The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
कालमुद्रा मातृकाख्या रत्नदेशोपदेशिका । तत्त्वाग्रहगाभिधा मूर्तिस्तथैव विषयद्विपा ॥ ६६ ॥
kālamudrā mātṛkākhyā ratnadeśopadeśikā | tattvāgrahagābhidhā mūrtistathaiva viṣayadvipā || 66 ||
അതുപോലെ ‘കാലമുദ്രാ’, ‘മാതൃകാ’, ‘രത്നദേശോപദേശികാ’, ‘തത്ത്വാഗ്രഹഗാ’ എന്നിങ്ങനെ (ഈ ശാസനങ്ങൾ/സാധനകൾ) അറിയപ്പെടുന്നു; അതുപോലെ ‘മൂർത്തി’യും ‘വിഷയദ്വിപാ’യും ഉണ്ട്.
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
The verse catalogs specialized vidyās (knowledge-systems) that support dharma—especially mantra-practice, correct phonetics/letters (mātṛkā), and form-based worship (mūrti)—showing that spiritual life is aided by precise auxiliary sciences.
By including 'Mūrti' and 'Mātṛkā', it implies bhakti is strengthened through correct mantra-recitation (sound/letters) and proper icon/form understanding, aligning worship with śāstra rather than mere sentiment.
The emphasis on Mātṛkā points to śikṣā/phonetics and the discipline of correct sound-units used in mantra, while the other named vidyās indicate applied śāstras (classification of principles, forms, and specialized teachings).