HomeVaraha PuranaAdhyaya 10Shloka 52
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Varaha Purana 10.52 — Adhyaya 10, Shloka 52

The Threefold Division by the Guṇas, the Deities’ Attainment of Worship, and the Opening of the Durjaya Episode

पृथिव्यां सर्वराजानो जिगीषन्निह सत्तमौ । आगतोऽस्मि ध्रुवं चैव स्मर्तव्योऽहं तपोधनौ ॥ भवन्तौ कौ समाख्यातं ममानुग्रहकाङ्क्षया ॥ १०.५३ ॥

pṛthivyāṁ sarvarājāno jigīṣann iha sattamau | āgato 'smi dhruvaṁ caiva smartavyo 'haṁ tapodhanau | bhavantau kau samākhyātaṁ mamānugrahakāṅkṣayā || 10.53 ||

ഭൂമിയിൽ എല്ലാ രാജാക്കളും ജയലാഭം ആഗ്രഹിച്ചു പരിശ്രമിക്കുന്നു. ഞാൻ നിശ്ചയമായി ഇവിടെ വന്നിരിക്കുന്നു; ഹേ തപോധനരായ ഇരുവരേ, എന്നെ സ്മരിക്കേണ്ടതാണ്. എന്റെ അനുഗ്രഹം ആഗ്രഹിച്ച് നിങ്ങൾ ഇരുവരും ആരെന്ന് പറയുക.

pṛthivyāmon the earth
pṛthivyām:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootpṛthivī (प्रातिपदिक)
FormFeminine, Locative (7th/सप्तमी), Singular
sarva-rājānaḥall kings
sarva-rājānaḥ:
Karta (कर्ता)
TypeNoun
Rootsarva (प्रातिपदिक) + rājan (प्रातिपदिक)
FormMasculine, Nominative (1st), Plural (बहुवचन); compound ‘all-kings’
jigīṣanwishing to conquer
jigīṣan:
Karta (कर्ता)
TypeVerb
Root√ji (धातु)
FormPresent active participle (शतृ/वर्तमानकृदन्त), Masculine, Nominative, Singular; desiderative stem (सन्नन्त) ‘desiring to conquer’; agrees with implied speaker ‘I’
ihahere
iha:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootiha (अव्यय)
FormAdverb (देशवाचक)
sattamauO best two (excellent ones)
sattamau:
Sambodhana (सम्बोधन)
TypeNoun
Rootsat-tama (प्रातिपदिक)
FormMasculine, Vocative (8th/सम्बोधन), Dual; superlative ‘best of the good’ addressing two sages
āgataḥcome
āgataḥ:
Kriyā (क्रिया)
TypeVerb
Rootā-√gam (धातु)
FormPast active participle (क्त, used adjectivally), Masculine, Nominative, Singular; with asmi forms perfect-like periphrasis
asmiI am
asmi:
Kriyā (क्रिया)
TypeVerb
Root√as (धातु)
FormLaṭ (Present/लट्), Parasmaipada, 1st person (उत्तमपुरुष), Singular
dhruvamcertainly
dhruvam:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootdhruva (प्रातिपदिक)
FormAvyaya/adverbial accusative (निश्चयार्थक)
caand
ca:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चय)
evaindeed
eva:
Avadhāraṇa (अवधारण)
TypeIndeclinable
Rooteva (अव्यय)
FormParticle of emphasis (निश्चय/अवधारण)
smartavyaḥto be remembered
smartavyaḥ:
Kriyā (क्रिया)
TypeVerb
Root√smṛ (धातु)
FormGerundive/obligatory participle (तव्यत्), Masculine, Nominative, Singular; passive sense ‘to be remembered’
ahamI
aham:
Karta (कर्ता)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
FormPronoun, Nominative (1st), Singular
tapo-dhanauO two whose wealth is austerity
tapo-dhanau:
Sambodhana (सम्बोधन)
TypeNoun
Roottapas (प्रातिपदिक) + dhana (प्रातिपदिक)
FormMasculine, Vocative (8th), Dual; ‘whose wealth is austerity’ used as address
bhavantauyou two
bhavantau:
Karta (कर्ता)
TypeNoun
Rootbhavat (प्रातिपदिक)
FormPronoun/polite address, Masculine, Nominative (1st), Dual
kauwho (two)?
kau:
Karta (कर्ता)
TypeNoun
Rootkim (सर्वनाम-प्रातिपदिक)
FormInterrogative pronoun, Masculine, Nominative (1st), Dual
samākhyātamtell/declare (it)
samākhyātam:
Kriyā (क्रिया)
TypeVerb
Rootsam-ā-√khyā (धातु)
FormPast passive participle (क्त), Neuter, Nominative/Accusative, Singular; used impersonally: ‘(it is) told’
mamato me / of me
mama:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
FormPronoun, Genitive (6th), Singular
anugraha-kāṅkṣayāwith a wish for (your) favor
anugraha-kāṅkṣayā:
Hetu (हेतु/निमित्त)
TypeNoun
Rootanugraha (प्रातिपदिक) + kāṅkṣā (प्रातिपदिक)
FormFeminine, Instrumental (3rd/तृतीया), Singular; ‘with the desire for favor’

