Shloka 9
The Bhīma-Dvādaśī
Kalyāṇinī) Vow and the Anangadāna-Vrata (with a Courtesan-Conduct Discourse
द्वैपायन ऋषिस्तत्र रौहिणेयोथ केशवः । कंसारिः केशिमथनः केशवः क्लेशनाशनः
dvaipāyana ṛṣistatra rauhiṇeyotha keśavaḥ | kaṃsāriḥ keśimathanaḥ keśavaḥ kleśanāśanaḥ
അവിടെ ദ്വൈപായന ഋഷി (വ്യാസൻ) ഉണ്ട്; കൂടാതെ റൗഹിണേയൻ (ബലരാമൻ)യും കേശവൻ (കൃഷ്ണൻ)യും—കംസാരീ, കേശിമഥനൻ, കേശവൻ, ക്ലേശനാശകൻ।
Not explicitly stated in the provided excerpt (context needed from surrounding verses).
Concept: Smaraṇa of the Lord’s names and deeds (Kaṁsāri, Keśimathana, Kleśanāśana) is itself a medicine that dissolves affliction.
Application: Use divine epithets as contemplative anchors: repeat a chosen name (e.g., ‘Keśava’) during stress, pairing it with remembrance of a protective deed.
Primary Rasa: vira
Secondary Rasa: adbhuta
Type: city
Visual Art Cues: {"scene_description":"A triad tableau: Vyāsa seated with palm-leaf manuscripts, Balarāma standing with plough and mace, and Krishna as Keśava poised in graceful strength. In the background, shadowy hints of Kaṁsa’s tyranny and the charging demon Keśin dissolve into light, symbolizing the removal of kleśa.","primary_figures":["Vyāsa (Dvaipāyana)","Balarāma (Rauhiṇeya)","Krishna (Keśava/Kaṁsāri/Keśimathana)"],"setting":"Braj landscape near the Yamunā—kadamba trees, cowherd paths, distant Mathurā silhouettes; a subtle scriptural aura around Vyāsa.","lighting_mood":"golden dawn","color_palette":["yamunā teal","butter yellow","peacock blue","white linen","terracotta"],"tanjore_prompt":"Tanjore painting style: Krishna and Balarāma in jeweled attire with gold leaf halos; Vyāsa in saffron with manuscript and stylus; ornate arch frame, rich reds/greens, embossed gold on weapons (hala, gadā) and Krishna’s ornaments, background hints of Keśin and Kaṁsa subdued under divine glow.","pahari_prompt":"Pahari miniature style: slender figures with refined faces—Krishna in peacock-blue, Balarāma fair with pale garments, Vyāsa serene; delicate Yamunā bank with kadamba trees, soft atmospheric perspective, lyrical narrative vignettes of Keśin and Kaṁsa in miniature margins.","kerala_mural_prompt":"Kerala mural style: iconic Krishna and Balarāma with bold outlines and stylized eyes; Vyāsa as a sage-figure holding palm leaves; flat patterned Braj flora motifs, warm red-yellow-green pigments, temple-wall symmetry.","pichwai_prompt":"Pichwai cloth painting style: Krishna-centered composition with lotus borders, cows and peacocks; Balarāma beside him, Vyāsa below with scripture; deep blue ground, intricate floral filigree, small medallions depicting Keśi-vadha and Kaṁsa’s fall."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["tanpura drone","soft cymbals (manjira)","birds near river","gentle flowing water"]}
Sandhi Resolution Notes: ऋषिस्तत्र → ऋषिः तत्र (विसर्ग-सन्धि); रौहिणेयोथ → रौहिणेयः अथ (विसर्ग-सन्धि).
FAQs
Dvaipāyana refers to Sage Vyāsa, traditionally regarded as the compiler of the Vedas and the author/redactor associated with the Mahābhārata and Purāṇic literature.
These are honorific epithets: Kaṃsāri means “enemy/slayer of Kaṃsa,” and Keśimathana means “slayer of Keśin,” recalling Kṛṣṇa’s victories over these adversaries in the Kṛṣṇa narrative tradition.
Calling Keśava “the remover of afflictions” frames remembrance of the deity’s names and deeds as spiritually purifying and consoling—suggesting a bhakti-oriented assurance that divine grace alleviates suffering (kleśa).