Previous Verse
Next Verse

Skanda Purana — Prabhasa Khanda, Shloka 35

औदुम्बरेण दण्डेन संवृतो मृगचर्मणा । तया सार्धं प्रविष्टश्च ब्रह्मा तं यज्ञमण्डपम्

audumbareṇa daṇḍena saṃvṛto mṛgacarmaṇā | tayā sārdhaṃ praviṣṭaśca brahmā taṃ yajñamaṇḍapam

ഉദുംബരമരദണ്ഡം ധരിച്ചു, മൃഗചർമ്മംകൊണ്ട് പൊതിഞ്ഞവനായി, ബ്രഹ്മാവ് അവളോടൊപ്പം ആ യജ്ഞമണ്ഡപത്തിൽ പ്രവേശിച്ചു.

औदुम्बरेणmade of udumbara wood
औदुम्बरेण:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootऔदुम्बर (प्रातिपदिक)
Formपुं/नपुंसकलिङ्ग, तृतीया, एकवचन; विशेषणम् (दण्डेन)
दण्डेनwith a staff
दण्डेन:
Karana (Instrument/करण)
TypeNoun
Rootदण्ड (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, एकवचन
संवृतःcovered, clad
संवृतः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootसम्√वृ (धातु) + क्त (कृदन्त)
Formभूतकर्मणि कृदन्त (past passive participle/क्त) ‘संवृत’; पुंलिङ्ग, प्रथमा, एकवचन; विशेषणम् (ब्रह्मा)
मृगचर्मणाwith a deerskin
मृगचर्मणा:
Karana (Instrument/करण)
TypeNoun
Rootमृग + चर्मन् (प्रातिपदिक)
Formतत्पुरुष-समासः (मृगस्य चर्म); नपुंसकलिङ्ग, तृतीया, एकवचन
तयाwith her
तया:
Sahakari (Association/सहकारी)
TypeNoun
Rootतद् (सर्वनाम/प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया, एकवचन
सार्धम्together (with)
सार्धम्:
Sahakari (Association/सहकारी)
TypeIndeclinable
Rootसार्धम् (अव्यय)
Formअव्यय; सहार्थक (prepositional adverb)
प्रविष्टःentered
प्रविष्टः:
Kriya (Predicate/क्रिया)
TypeVerb
Rootप्र√विश् (धातु) + क्त (कृदन्त)
Formभूतकर्मणि कृदन्त (past passive participle/क्त) ‘प्रविष्ट’; पुंलिङ्ग, प्रथमा, एकवचन; कर्तरि अर्थे—‘entered’
and
:
Samuccaya (Conjunction/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)
ब्रह्माBrahmā
ब्रह्मा:
Karta (Subject/कर्ता)
TypeNoun
Rootब्रह्मन्/ब्रह्मा (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
तम्that
तम्:
Karma (Object/कर्म)
TypeNoun
Rootतद् (सर्वनाम/प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन
यज्ञमण्डपम्sacrificial pavilion
यज्ञमण्डपम्:
Karma (Object/कर्म)
TypeNoun
Rootयज्ञ + मण्डप (प्रातिपदिक)
Formतत्पुरुष-समासः (यज्ञस्य मण्डपः); पुंलिङ्ग, द्वितीया, एकवचन

Īśvara (Śiva)

Tirtha: Prabhāsa-kṣetra

Type: kshetra

Scene: Brahmā, wrapped in deer-skin and holding an udumbara staff, enters the yajña pavilion with Gāyatrī; the agni burns bright, priests rise in respect, and the mandapa is lined with kuśa and ritual vessels.

B
Brahmā
U
udumbara
M
mṛgacarma
Y
yajñamaṇḍapa

FAQs

Even the highest deity models restraint and ritual correctness—outer symbols of discipline support inner steadiness in sacred action.

Prabhāsakṣetra, where Brahmā’s yajña is portrayed as a landmark sacred event within the site’s māhātmya.

Ritual insignia and decorum are emphasized: staff (daṇḍa), deer-skin (mṛgacarma), and formal entry into the yajña pavilion.