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Shloka 15

The Description of Mandara (Mandaropavarṇanam) in the Mohinī Narrative

सकांचनै रत्नमयैश्च श्रृंगैः प्रकाशयन्भूमितलं वियच्च । यस्मिन्गतः कश्यपनंदनो वै विरश्मितामेति विनष्टतेजाः ॥ १५ ॥

sakāṃcanai ratnamayaiśca śrṛṃgaiḥ prakāśayanbhūmitalaṃ viyacca | yasmingataḥ kaśyapanaṃdano vai viraśmitāmeti vinaṣṭatejāḥ || 15 ||

സ്വർണ്ണവും രത്നവും നിറഞ്ഞ ശിഖരങ്ങളാൽ അത് ഭൂമിതലവും ആകാശവും പ്രകാശിപ്പിക്കുന്നു; എന്നാൽ കശ്യപനന്ദനായ സൂര്യൻ അതിൽ പ്രവേശിക്കുമ്പോൾ കിരണഹീനനായി—തേജസ് നഷ്ടപ്പെട്ടവനെന്നപോലെ തോന്നുന്നു।

स-काञ्चनैःwith golden (ones)
स-काञ्चनैः:
Karana (करण/Instrument; with golden)
TypeAdjective
Rootस (अव्यय/उपसर्गार्थ ‘सह’) + काञ्चन (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, तृतीया-विभक्ति (3rd/तृतीया), बहुवचन (Plural); अव्ययीभाव: ‘स’ = सह (with)
रत्न-मयैःgem-made
रत्न-मयैः:
Visheshana (विशेषण/Qualifier of श्रृङ्गैः)
TypeAdjective
Rootरत्न (प्रातिपदिक) + मय (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, तृतीया-विभक्ति (3rd/तृतीया), बहुवचन (Plural); ‘रत्नमय’ = made of gems
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
शृङ्गैःwith peaks
शृङ्गैः:
Karana (करण/Instrument)
TypeNoun
Rootशृङ्ग (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (3rd/तृतीया), बहुवचन (Plural)
प्रकाशयन्illuminating
प्रकाशयन्:
Karta (कर्ता/Agent; describing the mountain)
TypeVerb
Rootप्र+काश् (धातु) → प्रकाशयत् (कृदन्त; शतृ)
Formशतृ-प्रत्ययान्त वर्तमानकाले कृदन्त (present active participle), पुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; कर्तरि
भूमि-तलम्the surface of the earth
भूमि-तलम्:
Karma (कर्म/Object)
TypeNoun
Rootभूमि (प्रातिपदिक) + तल (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (2nd/द्वितीया), एकवचन (Singular)
वियत्the sky
वियत्:
Karma (कर्म/Object)
TypeNoun
Rootवियत् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (2nd/द्वितीया), एकवचन (Singular)
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
यस्मिन्in which
यस्मिन्:
Adhikarana (अधिकरण/Location)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, सप्तमी-विभक्ति (7th/सप्तमी), एकवचन (Singular); सम्बन्धक (relative pronoun)
गतःhaving gone
गतः:
Kriya (क्रिया/Predicative)
TypeVerb
Rootगम् (धातु) → गत (कृदन्त; क्त)
Formक्त-प्रत्ययान्त, पुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; विधेय (having gone/entered)
कश्यप-नन्दनःson of Kaśyapa (the Sun)
कश्यप-नन्दनः:
Karta (कर्ता/Subject)
TypeNoun
Rootकश्यप (प्रातिपदिक) + नन्दन (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/प्रथमा), एकवचन (Singular)
वैindeed
वै:
Sambandha (सम्बन्ध/Emphasis)
TypeIndeclinable
Rootवै (अव्यय)
Formनिपात (emphatic particle), अव्यय
वि-रश्मिताम्raylessness
वि-रश्मिताम्:
Karma (कर्म/Object; state attained)
TypeNoun
Rootवि (उपसर्ग) + रश्मि (प्रातिपदिक) + ता (तद्धित; भाव)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति (2nd/द्वितीया), एकवचन (Singular); भाववाचक (state of being without rays)
एतिgoes/comes to (attains)
एति:
Kriya (क्रिया/Main verb)
TypeVerb
Rootइ (धातु)
Formलट्-लकार (Present), प्रथमपुरुष (3rd person), एकवचन (Singular); परस्मैपद
विनष्ट-तेजाःwhose brilliance is lost
विनष्ट-तेजाः:
Visheshana (विशेषण/Qualifier of कश्यपनन्दनः)
TypeAdjective
Rootवि+नश् (धातु) → विनष्ट (कृदन्त; क्त) + तेजस् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/प्रथमा), एकवचन; बहुव्रीहि: ‘यस्य तेजः विनष्टम् सः’

Narada (narrating in a Tirtha-Mahatmya description)

Vrata: none

Rasa: {"primary_rasa":"adbhuta","secondary_rasa":"shanta","emotional_journey":"Brilliance and splendor (golden jewel-peaks lighting earth and sky) turns to astonishment at the paradox: the Sun’s radiance is subdued upon entering."}

K
Kashyapa
S
Surya (Kaśyapa-nandana)

FAQs

It magnifies a sacred locus by portraying it as so radiant that even the Sun’s brilliance appears to fade upon entering it—an idiom used in tirtha-mahātmya to convey extraordinary sanctity and merit.

By elevating the tirtha’s glory beyond ordinary cosmic powers, the verse encourages श्रद्धा (faith) and reverent approach—key bhakti dispositions—toward sacred places connected with divine presence and purifying merit.

Indirectly, it echoes Jyotiṣa-style cosmological language (Sun, radiance, sky/earth), a common Purāṇic way of framing sacred geography with astronomical symbolism, though no technical ritual procedure is specified in this single verse.