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Varaha Purana 137.13 — Adhyaya 137, Shloka 13

The Tale of the Vulture and the She-Jackal: The Māhātmya of the Saukarava Sacred Field

सुप्ता नैव च द्रष्टव्या व्रतमेतन्मुहूर्त्तकम् ।। आत्मनो वै गृृहजना ये केचित्स्वजने जनाः ॥

suptā naiva ca draṣṭavyā vratam etan muhūrttakam | ātmano vai gṛhajanā ye kecit svajane janāḥ ||

നിദ്രാവസ്ഥയിൽ ഒരിക്കലും കാണപ്പെടരുത്—ഇത് നിശ്ചിത കാലത്തേക്കുള്ള വ്രതമാണ്. സ്വന്തം വീട്ടിലെവർ, ഏതെങ്കിലും സ്വജന-ബന്ധുക്കൾ ഉണ്ടായാലും…

suptāḥ(those) asleep
suptāḥ:
Karta (कर्ता)
TypeAdjective
Root√svap (स्वप् धातु)
Formक्त (past passive participle); पुल्लिङ्ग, प्रथमा (1st), बहुवचन; विशेष्य—गृहजनाः/जनाः (those who are asleep)
nanot
na:
Pratiṣedha (प्रतिषेध)
TypeIndeclinable
Rootna (अव्यय)
Formनिषेध-अव्यय (negation particle)
evaindeed/at all
eva:
Avadhāraṇa (अवधारण)
TypeIndeclinable
Rooteva (अव्यय)
Formअव्यय; अवधारण (emphasis/indeed)
caand
ca:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
draṣṭavyāḥto be seen / should be seen
draṣṭavyāḥ:
Karma (कर्म)
TypeVerb
Root√dṛś (दृश् धातु)
Formतव्यत्-प्रत्यय (gerundive/obligatory passive participle); पुल्लिङ्ग, प्रथमा (1st), बहुवचन; विधेय—न ... द्रष्टव्याः (should not be seen)
vratamvow/observance
vratam:
Karta (कर्ता)
TypeNoun
Rootvrata (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; अत्र—प्रथमा (subject of implied 'is')
etatthis
etat:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootetad (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विशेषणम् (qualifying vratam)
muhūrttakamfor a muhūrta (briefly)
muhūrttakam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootmuhūrttaka (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विशेषणम् (qualifying vratam)—'lasting a muhūrta'
ātmanaḥof oneself
ātmanaḥ:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootātman (प्रातिपदिक)
Formपुल्लिङ्ग, षष्ठी (6th), एकवचन
vaiindeed
vai:
Avadhāraṇa (अवधारण)
TypeIndeclinable
Rootvai (अव्यय)
Formअव्यय; निश्चय/खलु-अर्थ (indeed, surely)
gṛha-janāḥhousehold people
gṛha-janāḥ:
Karta (कर्ता)
TypeNoun
Rootgṛha (प्रातिपदिक) + jana (प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा (1st), बहुवचन; तत्पुरुषः—गृहे जनाः (household members)
yewho
ye:
Karta (कर्ता)
TypeNoun
Rootyad (सर्वनाम-प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा (1st), बहुवचन; सम्बन्धक-प्रत्यय (relative pronoun)
kecitsome
kecit:
Karta (कर्ता)
TypeNoun
Rootkim + cit (सर्वनाम + निपात)
Formपुल्लिङ्ग, प्रथमा (1st), बहुवचन; अनिश्चित-सर्वनाम (some/any)
sva-janeamong one's own people
sva-jane:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootsva (प्रातिपदिक) + jana (प्रातिपदिक)
Formपुल्लिङ्ग, सप्तमी (7th/सप्तमी), एकवचन; कर्मधारयः—स्वः जनः (one's own people); अधिकरण (among/within)
janāḥpeople
janāḥ:
Karta (कर्ता)
TypeNoun
Rootjana (प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा (1st), बहुवचन

King of Kaliṅga (contextual continuation)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"loka-saṅgraha (social accountability)","core_concept":"Individual actions unfold under communal observation; society responds to departures/choices, shaping dharma through collective memory and counsel.","practical_application":"Act with awareness of public impact; transitions (leaving home/role) should be undertaken responsibly and transparently."}

Subject Matter: ["Ethics","Ritual Practice","Social Conduct"]

Primary Rasa: karuṇa

Secondary Rasa: śānta

Type: urban threshold/roadway

Related Themes: Continuation verse leading into the townspeople/countryfolk’s reaction and instruction (ch. 137 narrative sequence)

Visual Art Cues: {"scene_description":"A figure (likely the prince/actor of the prior instruction) walking away on a road while townspeople and villagers watch from behind, suggesting impending counsel or consequence.","item_prompts":["departing figure with staff or travel posture","road leading outward","cluster of townspeople","villagers with simple attire","gesture of pointing/whispering among onlookers"],"kerala_mural_prompt":"Kerala mural: procession-like departure, stylized crowd at the edge, strong contour lines, subdued mood.","tanjore_prompt":"Tanjore: departing figure centered with a gold-accented archway, crowd as secondary narrative band.","mysore_prompt":"Mysore: delicate landscape with palace gate, crowd watching quietly, emphasis on transition.","pahari_prompt":"Pahari: winding path into hills/fields, villagers at gate, narrative anticipation through spacing."}

Audio Atmosphere: {"recitation_mood":"narrative and expectant","suggested_raga":"Bhairavi (soft)","pace":"medium","voice_tone":"storytelling, slightly hushed"}

C
Classical Literature
P
Purāṇic Narrative
R
Ritual Observance

FAQs

It preserves a micro-level social-ritual norm (vrata-niyama) characteristic of Purāṇic compendia that combine narrative with prescriptive conduct.

No specific place-name appears in this segment; it focuses on household conduct rather than sacred geography.

A discipline of privacy/restraint tied to vow-observance is emphasized, framed within household and kinship contexts.

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