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Varaha Purana 125.71: Adhyaya 125, Shloka 71

The Cycle of Māyā

Illusory Causation and Perceptual Reversal

योऽहं निषादगर्भेऽस्मिन्पीडास्ति मलसङ्कुले ॥ अस्थ्नां त्रिशतसङ्कीर्णे नवद्वाराभिसंवृते ॥

Sanskrit recitationVaraha Purana 125.71

yo'haṁ niṣāda-garbhe'smin pīḍāsti mala-saṅkule || asthnāṁ triśata-saṅkīrṇe nava-dvārābhisaṁvṛte ||

“ഞാൻ ഈ നിഷാദഗർഭത്തിൽ ഉള്ളവൻ; മലസങ്കുലമായ ഈ അവസ്ഥയിൽ പീഡിതനാണ്— മൂന്നു നൂറ് അസ്ഥികളാൽ നിറഞ്ഞ ദേഹത്തിൽ, ഒൻപത് ദ്വാരങ്ങളാൽ ആവൃതമായതിൽ।”

यःwho (I)
यः:
Karta (कर्ता)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम; पुंलिङ्ग, प्रथमा (कर्ता), एकवचन
अहम्I
अहम्:
Karta (कर्ता)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम; प्रथमा (कर्ता), एकवचन
निषादगर्भेin a Niṣāda’s womb
निषादगर्भे:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootनिषाद + गर्भ (प्रातिपदिक)
Formतत्पुरुष समास (षष्ठी: ‘of a Niṣāda’ + ‘womb’); पुंलिङ्ग, सप्तमी (अधिकरण), एकवचन
अस्मिन्in this
अस्मिन्:
Adhikaraṇa (अधिकरण)
TypeAdjective
Rootइदम् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम; पुंलिङ्ग/नपुंसकलिङ्ग, सप्तमी (अधिकरण), एकवचन; ‘in this’ (referring to womb/body)
पीडाpain; affliction
पीडा:
Karta (कर्ता; subject of ‘asti’)
TypeNoun
Rootपीडा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
अस्तिis
अस्ति:
Kriyā (क्रिया)
TypeVerb
Rootअस् (धातु)
Formलट् (Present), परस्मैपद, प्रथमपुरुष, एकवचन
मलसङ्कुलेin (a place) filled with filth
मलसङ्कुले:
Adhikaraṇa (अधिकरण)
TypeAdjective
Rootमल + सङ्कुल (प्रातिपदिक)
Formतत्पुरुष समास (‘filth’ + ‘crowded/filled’); पुंलिङ्ग/नपुंसकलिङ्ग, सप्तमी, एकवचन; ‘अस्मिन्’ इति विशेष्ये विशेषणम्
अस्थ्नाम्of bones
अस्थ्नाम्:
Sambandha (सम्बन्ध)
TypeNoun
Rootअस्थि (प्रातिपदिक)
Formनपुंसकलिङ्ग, षष्ठी (सम्बन्ध), बहुवचन
त्रिशतसङ्कीर्णेin (a body) strewn with three hundred (bones)
त्रिशतसङ्कीर्णे:
Adhikaraṇa (अधिकरण)
TypeAdjective
Rootत्रिशत + सङ्कीर्ण (प्रातिपदिक)
Formद्विगु समास (त्रिशत ‘three hundred’ + सङ्कीर्ण ‘mixed/strewn’); पुंलिङ्ग/नपुंसकलिङ्ग, सप्तमी, एकवचन; ‘अस्मिन्’ इति विशेष्ये विशेषणम्
नवद्वाराभिसंवृतेenclosed with nine openings
नवद्वाराभिसंवृते:
Adhikaraṇa (अधिकरण)
TypeAdjective
Rootनव + द्वार + अभि + संवृत (प्रातिपदिक)
Formद्विगु समास (नव ‘nine’ + द्वार ‘gates/openings’) + उपसर्गयुक्त PPP अभि+सम्+√वृ (to cover/enclose) = अभिसंवृत; पुंलिङ्ग/नपुंसकलिङ्ग, सप्तमी, एकवचन; ‘अस्मिन्’ इति विशेष्ये विशेषणम्

Brāhmaṇa (internal lament rendered in narrative)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"observer","key_question":"Why am I confined in such a painful, impure embodiment—this Niṣāda womb and this nine-gated body?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The ‘nine-gated city’ frames the body as a temporary enclosure (pura) for the jīva; liberation requires turning from the gates (sense-objects) to the indwelling Lord—an implicit contrast to Varāha as the rescuer from the ‘pit’ of saṃsāra.","yajna_varaha_imagery":"Negative mirror of yajña: instead of sacred ‘pura’ of ritual order, the body is a malasaṅkula enclosure; the teaching pushes toward inner yajña (self-discipline) rather than bodily identification.","vedantic_connection":"Echoes the purī-śarīra doctrine (Kaṭha/Śvetāśvatara-style imagery; also Gītā’s ‘nava-dvāre pure dehī’): the self is distinct from the body and its apertures."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"vairagya","core_concept":"Deha is a constrained, impure ‘city’; the jīva’s dignity lies in disidentification and seeking release.","practical_application":"Cultivate sense-restraint, remembrance of the Self/Lord, and detachment from bodily pride and social status."}

Subject Matter: ["Ethics","Philosophy (body as confinement)","Cultural Anthropology"]

Primary Rasa: bibhatsa

Secondary Rasa: karuna

Type: interior metaphysical geography

Related Themes: Varāha Purāṇa 125.82-83 (further bibhatsa imagery; conclusion toward endurance/insight)

Visual Art Cues: {"scene_description":"A symbolic ‘city-body’: an oval fortress with nine gates, inside which a small jīva-figure sits cramped; bones suggested as pale lattice; the word ‘pura’ implied through architectural motifs.","item_prompts":["nine gates (eyes, ears, nostrils, mouth, etc. symbolically)","bone-lattice (three hundred bones) as white framework","small seated jīva/fetus figure","dark enclosing womb-oval","sense of pressure and impurity (abstract)"],"kerala_mural_prompt":"Architectural body-city iconography with nine stylized doorways; bold lines; jīva as small figure with expressive eyes; minimal anatomical realism.","tanjore_prompt":"Gold-leaf highlights on the nine gates/doorframes; central jīva figure with devotional aura; ornamental borders framing the ‘pura’.","mysore_prompt":"Refined palace-like ‘pura’ blended with organic oval; soft gradients; emphasis on metaphor over gore; contemplative mood.","pahari_prompt":"Miniature ‘fortress-oval’ with nine tiny doors; delicate bone patterns; small figure inside; muted earth tones and fine detailing."}

Audio Atmosphere: {"recitation_mood":"austere-dispassionate","suggested_raga":"Darbari Kanada","pace":"slow","voice_tone":"low, weighty, emphasizing ‘malasaṅkule’ and ‘nava-dvāra’ with didactic clarity"}

C
Classical Literature
S
Sanskrit Ethical Discourse
P
Puranic Narrative
P
Philosophical Anthropology

FAQs

It preserves a classical South Asian body-metaphor (nine gates) and traditional anatomical counting, valuable for comparative studies of Sanskrit philosophical anthropology.

No geographic location is specified; the passage is introspective and anatomical-metaphorical.

Detachment and moral vigilance are encouraged by emphasizing the body’s vulnerability and impurity as a prompt for ethical self-discipline.

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