HomeVaraha PuranaAdhyaya 11Shloka 95
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Varaha Purana 11.95: Adhyaya 11, Shloka 95

Hospitality at Gauramukha’s Hermitage and the Power of the Wish-Fulfilling Jewel

उन्मत्ताक्षं तथाविध्यत् सुन्दः पञ्चभिराशुगैः । चकर्त च धनुस्तस्य शितेन नतपर्वणा ॥ ११.९६ ॥

Sanskrit recitationVaraha Purana 11.95

unmattākṣaṃ tathāvidhyat sundaḥ pañcabhir āśugaiḥ | cakartta ca dhanus tasya śitena nataparvaṇā || 11.96 ||

അപ്പോൾ സുന്ദൻ ഉന്മത്താക്ഷനെ അഞ്ചു വേഗമുള്ള അമ്പുകളാൽ കുത്തി; കൂടാതെ മൂർച്ചയുള്ള നതപർവ അമ്പുകൊണ്ട് അവന്റെ വില്ലും വെട്ടിമുറിച്ചു।

उन्मत्ताक्षम्Unmattākṣa (name), as object
उन्मत्ताक्षम्:
Karma (कर्म)
TypeNoun
Rootउन्मत्त-अक्ष (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (Accusative/कर्म), एकवचन
तथाthus
तथा:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय; क्रियाविशेषण (adverb)
अविध्यत्pierced/struck
अविध्यत्:
Kriya (क्रिया)
TypeVerb
Rootव्यध् (धातु)
Formलङ्-लकार (Imperfect/past), परस्मैपद, प्रथमपुरुष, एकवचन
सुन्दःSunda (name)
सुन्दः:
Karta (कर्ता)
TypeNoun
Rootसुन्द (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/कर्ता), एकवचन
पञ्चभिःwith five
पञ्चभिः:
Karana (करण)
TypeAdjective
Rootपञ्चन् (प्रातिपदिक)
Formत्रिलिङ्ग (numeral), तृतीया-विभक्ति (Instrumental/करण), बहुवचन
आशुगैःwith swift arrows
आशुगैः:
Karana (करण)
TypeNoun
Rootआशुग (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (Instrumental/करण), बहुवचन
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक (conjunction)
चकर्तcut/broke
चकर्त:
Kriya (क्रिया)
TypeVerb
Rootकृत्/कृन्त् (धातु)
Formलङ्-लकार (Imperfect/past), परस्मैपद, प्रथमपुरुष, एकवचन
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक (conjunction)
धनुःbow
धनुः:
Karma (कर्म)
TypeNoun
Rootधनुस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (Accusative/कर्म), एकवचन (रूपम्: धनुः)
तस्यof him/of that one
तस्य:
Sambandha (सम्बन्ध)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुं/नपुंसक, षष्ठी-विभक्ति (Genitive/सम्बन्ध), एकवचन
शितेनwith a sharp (weapon)
शितेन:
Karana (करण)
TypeAdjective
Rootशित (प्रातिपदिक)
Formनपुंसकलिङ्ग/पुंलिङ्ग, तृतीया-विभक्ति (Instrumental/करण), एकवचन; विशेषण
नतपर्वणाwith (an arrow/weapon) having bent joints/segments
नतपर्वणा:
Karana (करण)
TypeNoun
Rootनत-पर्वन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (Instrumental/करण), एकवचन; (नतं पर्व यस्य तत्)

Varāha (default narrative voice)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"strategy and impermanence (upāya)","core_concept":"Neutralizing an opponent’s instrument (dhanus) is decisive—power depends on supports; remove the support and the display of force collapses.","practical_application":"In disputes, address root enablers (tools, incentives, habits) rather than only symptoms; cultivate self-reliance not dependent on fragile instruments."}

Subject Matter: ["Epic Narrative","Conflict/Combat Description","Philology"]

Primary Rasa: vīra

Secondary Rasa: raudra

Type: raṇabhūmi

Related Themes: Varāha Purāṇa 11.11.93-97 (continuing tactical exchanges; dhanus/astrāṇi focus likely continues)

Visual Art Cues: {"scene_description":"Sunda’s swift arrows strike Unmattākṣa; then a sharp, jointed shaft slices through Unmattākṣa’s bow mid-draw, the bow snapping dramatically.","item_prompts":["archer Sunda releasing arrows","Unmattākṣa holding bow","bow snapping in two","curved-jointed shaft (nataparvā) emphasized","splinters and tension line of broken bowstring"],"kerala_mural_prompt":"Kerala mural: dramatic bow-break moment with stylized splinters; bold outlines; rhythmic arrow patterns; intense facial expressions.","tanjore_prompt":"Tanjore: gold-leaf on broken bow and arrowheads; embossed depiction of snapped bowstring; ornate warrior adornments.","mysore_prompt":"Mysore: realistic bow curvature and break; refined anatomy; controlled drama with clear focal point on dhanuccheda.","pahari_prompt":"Pahari: expressive, storybook clarity; exaggerated arc of broken bow; minimal background, strong gesture emphasis."}

Audio Atmosphere: {"recitation_mood":"tense, climactic","suggested_raga":"Bhairavi","pace":"medium-fast","voice_tone":"hard-edged emphasis on chakarta and śitena; slight pause at the bow-severing for impact"}

C
Classical Literature
P
Purāṇic Narrative
S
Sanskrit Philology
V
Vaiṣṇavism

FAQs

It exemplifies a common Purāṇic narrative technique: concise martial description using stock epithets and weapon-terms, useful for comparing diction across Purāṇas and Itihāsa literature.

No geographic location is named in this verse fragment; it is focused on a combat action between named figures.

No explicit ethical maxim is stated here; the verse functions primarily as narrative description within a larger episode, where ethical or philosophical framing (if present) would typically appear in surrounding verses.

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