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Skanda Purana — Kashi Khanda, Shloka 95

वीणावेणुमृदंगांश्च लयतालविचक्षणाः । वादयंति मुदा युक्तास्तिस्रोपीश्वरसन्निधौ

vīṇāveṇumṛdaṃgāṃśca layatālavicakṣaṇāḥ | vādayaṃti mudā yuktāstisropīśvarasannidhau

ലയതാളങ്ങളിൽ നിപുണരായ ആ മൂവരും ആനന്ദത്തോടെ, ഈശ്വരസന്നിധിയിൽ വീണ, വേണു, മൃദംഗം എന്നിവ വായിച്ചു।

वीणा-वेणु-मृदङ्गान्vīṇās, flutes, and mṛdaṅgas
वीणा-वेणु-मृदङ्गान्:
Karman (Object/कर्म)
TypeNoun
Rootवीणा (प्रातिपदिक) + वेणु (प्रातिपदिक) + मृदङ्ग (प्रातिपदिक)
Formपुंलिङ्ग; द्वितीया (2nd/Accusative); बहुवचन; इतरेतर-द्वन्द्वः (vīṇā, flute, and mṛdaṅga)
and
:
Samuccaya (Conjunction)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयार्थक निपात (conjunction: and)
लय-ताल-विचक्षणाःskilled in tempo and rhythm
लय-ताल-विचक्षणाः:
Viśeṣaṇa (Qualifier of subject)
TypeAdjective
Rootलय (प्रातिपदिक) + ताल (प्रातिपदिक) + विचक्षण (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1st/Nominative); बहुवचन; विशेषण; तत्पुरुषः (लये ताले च विचक्षणाः = skilled in rhythm and beat)
वादयन्तिplay (instruments)
वादयन्ति:
Kriyā (Predicate action)
TypeVerb
Rootवादय् (णिजन्त; वद्/वाद् धातु causative)
Formलट् (Present); प्रथमपुरुष (3rd person); बहुवचन; परस्मैपदम्; णिजन्त (causative: make sound/play)
मुदाwith joy
मुदा:
Karaṇa (Instrument/means)
TypeNoun
Rootमुद् (प्रातिपदिक: मुदा)
Formस्त्रीलिङ्ग; तृतीया (3rd/Instrumental); एकवचन; भाववाचक (with joy)
युक्ताःengaged/intent
युक्ताः:
Viśeṣaṇa (Qualifier of subject)
TypeAdjective
Rootयुक्त (कृदन्त; युज् धातु, क्त)
Formपुंलिङ्ग; प्रथमा (1st/Nominative); बहुवचन; विशेषण (connected/engaged)
तिस्रःthe three (women)
तिस्रः:
Karta (Subject/कर्ता)
TypeNoun
Rootत्रि (संख्याप्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा (1st/Nominative); बहुवचन
अपिalso
अपि:
Sambandha/Emphasis (Particle)
TypeIndeclinable
Rootअपि (अव्यय)
Formअव्यय; निपात (also)
ईश्वर-सन्निधौin the presence of the Lord
ईश्वर-सन्निधौ:
Adhikaraṇa (Location/अधिकरण)
TypeNoun
Rootईश्वर (प्रातिपदिक) + सन्निधि (प्रातिपदिक)
Formपुंलिङ्ग; सप्तमी (7th/Locative); एकवचन; तत्पुरुषः (ईश्वरस्य सन्निधिः)

Skanda (deduced)

Tirtha: Trilocana (Kāśī)

Type: kshetra

Scene: Three joyful devotees, expert in rhythm and tempo, play vīṇā, flute, and mṛdaṅga before the Lord in the shrine.

R
Ratnāvalī
P
Prabhāvatī
K
Kalāvatī
Ī
Īśvara (Śiva)

FAQs

Joyful excellence in one’s skills, when performed before God, becomes a form of bhakti rather than mere entertainment.

Kāśī’s sacred ambience is implied, where the Lord’s presence sanctifies devotional music.

Instrumental music (vādyasevā) offered in the Lord’s presence, emphasizing laya and tāla mastery as part of worship.