Aindra Soma-invitation and confirmation of Indra’s readiness to grant boons
उक्थं च न शस्यमानं नागो रयिरा चिकेत न गायत्रं गीयमानम्
ukthaṃ ca na śasyamānaṃ nāgo rayirā ciketa na gāyatraṃ gīyamānam
ukthaṃ2 ca2 naḥ1 śasyamānaṃ2 na1 āgo2 rayir2 ā1 ciketa2 na1 gāyatraṃ2 gīyamānam2
ഞങ്ങളുടെ ഉക്തം, അത് ശസ്യമാന (പാരായണം) ചെയ്യപ്പെടുമ്പോൾ, ദോഷമില്ല; റയി (സമ്പത്ത്) അതിനെ തിരിച്ചറിയുന്നു; അതുപോലെ ഗായത്രം, അത് പാടപ്പെടുമ്പോഴും ദോഷമില്ല.
uktham | ca | naḥ | śasyamānam | na | āgaḥ | rayiḥ | ā | ciketa | na | gāyatram | gīyamānam
Unknown/unspecified (requires gāna assignment)
{ "prastava": "Prelude establishing steadiness (often minimalistic for ‘protective’ verses).", "udgitha": "Main assertion about uktha being faultless.", "pratihara": "Response reinforcing na āgaḥ.", "upadrava": "Continuation: rayiḥ ā ciketa…", "nidhana": "Closing affirmation on gāyatraṃ gīyamānam with settled cadence.", "structure_notes": "The parallelism (uktha vs gāyatra) can be mirrored by parallel melodic phrases in udgītha and upadrava, then unified in nidhana.", "singer_assignments": "Standard udgātṛ triad; nidhana together." }
{ "gloss_summary": "āgaḥ is ritual defect/sin; the verse declares that properly performed uktha (recitation) and gāyatra (sung stotra) are without fault; rayi (wealth) takes note and accrues.", "ritual_interpretation": "Assurance that correct śasyā (recitation) and gāna (song) do not spoil the offering; secures auspicious result for the yajamāna.", "theological_insight": "Correct form is itself dharma: when sound is aligned with rule, it becomes purifying and fruit-bearing.", "etymology_highlights": "āgaḥ—doṣa/pāpa; ciketa—jānāti/pratijānāti; gāyatra—gāyatrī-chandas-stotra; gīyamānam—gānena uccāryamānam." }