जितवाक्कायचित्ताश्च ध्येयध्यानरतास्तथा । कावेरीसङ्गमे तात तेऽपि मोक्षमवाप्नुयुः
jitavākkāyacittāśca dhyeyadhyānaratāstathā | kāverīsaṅgame tāta te'pi mokṣamavāpnuyuḥ
വാക്ക്, ശരീരം, മനസ്സ് എന്നിവ ജയിച്ച് ധ്യേയധ്യാനത്തിൽ രമിക്കുന്നവർ പോലും, പ്രിയമേ, കാവേരി സംഗമത്തിൽ മോക്ഷം പ്രാപിക്കുന്നു।
Sūta (deduced, Revā Khaṇḍa narrative style)
Tirtha: Kāverīsaṅgama
Type: sangam
Listener: Addressed as 'tāta' and within king-directed discourse; likely the king as primary listener with affectionate vocative used in narration.
Scene: Ascetics seated at the confluence in meditation; the two rivers meet like a luminous 'yoga' of waters; subtle presence of Śiva as the dhyeya in the sky or within a liṅga shrine.
Self-mastery and meditation, when rooted in a powerful tīrtha, are said to culminate in mokṣa rather than merely worldly or heavenly rewards.
The Kāverī saṅgama—understood in this adhyāya as the Kāverī–Narmadā confluence.
A discipline of restraint (speech/body/mind) and meditative absorption (dhyāna) practiced at the saṅgama.