शब्दब्रह्मतनुवर्णनम् — Description of the Form of Śabda-Brahman
ओकारश्च तथौकारो दन्तपंक्तिद्वयं क्रमात् । अमस्तु तालुनी तस्य देवदेवस्य शूलिनः
okāraśca tathaukāro dantapaṃktidvayaṃ kramāt | amastu tālunī tasya devadevasya śūlinaḥ
ക്രമമായി ‘ഓ’യും ‘ഔ’യും രണ്ട് ദന്തനിരകൾ; ‘അം’ ധ്വനി ദേവദേവനായ ശൂലധാരിയുടെ രണ്ട് താലുക്കളായി പറയപ്പെടുന്നു.
Suta Goswami
Tattva Level: pati
Shiva Form: Mahādeva
Jyotirlinga: Oṃkāreśvara
Sthala Purana: The verse foregrounds o/au and aṃ as sacred phonemes of the Lord; by later tīrtha-theology, Oṃkāra is especially associated with Śiva’s presence as Oṃkāreśvara, where the praṇava is worshipped as liṅga.
Significance: Worship of Śiva as praṇava-svarūpa; merit through japa/abhisheka and contemplation of Oṃ as Śiva’s body.
Type: stotra
Role: teaching
Cosmic Event: Phonemic cosmology: o/au/aṃ as structural powers within the Lord’s manifest form (creation through śabda).
It teaches that sacred sound (nāda/varṇa) is not merely linguistic but a divine embodiment: specific phonemes are contemplated as parts of Śiva, helping the devotee internalize the Lord through mantra-aware meditation.
Just as the Liṅga is a tangible support for worship, these phonetic correspondences provide a subtle support (saguṇa-upāsanā through sound), enabling devotees to worship Śiva through mantra as a living form.
Japa and dhyāna on Oṃ and Śiva-mantras with mindful articulation—contemplating the sounds as Śiva’s presence—supports concentration and devotion, especially when paired with traditional Śaiva disciplines like bhasma and Rudrākṣa (where practiced).