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Varaha Purana 128.17: Adhyaya 128, Shloka 17

Rites for the comb, collyrium, and mirror; initiations for the four social orders; and the Gaṇāntikā vow/insignia

उदुम्बरं दन्तकाष्ठं गृहीत्वा दक्षिणे करे ॥ शुद्धभागवतानां च कृत्वा त्रिः परिवर्त्तनम्

Sanskrit recitationVaraha Purana 128.17

udumbaraṃ dantakāṣṭhaṃ gṛhītvā dakṣiṇe kare || śuddha-bhāgavatānāṃ ca kṛtvā triḥ parivarttanam

വലങ്കയ്യിൽ ഉദുംബര ദന്തകാഷ്ഠം എടുത്ത്, ശുദ്ധ ഭാഗവതഭക്തരെ മൂന്നു പ്രാവശ്യം പ്രദക്ഷിണം ചെയ്ത് (അടുത്ത കർമ്മം തുടരുക)।

udumbaram(made of) udumbara (wood)
udumbaram:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootudumbara (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/accusative), एकवचन; विशेषण (udumbara-wood)
danta-kāṣṭhamtooth-stick
danta-kāṣṭham:
Karma (कर्म)
TypeNoun
Rootdanta (प्रातिपदिक) + kāṣṭha (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/accusative), एकवचन; तत्पुरुष-समास: ‘दन्तस्य काष्ठम्’ (tooth-stick)
gṛhītvāhaving taken
gṛhītvā:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootgrah (धातु)
Formक्त्वान्त अव्ययकृदन्त (gerund) from √ग्रह् ‘to take’
dakṣiṇein the right (side)
dakṣiṇe:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootdakṣiṇa (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, सप्तमी (7th/locative), एकवचन; विशेषण ‘right’
karein the hand
kare:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootkara (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/locative), एकवचन
śuddha-bhāgavatānāmof the pure devotees
śuddha-bhāgavatānām:
Sambandha (सम्बन्ध/related-to)
TypeNoun
Rootśuddha (प्रातिपदिक) + bhāgavata (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/genitive), बहुवचन; कर्मधारय-समास: ‘शुद्धाः भāgavatāḥ’ (pure devotees)
caand
ca:
Sambandha (सम्बन्ध/conjunction)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चयबोधक अव्यय
kṛtvāhaving done
kṛtvā:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootkṛ (धातु)
Formक्त्वान्त अव्ययकृदन्त (gerund) from √कृ
triḥthree times
triḥ:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Roottriḥ (अव्यय)
Formसंख्यावाचक अव्यय (numeral adverb) ‘thrice’
parivarttanamcircumambulation/turning around
parivarttanam:
Karma (कर्म)
TypeNoun
Rootpari-varttana (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/accusative), एकवचन; भाववाचक संज्ञा (act of turning/going around)

Varāha (default dialogue framework)

Varaha Avatara Context: {"is_varaha_focus":true}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false,"parikrama_context":"Circumambulation (trih-parivartana) is prescribed here, but not tied to Mathura in this verse."}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Hold an udumbara tooth-stick in the right hand and circumambulate the purified Bhagavata devotees three times as part of the rite.","karmic_consequence":"Honoring devotees and following prescribed gestures accrues merit and devotional purity; disrespect/omission undermines bhakti and ritual success."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Udumbara (a ritually potent tree) signifies life-sap and stability; circumambulating devotees places bhakti at the ritual center—devotees become the living ‘altar’ around which one’s ego is made to revolve.","yajna_varaha_imagery":"Right-hand holding of sacred wood echoes yajña implements; three circumambulations suggest triadic order (three guṇas/three worlds) harmonized through devotion.","vedantic_connection":"Service to the realized/devoted (sādhu-sevā) is a direct purifier of mind; the ‘Bhagavata’ is treated as a locus of the Lord’s presence (antaryāmin-bhāva)."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"bhakti-ethics","core_concept":"Devotees are to be revered as embodiments/abodes of Bhagavān; humility is ritual power.","practical_application":"In worship and daily life, practice pradakṣiṇā/namaskāra and tangible respect toward sādhus; keep sacred implements with mindfulness."}

Subject Matter: ["Ritual Procedure","Material Culture","Ethics"]

Primary Rasa: śānta

Secondary Rasa: bhakti

Type: sacred_assembly

Related Themes: Varāha Purāṇa 128: sequence of preparatory acts leading to mantra-recitation

Visual Art Cues: {"scene_description":"A ritualist holds an udumbara twig in the right hand and walks clockwise three times around a seated group of serene, purified Vaiṣṇava devotees.","item_prompts":["udumbara twig/tooth-stick","clockwise movement path","threefold circumambulation cue (three footprints/loops)","seated devotees with tilaka","ritual courtyard"],"kerala_mural_prompt":"Kerala mural: devotees seated in a row with Vaishnava marks; ritualist in dynamic clockwise stride; bold lines and rhythmic repetition to suggest three rounds.","tanjore_prompt":"Tanjore: devotees haloed subtly with gold; udumbara twig highlighted; ornamental floor patterns marking pradakṣiṇā path.","mysore_prompt":"Mysore: elegant figures, soft expressions; clear clockwise arc composition; detailed udumbara leaves/texture.","pahari_prompt":"Pahari: intimate satsang scene; ritualist circling; delicate landscape hints; emphasis on devotion and community."}

Audio Atmosphere: {"recitation_mood":"devotional-instructional","suggested_raga":"Khamaj","pace":"medium","voice_tone":"warm yet precise"}

P
Purāṇic Literature
V
Vaiṣṇavism
R
Ritual Studies
E
Ethnobotany (Textual)

FAQs

It combines botanical material culture (udumbara tooth-stick) with social ritual etiquette (circumambulation), offering evidence for embodied devotional practice in Purāṇic contexts.

No geographic location is identified.

Respectful conduct toward qualified persons (here, “purified bhāgavatas”) is embedded as a required ritual gesture.

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