वधार्थं मृगयूथानामागतो विन्ध्यपर्वतम् । तरुजातिसमाकीर्णे हस्तियूथसमाचिते
vadhārthaṃ mṛgayūthānāmāgato vindhyaparvatam | tarujātisamākīrṇe hastiyūthasamācite
മാൻകൂട്ടങ്ങളെ വധിക്കുവാൻ അവൻ വിന്ധ്യപർവ്വതത്തിലേക്കു വന്നു—വിവിധ വൃക്ഷജാതികളാൽ സാന്ദ്രവും ആനക്കൂട്ടങ്ങളാൽ നിറഞ്ഞതുമായിരുന്നു അത്।
Sūta (Lomaharṣaṇa) (deduced for Skanda Purāṇa narrative frame)
Scene: A king with retinue enters the Vindhya slopes: layered forest canopy, deer herds scattering, a visible line of elephants moving through sal trees; the mountain rises dark-green behind.
The pursuit of violence and sport-hunting becomes the narrative cause that drives the king into powerful sacred landscapes where dharma will be re-taught.
Vindhya mountain is named as the setting; in the Revā Khaṇḍa this geography functions as the threshold to Narmadā-associated sanctity.
None; it describes the king’s motive and the forested Vindhya setting.