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Shiva Purana — Vayaviya Samhita, Shloka 40

पञ्चाक्षरीविद्यायाḥ कलियुगे मोक्षोपायः | The Pañcākṣarī Vidyā as a Means of Liberation in Kali Yuga

तप्तचामीकरप्रख्या पीनोन्नतपयोधरा । चतुर्भुजा त्रिनयना बालेंदुकृतशेखरा

taptacāmīkaraprakhyā pīnonnatapayodharā | caturbhujā trinayanā bāleṃdukṛtaśekharā

അവൾ ചൂടേറ്റ സ്വർണ്ണംപോലെ ദീപ്തയായിരുന്നു; അവളുടെ സ്തനങ്ങൾ പുഷ്ടവും ഉയർന്നതുമായിരുന്നു. അവൾ ചതുര്ഭുജയും ത്രിനയനയും; ശിരസ്സിൽ ബാലചന്ദ്രനെ ശേഖരരത്നമായി ധരിച്ചു.

तप्त-चामीकर-प्रख्याshining like heated gold
तप्त-चामीकर-प्रख्या:
Karta (कर्ता/Predicate adjective)
TypeAdjective
Rootतप्त (कृदन्त; √तप् + क्त) + चामीकर (प्रातिपदिक) + प्रख्या (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; समासः तत्पुरुषः (तप्तचामीकरस्य प्रख्या = like heated gold)
पीन-उन्नत-पयोधराwith full, uplifted breasts
पीन-उन्नत-पयोधरा:
Karta (कर्ता/Predicate adjective)
TypeAdjective
Rootपीन (प्रातिपदिक) + उन्नत (कृदन्त; √नम् + उद्, क्त) + पयोधर (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; समासः कर्मधारयः (pīnonnata = full and high; payodharā = having breasts)
चतुर्भुजाfour-armed
चतुर्भुजा:
Karta (कर्ता/Predicate adjective)
TypeAdjective
Rootचतुर् (संख्या-प्रातिपदिक) + भुज (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; समासः द्विगुः (four-armed)
त्रिनयनाthree-eyed
त्रिनयना:
Karta (कर्ता/Predicate adjective)
TypeAdjective
Rootत्रि (संख्या-प्रातिपदिक) + नयन (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; समासः द्विगुः (three-eyed)
बाल-इन्दु-कृत-शेखराhaving a crest made of the young moon
बाल-इन्दु-कृत-शेखरा:
Karta (कर्ता/Predicate adjective)
TypeAdjective
Rootबाल (प्रातिपदिक) + इन्दु (प्रातिपदिक) + कृत (कृदन्त; √कृ + क्त) + शेखर (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; समासः तत्पुरुषः (बाल इन्दुः कृतः शेखरः यस्याः = whose crest is made of the young moon)

Suta Goswami

Tattva Level: pati

Shiva Form: Sadāśiva

Type: stotra

Shakti Form: Gaurī

Role: creative

Offering: dipa

P
Parvati
S
Shiva

FAQs

The verse presents the Goddess in a luminous, auspicious Saguna form—Shakti as the manifest power of Pati (Shiva). Her three eyes signify transcendent knowledge beyond time’s three modes, while her splendor indicates the grace that uplifts the bound soul (paśu) toward liberation.

In Shaiva Siddhanta, the Linga signifies Shiva’s supreme reality, while such iconographic descriptions guide devotion to Saguna manifestations. Worship of Shiva is traditionally complete with Shakti, since divine power (śakti) is inseparable from the Lord’s presence and grace.

A practical takeaway is dhyāna (visual meditation) on the Goddess’s radiant form while repeating the Panchakshara mantra “Om Namaḥ Śivāya,” and performing Shiva worship with reverence to Shakti (e.g., offering bilva to Shiva and a respectful offering to the Devi).