HomeVaraha PuranaAdhyaya 11Shloka 57
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Varaha Purana 11.57: Adhyaya 11, Shloka 57

Hospitality at Gauramukha’s Hermitage and the Power of the Wish-Fulfilling Jewel

द्वन्द्वः समेतान् मम यः शिशुः पुरा हरिर्य आराधितवान् नृपासनम् । लक्ष्म्यापि बुद्ध्या सुचिरं प्रकाशते ध्रुवेण विष्णुस्मरणेन दुर्लभम् ॥ ११.५८ ॥

Sanskrit recitationVaraha Purana 11.57

dvandvaḥ sametān mama yaḥ śiśuḥ purā harir ya ārādhitavān nṛpāsanam | lakṣmyāpi buddhyā suciraṃ prakāśate dhruveṇa viṣṇusmaraṇena durlabham || 11.58 ||

മുമ്പ് ദ്വന്ദ്വങ്ങളെ നേരിട്ടിരുന്ന എന്റെ ശിശുവായ ഹരി, എന്നിരുന്നാലും രാജാസനം ഭക്തിയോടെ ആരാധിച്ചു. ലക്ഷ്മിയും ബുദ്ധിയും ഉണ്ടായിട്ടും അവൻ ദീർഘകാലം പ്രകാശിക്കുന്നു; എന്നാൽ ധ്രുവനെപ്പോലെ വിഷ്ണുസ്മരണം ലഭിക്കുക ദുർലഭം.

dvandvaḥconflict/pairing (dvandva)
dvandvaḥ:
Karta (कर्ता)
TypeNoun
Rootdvandva (प्रातिपदिक)
FormPuṁliṅgaḥ (Masculine), Prathamā vibhakti (Nominative), Ekavacanam (Singular)
sametānassembled, met
sametān:
Karma (कर्म) (object qualified)
TypeAdjective
Rootsameta (कृदन्त, sam-√i (धातु))
FormPuṁliṅgaḥ (Masculine), Dvitīyā vibhakti (Accusative), Bahuvacanam (Plural); kta-pratyaya; viśeṣaṇam
mamamy
mama:
Ṣaṣṭhī-sambandha (षष्ठी-सम्बन्ध)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
FormṢaṣṭhī vibhakti (Genitive), Ekavacanam (Singular); sarvanāma
yaḥwho
yaḥ:
Karta (कर्ता) (relative clause)
TypeNoun
Rootyad (सर्वनाम-प्रातिपदिक)
FormPuṁliṅgaḥ (Masculine), Prathamā vibhakti (Nominative), Ekavacanam (Singular); relative pronoun
śiśuḥchild
śiśuḥ:
Karta (कर्ता) (apposition to yaḥ)
TypeNoun
Rootśiśu (प्रातिपदिक)
FormPuṁliṅgaḥ (Masculine), Prathamā vibhakti (Nominative), Ekavacanam (Singular)
purāformerly
purā:
Kāla-adhikaraṇa (काल-अधिकरण)
TypeIndeclinable
Rootpurā (अव्यय)
FormAvyaya; kāla-avyaya (temporal adverb)
hariḥHari (Viṣṇu)
hariḥ:
Karta (कर्ता)
TypeNoun
Roothari (प्रातिपदिक)
FormPuṁliṅgaḥ (Masculine), Prathamā vibhakti (Nominative), Ekavacanam (Singular)
yaḥwho
yaḥ:
Karta (कर्ता) (relative clause)
TypeNoun
Rootyad (सर्वनाम-प्रातिपदिक)
FormPuṁliṅgaḥ (Masculine), Prathamā vibhakti (Nominative), Ekavacanam (Singular); relative pronoun
ārādhitavānworshipped, propitiated
ārādhitavān:
Karta (कर्ता) (predicate participle)
TypeVerb
Rootā-√rādh (धातु)
FormKṛdantaḥ: kta-vat (क्तवत्) past active participle; Puṁliṅgaḥ, Prathamā, Ekavacanam; kartari prayoga sense
nṛpa-āsanamthe king’s seat/throne
nṛpa-āsanam:
Karma (कर्म)
TypeNoun
Rootnṛpa (प्रातिपदिक) + āsana (प्रातिपदिक)
FormNapुṁsakaliṅgaḥ (Neuter), Dvitīyā vibhakti (Accusative), Ekavacanam (Singular)
lakṣmyāwith fortune/prosperity
lakṣmyā:
Karaṇa (करण) (means/association)
TypeNoun
Rootlakṣmī (प्रातिपदिक)
FormStrīliṅgaḥ (Feminine), Tṛtīyā vibhakti (Instrumental), Ekavacanam (Singular)
apialso
api:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootapi (अव्यय)
FormAvyaya; nipāta (particle) ‘also/even’
buddhyāwith intellect
buddhyā:
Karaṇa (करण)
TypeNoun
Rootbuddhi (प्रातिपदिक)
FormStrīliṅgaḥ (Feminine), Tṛtīyā vibhakti (Instrumental), Ekavacanam (Singular)
suciramfor long
suciram:
Kāla-adhikaraṇa (काल-अधिकरण)
TypeIndeclinable
Rootsucira (प्रातिपदिक)
FormAvyaya (kriyāviśeṣaṇa) used adverbially; ‘for a long time’
prakāśateshines, becomes manifest
prakāśate:
Kriyā (क्रिया)
TypeVerb
Rootpra-√kāś (धातु)
FormLaṭ-lakāraḥ (Present), Prathama-puruṣaḥ (3rd person), Ekavacanam (Singular); ātmanepada
dhruveṇaby Dhruva / by the steadfast one
dhruveṇa:
Karaṇa (करण)
TypeNoun
Rootdhruva (प्रातिपदिक)
FormPuṁliṅgaḥ (Masculine) / Napuṁsaka possible, Tṛtīyā vibhakti (Instrumental), Ekavacanam (Singular)
viṣṇu-smaraṇenaby remembrance of Viṣṇu
viṣṇu-smaraṇena:
Karaṇa (करण)
TypeNoun
Rootviṣṇu (प्रातिपदिक) + smaraṇa (प्रातिपदिक)
FormNapुṁsakaliṅgaḥ (Neuter), Tṛtīyā vibhakti (Instrumental), Ekavacanam (Singular)
durlabhamhard to obtain
durlabham:
Kriyāviśeṣaṇa / Bhāva (भाव)
TypeAdjective
Rootdurlabha (प्रातिपदिक)
FormNapुṁsakaliṅgaḥ (Neuter), Prathamā/Dvitīyā vibhakti (Nom/Acc), Ekavacanam (Singular); predicate adjective (contextually ‘is hard to obtain’)

