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Narada Purana — Purva Bhaga, Shloka 23

The Exposition of the Maheśa Mantra

Mahēśa-mantra-prakāśana

कर्णिकायां यजेन्मूर्तिरीशमीशानदिग्गजम् । शुद्धस्फटिकसंकाशं दिक्षु तत्पुरुषादिका ॥ २३ ॥

karṇikāyāṃ yajenmūrtirīśamīśānadiggajam | śuddhasphaṭikasaṃkāśaṃ dikṣu tatpuruṣādikā || 23 ||

പദ്മത്തിന്റെ കർണികയിൽ ഈശസ്വരൂപ മൂർത്തിയെ, ഈശാന ദിക്കിലെ ദിഗ്ഗജത്തോടുകൂടെ പൂജിക്കണം. അവനെ ശുദ്ധസ്ഫടികംപോലെ ദീപ്തനായി ധ്യാനിക്കണം; മറ്റു ദിക്കുകളിൽ ‘തത്പുരുഷ’ മുതലായ രൂപങ്ങൾ സ്ഥാപിക്കണം॥২৩॥

karṇikāyāmin the pericarp (of the lotus)
karṇikāyām:
Adhikarana (अधिकरण)
TypeNoun
Rootkarṇikā (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Locative (7/सप्तमी), Singular (एकवचन)
yajetshould worship
yajet:
Kriya (क्रिया)
TypeVerb
Root√yaj (यज् धातु)
FormOptative/vidhi-lin (विधिलिङ्), 3rd person (प्रथमपुरुष), Singular (एकवचन), Parasmaipada (परस्मैपद)
mūrtimthe form/icon
mūrtim:
Karma (कर्म)
TypeNoun
Rootmūrti (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Accusative (2/द्वितीया), Singular (एकवचन)
īśamthe Lord
īśam:
Karma (कर्म)
TypeNoun
Rootīśa (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (2/द्वितीया), Singular (एकवचन)
īśāna-dik-gajamthe directional elephant of Īśāna (NE)
īśāna-dik-gajam:
Karma (कर्म)
TypeNoun
Rootīśāna + dik + gaja (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (2/द्वितीया), Singular (एकवचन); तत्पुरुषः (īśānasya dikgajaḥ / īśāna-dik-gajaḥ)
śuddha-sphaṭika-saṃkāśamresembling pure crystal
śuddha-sphaṭika-saṃkāśam:
Visheshana (विशेषण)
TypeAdjective
Rootśuddha + sphaṭika + saṃkāśa (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (2/द्वितीया), Singular (एकवचन); कर्मधारयः (śuddhaḥ sphaṭika iva saṃkāśaḥ) qualifying īśāna-dik-gajam
dikṣuin the directions
dikṣu:
Adhikarana (अधिकरण)
TypeNoun
Rootdiś (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Locative (7/सप्तमी), Plural (बहुवचन)
tatpuruṣa-ādikāḥ(the forms) beginning with Tatpuruṣa
tatpuruṣa-ādikāḥ:
Karta (कर्ता)
TypeNoun
Roottatpuruṣa + ādika (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1/प्रथमा), Plural (बहुवचन); तत्पुरुषः (tatpuruṣādayaḥ—beginning with Tatpuruṣa)

Sanatkumara (in instruction to Narada, within a ritual-technical teaching section)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: adbhuta

I
Isha (Īśa)
I
Ishana (Īśāna)
T
Tatpurusha (Tatpuruṣa)

FAQs

It teaches disciplined visualization: the Lord is worshipped in the “center” (karṇikā) as a crystal-pure presence, while His aspects are arranged by directions—training the mind to see divinity as ordered, all-pervading, and luminous.

Bhakti here takes a structured form: devotion is expressed through precise upāsanā—contemplating the Lord’s central sovereignty (Īśa) and honoring His manifestations in every direction, making worship continuous and all-encompassing.

It highlights ritual-technical mapping used in upāsanā (dik-nyāsa/mandala placement) and correct conceptual alignment of deity-forms with directions—an applied, methodical aspect of Vedic ritual science.