Varāha (default per dialogue framework; speaker not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":true}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","key_question":"भवन्तौ कौ—“Who are you two (ascetics), seeking my favor?”"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"rajaniti","instruction_summary":"Kings on earth are characterized by jigiṣā (desire to conquer); the verse frames conquest-ethos against the higher authority of the Lord who must be remembered and approached for grace.","karmic_consequence":"Remembering/approaching the Lord yields anugraha (favor/protection); unchecked conquest-impulse implies saṃsāric entanglement and conflict (implicit)."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"bhakti/śaraṇāgati orientation within rāja-world","core_concept":"Smaraṇa of the Lord as the stabilizing principle amid worldly power-struggles; grace (anugraha) is sought through humility and truthful self-disclosure.","practical_application":"In positions of power or ambition, cultivate remembrance and accountability before the divine; seek/offer clarity of identity and intention rather than manipulation."}

Subject Matter: ["Ethics","Kingship (Rāja-dharma)","Asceticism","Dialogue framing"]

Primary Rasa: Vīra

Secondary Rasa: Adbhuta

Type: cosmic/human realm

Related Themes: Varāha–Pṛthivī dialogue framing elsewhere in the Purāṇa (smaraṇa/anugraha motifs)

Visual Art Cues: {"scene_description":"Varāha (as divine lord, not necessarily in boar-form here) confronts two austerity-rich ascetics, questioning their identity while the implied backdrop is the earth where kings vie for conquest.","item_prompts":["two tapasvins with matted hair and bark garments","divine figure addressing them with authoritative gesture","suggested distant battlefield/royal banners as symbolic background","aura/tejas around the speaker"],"kerala_mural_prompt":"Kerala mural style: luminous divine figure addressing two ochre-clad tapasvins; strong outlining, flat yet rich color fields; subtle background of earthly kingship symbols.","tanjore_prompt":"Tanjore style: central divine speaker with prabhāmaṇḍala and gold-leaf ornaments; two ascetics in reverent stance; minimal background with symbolic royal emblems.","mysore_prompt":"Mysore style: refined linework, soft shading; divine teacher-figure questioning two ascetics; restrained palette with emphasis on facial expression and hand-mudrā.","pahari_prompt":"Pahari style: intimate forest-edge meeting; two ascetics and the divine interlocutor; delicate landscape suggesting ‘earthly realm’ with tiny fort/standards in distance."}

Audio Atmosphere: {"recitation_mood":"authoritative, interrogative, dharmic framing","suggested_raga":"Śrī (or Bhairav for gravity)","pace":"medium","voice_tone":"firm, clear diction with a slight upward inflection on the question"}

C
Classical Literature
P
Purāṇic Dialogue
V
Vaishnavism
S
Sanskrit Philology

FAQs

The verse reflects a common Purāṇic narrative setting where political ambition (royal conquest) is contrasted with ascetic authority, framing a dialogue that legitimizes teaching through encounter between power and tapas.

No specific pilgrimage site or named locality is identified here; the setting is generalized as “on the earth” (pṛthivyām).

The passage foregrounds remembrance of the authoritative speaker and recognizes austerity (tapas) as a form of “wealth,” implying an ethical hierarchy where spiritual discipline can stand alongside or above political conquest.

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