जयंत्यां विजयश्चासौ जयन्तः पुरुषोत्तमे । वाडेषु पद्महस्तोऽहं तमोलिप्ते तमोनुदः
jayaṃtyāṃ vijayaścāsau jayantaḥ puruṣottame | vāḍeṣu padmahasto'haṃ tamolipte tamonudaḥ
ജയന്തിയിൽ ഞാൻ വിജയൻ എന്നു പ്രസിദ്ധൻ; പുരുഷോത്തമത്തിൽ ജയന്തൻ. വാഡയിൽ ഞാൻ പദ്മഹസ്തൻ; തമോലിപ്തയിൽ തമോനുദൻ—ഇരുള് നീക്കുന്നവൻ.
Sūta (Lomaharṣaṇa) to the sages (deduced from Prabhāsa-khaṇḍa māhātmya narration style)
Tirtha: Puruṣottama-kṣetra; Tamraliptā (Tamolipta)
Type: kshetra
Scene: Four vignettes: (1) Jayantī—Viṣṇu as Vijaya with raised cakra; (2) Puruṣottama—Jagannātha-like iconic presence; (3) Vāḍa—Lotus-handed deity offering a lotus; (4) Tamraliptā—deity holding a lamp, pushing back a dark veil over a river-port skyline.
The Divine is one, yet compassionately becomes accessible through many names and forms in different holy places, dispelling inner darkness.
Jayantī, Puruṣottama-kṣetra, Vāḍa, and Tamolipta are praised as places where the Lord is especially present under distinct epithets.
No explicit rite is stated; the emphasis is on remembering/recognizing the Lord’s name-form tied to each kṣetra as a source of merit.