can prolong inner turmoil and ethical tension, while rash speech can cause harm—implying the need for measured truthfulness."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethics of speech (satya + hita)","core_concept":"Truth is obligatory when properly requested, but speech must be governed by inner discernment; the heart’s agitation signals the need for careful articulation.","practical_application":"Before answering sensitive questions, pause, steady the mind, and speak truth in a way that is beneficial (hita) and timely, not merely compelled."}

Subject Matter: ["Ethics","Dialogue","Emotional restraint"]

Primary Rasa: karuṇa

Secondary Rasa: śānta

Type: saṃvāda/narrative setting

Related Themes: Varāha Purāṇa 137.56 (dialogue tension point before disclosure)

Visual Art Cues: {"scene_description":"A speaker (unidentified) sits or stands with a troubled expression, one hand near the chest, conveying reluctance; the listener waits, indicating a question has been posed.","item_prompts":["two-figure dialogue composition","speaker with downcast eyes/hand on heart","listener attentive","subtle swirling motif near chest to show ‘hṛdi parivartate’","quiet hermitage or court backdrop"],"kerala_mural_prompt":"Kerala mural: expressive eyes and hand-to-chest gesture; warm background; the listener shown in respectful posture; emotional churn suggested by stylized spiral ornament.","tanjore_prompt":"Tanjore: gold accents on figures; speaker’s hesitation dramatized by posture; ornate frame; minimal background to focus on emotion.","mysore_prompt":"Mysore: soft shading, delicate facial emotion; restrained setting; emphasis on psychological realism of reluctance.","pahari_prompt":"Pahari: intimate interior scene; subtle visual metaphor (small swirling cloud near heart); quiet color palette to convey restraint."}

Audio Atmosphere: {"recitation_mood":"introspective and tender","suggested_raga":"Bhairavi","pace":"slow","voice_tone":"low, contemplative, slightly tremulous on the final phrase"}

C
Classical Literature
P
Purāṇic Narrative
S
Sanskrit Philology

FAQs

It reflects a common Purāṇic narrative technique: ethical or emotionally charged disclosure framed through hesitation, emphasizing the gravity of speech within classical Sanskrit storytelling.

No specific location is named in this verse fragment.

The verse foregrounds the discipline of speech: even when compelled to answer, one may hesitate when the subject is painful or morally weighty.

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