Varāha (default speaker framework; explicit speaker not provided in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false,"krishna_connection":"Implicit Vaiṣṇava foreshadowing via Hari/Vishnu-smaraṇa as the supreme discipline, thematically aligned with later Kṛṣṇa-bhakti but not geographically tied to Mathurā here."}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Even amid dvandvas (pairs of opposites) and worldly prosperity, steadfast Viṣṇu-smaraṇa is the rare, highest discipline supporting righteous kingship.","karmic_consequence":"Steady remembrance stabilizes mind and conduct, yielding lasting fame/merit and inner illumination; neglect leads to dvandva-driven instability and ethical decline."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"bhakti-yoga + sāṃkhya-like psychology","core_concept":"Transcending dvandvas through dhruva (steadfast) Viṣṇu-smaraṇa; prosperity (lakṣmī) and intellect (buddhi) are insufficient without devotional anchoring.","practical_application":"Daily nāma-smaraṇa/japa, especially for leaders; cultivate equanimity in praise/blame, gain/loss; rule with devotion-informed restraint."}

Subject Matter: ["Ethics","Kingship and polity","Devotional discipline (smaraṇa)","Philosophical psychology (dvandva)"]

Primary Rasa: śānta

Secondary Rasa: vīra

Type: courtly setting

Related Themes: Varāha Purāṇa: frequent elevation of smaraṇa/bhakti as purifier alongside dharma and vratas (general thematic resonance)

Visual Art Cues: {"scene_description":"A young prince/child ‘Hari’ facing life’s opposites yet bowing to the royal throne with humility; a subtle aura suggests inner illumination from Viṣṇu-smaraṇa.","item_prompts":["child/prince with folded hands","royal throne (nṛpāsana)","symbols of prosperity (Lakṣmī motifs, coins, lotus)","calm face amid contrasting scenes (heat/cold, praise/blame)","Viṣṇu emblem (śaṅkha-cakra) as a thought/halo motif"],"kerala_mural_prompt":"Kerala mural: youthful prince in profile, throne stylized, muted contrast panels showing dvandvas, Viṣṇu emblem hovering as inner remembrance.","tanjore_prompt":"Tanjore: gold-leaf throne and halo, prince with jeweled ornaments yet humble posture, Lakṣmī-lotus motifs, crisp iconography of śaṅkha-cakra.","mysore_prompt":"Mysore: refined court interior, soft lighting, prince’s serene expression, subtle Viṣṇu symbol in background tapestry.","pahari_prompt":"Pahari: narrative split-scene—outer dvandvas in small vignettes, central calm prince before throne, delicate landscape framing."}

Audio Atmosphere: {"recitation_mood":"contemplative with moral resolve","suggested_raga":"Yaman","pace":"medium","voice_tone":"steady, reflective, with gentle emphasis on ‘dhruveṇa viṣṇu-smaraṇena’"}

C
Classical Literature
P
Purāṇa Studies
V
Vaiṣṇavism
D
Dharmaśāstra-related themes

FAQs

It reflects a Purāṇic ethical vocabulary that links royal authority (nṛpāsana) with inner discipline, framing governance and personal conduct through ideals such as steadiness amid dvandvas and sustained remembrance practices.

No specific place-name appears in this verse fragment; the content is thematic (ethics/discipline) rather than topographical.

The verse foregrounds steadiness amid life’s dualities (dvandva) and emphasizes that sustained, firm recollection (smaraṇa) is rare and demanding—presented as a model of disciplined conduct.

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