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Skanda Purana — Prabhasa Khanda, Shloka 43

गीतवाद्यप्रघोषैश्च नृत्यमानाः समंततः । जयशब्दं नमःशब्दं गर्जंतो हरिनामभिः

gītavādyapraghoṣaiśca nṛtyamānāḥ samaṃtataḥ | jayaśabdaṃ namaḥśabdaṃ garjaṃto harināmabhiḥ

ഗീത-വാദ്യങ്ങളുടെ ഘോഷത്തോടുകൂടി ചുറ്റുമെല്ലാം നൃത്തം ചെയ്തു, ഹരിനാമങ്ങൾ ഉച്ചരിച്ച് ‘ജയ’ ‘നമഃ’ എന്ന ശബ്ദങ്ങൾ ഗർജിച്ചു.

गीतवाद्यप्रघोषैःwith the loud sounds of songs and instruments
गीतवाद्यप्रघोषैः:
Karana (Instrument/करण)
TypeNoun
Rootगीत (प्रातिपदिक) + वाद्य (प्रातिपदिक) + प्रघोष (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (Instrumental/3rd), बहुवचन; समासः (तत्पुरुष) — ‘गीत-वाद्य-सम्बद्ध-प्रघोषैः’
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक अव्यय (conjunction)
नृत्यमानाःdancing
नृत्यमानाः:
Karta (Agent/कर्ता)
TypeVerb
Rootनृत् (धातु) + शानच् (कृदन्त)
Formवर्तमान-कृदन्त (Present participle) आत्मनेपद-प्रयोग; पुंलिङ्ग, प्रथमा-विभक्ति, बहुवचन
समन्ततःon all sides
समन्ततः:
Desha (Spatial/देश)
TypeIndeclinable
Rootसमन्ततः (अव्यय)
Formअव्यय (adverb) — ‘सर्वतः’
जयशब्दम्the cry ‘jaya!’
जयशब्दम्:
Karma (Object/कर्म)
TypeNoun
Rootजय (प्रातिपदिक) + शब्द (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative/2nd), एकवचन; समासः (तत्पुरुष) — ‘जय-इति शब्दः’
नमःशब्दम्the cry ‘namaḥ!’
नमःशब्दम्:
Karma (Object/कर्म)
TypeNoun
Rootनमः (अव्यय/प्रातिपदिक) + शब्द (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; समासः (तत्पुरुष) — ‘नमः-इति शब्दः’
गर्जन्तःroaring/shouting
गर्जन्तः:
Karta (Agent/कर्ता)
TypeVerb
Rootगर्ज् (धातु) + शतृ (कृदन्त)
Formवर्तमान-कृदन्त (Present participle), पुंलिङ्ग, प्रथमा-विभक्ति, बहुवचन
हरिनामभिःwith the names of Hari
हरिनामभिः:
Karana (Instrument/करण)
TypeNoun
Rootहरि (प्रातिपदिक) + नामन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (Instrumental/3rd), बहुवचन; समासः (तत्पुरुष) — ‘हरेः नामभिः’

Prahlāda (narration)

Tirtha: Dvārakā

Type: kshetra

Scene: Devas dance in a circle with instruments; banners of ‘Jaya’ and ‘Namaḥ’ seem to vibrate in the air as Hari’s names are shouted like thunder.

H
Hari (Kṛṣṇa/Viṣṇu)
D
Devas (implied)

FAQs

Communal bhakti—kīrtana, dance, and chanting Hari’s names—is presented as an exalted response to divine presence.

Dvārakā, as the setting for jubilant Hari-nāma celebration surrounding Kṛṣṇa’s darśana.

Hari-nāma (chanting the divine names) and celebratory kīrtana are implied devotional acts.