यज्ञाय भुक्तहविष ऋग्यजुःसामरूपिणे । नमः सरस्वतीगीतदिव्यसद्गणशालिने
yajñāya bhuktahaviṣa ṛgyajuḥsāmarūpiṇe | namaḥ sarasvatīgītadivyasadgaṇaśāline
യജ്ഞസ്വരൂപനേ, ഹവിയെ സ്വീകരിക്കുന്നവനേ, ഋഗ്-യജുഃ-സാമരൂപധാരിയേ; സരസ്വതീഗീതത്തിൽ സ്തുതിക്കപ്പെടുന്ന, ദിവ്യ സദ്ഗണസഭയിൽ വസിക്കുന്നവനേ—നമസ്കാരം.
Brahmā (deduced for Vaiṣṇavakhaṇḍa stuti context)
Tirtha: Ayodhyā-kṣetra
Type: kshetra
Scene: A golden-hued Nārāyaṇa as Yajña-Puruṣa seated in a celestial sabhā of sādhus and devas; Vedic meters embodied as radiant scrolls/lotuses; Sarasvatī singing with vīṇā as the hymn’s source.
All sacred rites and Vedic speech culminate in the Divine; the Lord is both the sacrifice and the receiver of offerings.
Ayodhyā is the praised sacred setting where Vedic devotion and stuti are framed as especially meritorious.
Yajña is referenced conceptually (offerings/havis), but no specific procedural injunction is given in this verse.